It took Cyrano a few weeks to finish up his play, to make up his mind on the casting. The results of
the readings are finally posted one morning on the Mansion's billboard, in his clean, cold, intellectual yet flamboyant penmanship.
The Death of Agrippina
A tragedy in 5 acts
CAST:
TIBERIUS, emperor of Rome. - Locke Lamora
SEJANUS, Tiberius' favorite
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Comments 682
He's resting with his thrice-plumed hat on his face, to shield him from the light, but is thankfully not snoring.
As indicated up there, he'll be sleeping only for the first commenter, resting (or pretending to) for the others.
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Titus was sure that he hadn't made the cut at all. But circumstances have surprised him yet again.
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"--- Monsieur Groan."
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Well, he'll try. He does wonder who Utena and Malcolm are though...
Open to anybody, but looking for other stage hands and such.
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He wonders if there's anything he could do to help behind the scenes. Perhaps special props or special effects? He'd scratch his head, but he takes a bite of his apple instead.
Anyone that wants to talk to Neville, feel free to tag.
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{{He is open to talking to anybody. And he does want to congratulate Titus on bagging the part of Sejanus.}}
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"Heh, no priest this time," Robin says to himself, though it's probably a way to start conversation. "Guess he's trying something new."
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Not human, and not dead, either. An elemental spirit, maybe?
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Mitotic bastard is the acknowledged canon identification, though it's fairly unhelpful. A puck is what Robin calls himself. Some would say 'goblin', but he would take it poorly, we expect.
When they first met, he was identified as a human-looking yokai by Tsuzuki, if it helps.
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Songs are played, but only fragments of them. And every once in a while she bangs on the piano in frustation and a sheet is tossed away.
Hopefully someone can come a break her out of this. (We didn't say it was going to be easy...)
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He knows it's not her playing, of course-this music doesn't bear the elegant style that makes each composition uniquely hers-though there have been times that Franz has almost been able to hope that it was, despite his mind knowing distinctly otherwise.
Wincing at the sound of the piano keys being assaulted, Franz finally allows his curiosity to take over and enters the ballroom. He doesn't know the woman seated at the piano, though perhaps he's seen her a few times in passing.
He watches her toss a sheet of paper away and raises an eyebrow, his pace slow and casual. "Having trouble?"
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"Yes. I'm doing a score for a play for the first time and I'm stuck on a certain scene... it just doesn't sound right..." She bites her (visibly scarred) fingers out of frustration.
She looks up at Franz and gets a sudden look of guilt. "I'm sorry..."
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