Pepa & Silvia - Episode 15: Part Two LHDP Translation/RECAP
A recap/translation/picspam hit list of Pepa/Silvia moments on Los Hombres De Paco. Done for the flist because a few of the youtube clips don't have subtitles, and knowing what people are saying (more or less) is nice. While the majority of these scenes are subtitled on youtube, I'm ... anally obsessed. Please ignore me.
RECENT RECAP/TRANSLATIONS
WHO'S WHO: get a low-down of the cast, relationships, ranks, etc.
4x03-09: The introduction of Pepa
4x10: An Awkward Family Reunion
4x11: Love Autopsy
4x12: Silvia Is A Hot Nerd; Pepa is a thug
4x13: Silvia & Pepa = BFFs, sexual tension on the side
4x14: It's Not Easy Being Green
4x15: Part I: In which the potential for naked Pepa breaks Silvia and Curtis' brains…
4x15: Part II: In Which They One-Up The Gay and Give Us Stripping To Boot
4x16: Day I: Words Unspoken
4x16: Day II: To the Rhythm of a Street Festival...
4x17: Part I: After P&S Hook Up
4x17: Part II: Silvia Learns to Process, Daddy Freaks Out
4x18: Pepa Earns Her Toaster
4x20: Agent Povedilla: Protector of Lesbians
4x21: Pepa Likes Porno (And Fingerprints)
4x22: Pepa's super happy; Silvia flips the bird)
4x23: Part 1: Inappropriate Suprises
4x23: Part 2: Unwelcome Guests
4x24: Povedilla's leftovers get the best funeral ever
4x26: Season Finale - Quick Recap
Previously on LHDP:
Paco agreed to pose for Lola, unaware that he was actually agreeing to doing it naked. When Interpol decided to pull Lucas off the Kaiser case and investigate him for possible corruption, a distracted Paco sent Povedilla in his place.
Meanwhile, Sara, learning her father was a blunder away from an Internal Investigations case and newly assigned to his unit, volunteered to go undercover at Flashdance, an erotic dancehall where minors prostitute themselves and film the exploits for extortion. Curtis, leading the investigation, would hear nothing of it, until Pepa and Silvia decided to go with her.
EPISODE 4x15 Part 2: In Which They One-Up The Gay and Give Us Stripping To Boot
INTERROGATION ROOM
*TRANSCRIBER'S EDIT - there's an extended version of this included here that was originally cut from air, but it was so damn hot, that I included it anyway. Go for it.
Silvia looks over some files as Pepa stands in the doorway, watching her. After a moment, Pepa knocks, announcing her presence.
PEPA: What, Silvia? Ready to head over to 'Flashdance'?
SILVIA: I don't think I'll ever be prepared to have guys stick bills in my underwear in my life.
PEPA: Oh, come on.
SILVIA: No, it's just that I sucked at the audition. I've embarrassed myself.
*START EXTENDED SCENE : http://www.youtube.com/watch?v=i88Zcc0YS4Y
PEPA: I don't believe you.
SILVIA: I'm serious! I can't dance! Unless they want me to … just kinda flail around!
Pepa smiles and comes forward.
PEPA: I think, Silvia, that you haven't seen yourself in the mirror lately, have you?
At the intensity of Pepa's gaze, Silvia's smile stalls. Pepa steps back.
PEPA: Come here.
Afraid of what will happen if she does, Silvia stays put. Pepa laughs at her paranoia.
PEPA: Silvia, come here!
With a nervous, shy smile, Silvia inches forward, eyeing Pepa expectantly.
Pepa unceremoniously grabs hold of the folder in Silvia's hands and tosses it on the table, away from them.
PEPA: Pick it up.
Silvia blinks, and stares at Pepa to make sure that's what she wants.
PEPA: Pick it up!
Disappointed and feeling silly about it, she turns to go get the file. Pepa stops her, however, with a hand on her elbow.
PEPA: Ssst. I'm going to show you something.
She palms Silvia's hips and presses up behind her, walking her gently toward the table.
Silvia's stopped breathing.
PEPA: Pick it up, but without moving from here.
Silvia's eyes are wide, and she finds herself overwhelmed as Pepa leans her over the table, and smoothes her arm over Silvia's, caressing her.
As Pepa presses her palm on the small of Silvia's back, Silvia's breath catches. She's ridiculously turned on the feel of Pepa against her and touching her, and shocked as hell about it.
PEPA: You see how you moved?
She lets go and steps back.
PEPA: You can move even when you're picking up a fucking file, Silvia.
Silvia could care less. She jolts up and turns around.
*END EXTENDED SCENE
SILVIA: Dance with me.
Their eyes connect. Pepa smiles, and steps forward.
Silvia panics, inhaling sharply and scrambling back. Before Pepa can get any closer and dismantle her completely-
SILVIA: I meant SHOW me the steps. For the mission. If I make it, right?
Pepa's smile doesn't falter.
PEPA: Okay. I'll go get the music. Don't move.
She heads out.
Weak-kneed, Silvia finally exhales, clutching the edge of the table top as she tries to recover from her overwhelming attack of her hormones.
She grins, unable to stop the giddiness of what's overtaking her.
MEANWHILE
Don Lorenzo, Lucas and Paco show up at the Paco's house, with a spreadsheet, as Paco is determined to solve the Kaiser case and get Lucas in the clear.
They find themselves flabbergasted when they discover Povedilla naked in his livingroom. Before Paco can give himself a fit, Lola barks at him to shut up. This is his fault, because he sent Povedilla to do a job he promised to do.
She orders them to sit down while she draws.
Chastized, they sit down. Everyone is unable to look away from the size of Povedilla's wang.
BACK IN THE INTERROGATION ROOM
Pepa presses play and a sultry song starts to play. She walks slowly toward Silvia.
Silvia, for her part, looks like the cat who ate the canary, as she giddily waits in front of the oneway mirror for Pepa to come up behind her.
Pepa embraces her from behind, and slowly they start to move seductively to the song. Pepa begins to move Silvia's hands, showing her the steps, and Silvia follows gamely, clearly more interested in Pepa's hands on her than in learning the steps.
The dance is sexy as hell.
Curtis and Montoya, watching from the other side of the one-way mirror, clearly agree. They're two seconds away from needing a drool napkin as they watch Pepa and Silvia move sensuously together.
They start talking, but don't take their eyes off the women.
MONTOYA: So Paco isn't on the case?
CURTIS: 24 hours on personal business, but…
He pauses as Pepa twirls Silvia out, and reels her back in, nuzzling into Silvia's hair.
CURTIS: In the meantime he's left me in charge of the operation.
Overtaken, Silvia's eyes close helplessly as Pepa digs her face into her neck.
MONTOYA: Well if you want, I'll give you a hand.
Pepa releases Silvia and they dip down together, staring intensely into each other's faces.
Montoya gulps.
MONTOYA: I mean, I'll go with you. To help you. You'll still be in charge, okay?
Curtis blinks, and the two men finally look at each other. Montoya gets a call and heads out to take it.
As he leaves, Rita, Aitor and Quique enter the interrogation room.
AITOR: Curtis.
CURTIS: What's going on?
Silvia and Pepa continue to dance in the other room.
AITOR: We've all discussed it, and the best thing to do is just to abort the mission, okay? Seriously, enough is enough.
RITA: Curtis, I've been to that place, and I'm telling you that's no place for Sara, the girl.
QUIQUE: Not for Sara, and not for us. That place is a place for posh people, and we are not posh and we sure as hell don't look like it.
CURTIS: What the hell is your problem? I guarantee you that nothing is going to happen to Sarita. We're all going to go to that place and we're going to infiltrate it. The lady Inspectors as exotic dancers, and the rest of us as patrons.
But Quique has a chip on his shoulder, and he's over it.
QUIQUE: A patron!? Look at yourself, Curtis, you look like a pimp! The people that go to that place are ELITE, and we don’t pass for elite or even mediocre! And I'm not even going to get started on those two!
He nods to the dancing inspectors.
CURTIS: What about them!? What about them? Fuck, Quique they dance…
He stops to admire them.
CURTIS: They dance really well, Quique! They look like professional dancers!
QUIQUE: And what do you look like?! I'll tell you what you look like. You look like the guy who hangs out at the entrances of a sex shop! And what matters here is Paco's reputation - he's gonna get fucked over!
AITOR: Curtis, Curtis - hey - hey. We are the joke of the damn precinct. And everytime we fuck up, we make it worse. I'm serious, it's done. That's enough.
RITA: I don’t think we can do this to Paco. The best thing to do is just to tell Sara that we're cancelling the operation and that's that!
But Sara bursts in the room, jolting past them and into the interrogation room.
She interrupts the dancing Inspectors, and she's got a jubilant smile on her face.
SARA: They've PICKED US! All three of us!
Curtis blinks, happily thrilled. Rita sighs in frustration.
Silvia and Pepa squeal and Silvia JUMPS into Pepa's arms for an intimate embrace.
SARA: Come on, let's go!
They go into the other room, where Curtis puffs up with pride. Pepa squeezes Sara happily. Silvia looks like she'd rather be the one being squeezed.
CURTIS: Okay, heads up. Gentlemen, the operation is a go. Quique, Aitor, to the mobile unit. I want every one of those damn cameras from that place tapped into. Ladies, you've got four hours to learn that choreography.
Pepa salutes smartly.
CURTIS: Rita, go get us some black suits. But the good ones, okay?
Montoya walks in.
MONTOYA: Curtis, I talked to Central. I got you a Mercedes for the operation. Sounds good, right?
Curtis grins. Everything's coming together awesomely.
CURTIS: Oh, one more thing. I want Sara, Silvia and Pepa wired the whole time. In case they come across a potential client.
Pepa clears her throat.
PEPA: Curtis, and where do you plan on putting the microphone? I'm just saying, at the end of our number, I don't think we're going to have a lot of clothes on.
Montoya and Curtis stare at each other and gulp.
MEANWHILE
Paco can't take Povedilla's big dick anymore. He freaks out, and kicks him out, and demands to take his place. Lola immediately makes him strip.
DL, unable to take the shenanigans, leaves, and Lucas struggles to concentrate on the case as Paco, now nude and standing for Lola, directs him to write things on the board so they can figure out the case.
Lucas takes a look at the in progress picture, and points out to Lola that with Paco's picture is out of proportion (cause Paco's dick is not nearly as huge as Povedilla's). Lola replies that she has to use parts of Povedilla because she's strapped for time. Paco takes exception and they all erupt in shouting.
This is what Silvia walks into.
She gets an eyeful of Paco Au Natural.
PACO: GOD, SILVIA!
He grabs a towel and covers up. Silvia blinks.
SILVIA: Are you becoming a nudist?
LUCAS: Yes! That's exactly it.
PACO: What?
LOLA: No! No, no! I'm drawing him!
Silvia just shrugs. She's got more important things on her mind anyhow.
SILVIA: Ah. Hey, Lola, can I talk to you for a minute?
LOLA: Yes, of course you can, yes. [to Paco] Don't move, or I'll lose the point of reference, okay?
Paco immediately jerks back to position.
PACO: Yes.
Silvia and Lola go into the kitchen and settle at the table.
Silvia looks like she's going to confession.
LOLA: Tell me.
SILVIA: Sit down.
Lola hesitates, but does so. Silvia takes a deep breath.
SILVIA: Promise me, that you won't judge me and that you'll listen to what I have to say.
LOLA: Mmhmm.
SILVIA: I have a problem.
LOLA: Tell me sis, what problem do you have?
Silvia once again struggles.
SILVIA: I think I'm flirting.
LOLA: … okay. And what's the problem?
SILVIA: … I think I'm flirting with Pepa.
Lola stares for a minute, taking that in.
Now she understands the problem.
MEANWHILE - Lucas and Paco keep going on and on about the Kaiser. Lucas gets a call from the gang, and leaves Paco alone.
PACO: Honey, can you please hurry up? I'm freezing my ass off!
LOLA: Pacito, calm down. I'll be right there.
She turns back to her sister.
LOLA: Okay, let's see. Are you trying to tell me that you're flirting with Pepa, or are you trying to tell me that you're developing a really intimate friendship with Pepa?
Silvia hesitates, thinking this through.
SILVIA: um….
She deflates, no longer able to deny it.
SILVIA: That I'm flirting, Lola. That I follow her around the precinct, that I tell her I don't know how to dance when I've been taking dance classes for three years-
LOLA: And why would you tell her that?
SILVIA: … So I could dance with her. Lola, so that I could feel her hands on my hips.
Lola smiles and nods, well acquainted with her sister's wily ways.
SILVIA: And on top of that, I've just approved a case that in my right mind, I never would have-
She sighs in frustration.
SILVIA: And if that wasn't enough - the other day, when we all went out?
Lola nods, remembering.
SILVIA: I left, because I was jealous.
Her case made, she slumps back, and awaits her verdict.
LOLA: okay…
She thinks this through.
LOLA: So maybe what you're trying to tell me is that… you're attracted to Pepa.
Silvia is immediately defensive.
SILVIA: Lola, what are you trying to tell me, that I'm a lesbian? Because you're wrong. Remember I've been with tons of guys.
LOLA: Well then why are you here? So it can be me that tells you that you can't fall for a woman because you're straight?
LOLA: Sara fell in love with Lucas. He was twice her age. He was her uncle, my ex-brother in law. I forbid it, and she suffered a lot. I was wrong. So I can't tell anyone what they should do, Silvia.
SILVIA: Yeah, but it's not the same, Lola!
LOLA: It's not the same, why? Because she's a woman? Or because she's also our sister-in-law, and our father can't stand to even look at her? It's the same. We can't control who we fall in love with. And if we let it go, then… we regret it for the rest of our lives.
Lola's words sink in, and Silvia takes them to heart, finally allowing herself to revel in her feelings.
MONTAGE
As the different storylines move together, we begin our awesome MONTAGE to Pignoise' Sube a Mi Cohete.
Sara and Lucas have met up, and happily head for the shooting alley, where they engage in some shootin' gun foreplay.
Lola and Paco engage in some lovin' of their own, bonding over her drawing of him.
Mariano, still fussing over the Rubix Cube he's picked up from the dead body of Julio Olmedo, refuses to stop trying to solve it.
Meanwhile, Silvia, giddy over finally admitting her feelings for Pepa out loud, gets ready for the operation with the object of her affection.
She's now openly flirting, happily dabbing mascara playfully on Pepa's cheek, and staring at Pepa when she thinks Pepa's not looking.
Pepa, however, is definitely starting to catch onto the signs that Silvia's giving out loud and clear.
The guys are also getting ready. Povedilla, released from nude model duty, shows up with their snazzy suits.
Pepa models the bikini's they've been given to wear. Silvia drools.
And then it's the guy's turn to drool when the girls present themselves, in slinky sexy black dresses, looking awesome and fully aware of it.
Montoya, Curtis and Povedilla stare, obviously appreciative.
Mariano, frustrated with the cube, finally begins to peel off stickers and place them on the right boxes. In during this, he discovers a thin strip of microfilm hidden in the cube.
END MONTAGE.
LATER
AT PACO'S HOUSE
Mariano bursts into Paco's and announces happily about the microfilm. Lucas, aware that this contains information about the Kaiser that MUST not fall in police hands, stays close, hoping to snag it from Mariano at the first opportunity.
Rita, still feeling down in the dumps over being passed over for the prostitute gig, also shows up, and Paco (still awkwardly naked) tries to console her.
She then feels obligated to tell him that since she couldn't get in, they sent someone else in her place: Sara.
Paco's little girl.
Naked.
At a stripjoint.
Paco hyperventilates.
AT FLASHDANCE
The operation is set in motion.
Quique and Aitor wait in the mobile unit, and Quique uses the opportunity to start arguing with a miked Curtis about Pepa. He tells Curtis that everytime Pepa says 'jump' Curtis says 'how high', and now they're in a stupid operation starring Miranda's sister because Curtis can't stop thinking with his dick.
Curtis erupts with anger and tells Quique that it's not his fault that Quique is in love with him and jealous as hell about Pepa.
Quique admits that might be true, but he's not nearly as stupid about it as Curtis is about Paco's sister.
Povedilla awkwardly tries to be smooth, and fails miserably.
And then familiar music plays, we get an eyeful of some butt.
Oh, that's Silvia, dressed like a sexy cop, on stage, as her and Pepa start their show.
Montoya and Curtis look at each other and sigh in appreciation.
Povedilla, however, can't enjoy the show. He swivels his chair away from the stage.
POVEDILLA: I can't look. DON'T LOOK! DON'T LOOK, you guys! That our colleague! And our superior!
Curtis and Montoya ignore him.
Mariano, Paco, and Lucas, dressed to the nines, crash the party.
Pepa does her thing on stage. Lucas gets an eyeful.
LUCAS: Your sister's hot, Paco!
With his sister AND his sister in law on stage, Paco's not in the mood.
PACO: Shut up!
The girls toss off their hats and start to dance around the stage, when a third dancer, dressed like a business woman in a black wig, joins them.
PACO: And who's that?
The woman dances provocatively, and turns: It's Sara.
Paco nearly throws up in disgust. He is seriously close to wigging out bigtime. Mariano and Lucas try to keep him calm as they move forward.
On the monitor, Quique and Aitor see them.
AITOR: Holy shit.
Paco marches toward Curtis. Povedilla staggers up, trying to stay in character.
POVEDILLA: Don Francisco! How nice that you made it! I didn't think you would but-
Lucas shoves him firmly back in his seat. Paco leans over Curtis.
PACO: What the FUCK!? WHAT THE FUCK!?
CURTIS: Paco, don’t' worry! We're doing fine-
PACO: You're what?!
Montoya takes charge.
MONTOYA: Paco, calm down. We're on a mission, so calm yourself.
PACO: Calm myself?!
The girls continue to dance.
Paco can't take it and orders everyone to turn away. Except for Lucas. From Lucas he demands to know what happens.
Pepa and Silvia shed their tops, leaving only their bras.
LUCAS: She's dancing. Very well.
Paco glares at him.
LUCAS: A client is putting a fifty dollar bill in her skirt.
Paco jolts around and nearly has a heart attack. Mariano instructs him to calm down.
Paco frantically searches his pockets for money but only comes up with the canister of film. Lucas notes that. Paco demands money from Mariano to talk to Sara.
As Sara saunters down the catwalk, Pepa and Silvia start dancing together, Pepa embracing Silvia from behind.
Curtis hears Pepa on the microphone.
PEPA: So, are you having a good time?
The flirty tone catches Curtis' attention, and he looks toward the stage.
MONTOYA: What's happening?
PEPA: Maybe you'd like to dance with me again sometime.
She twirls Silvia out. Silvia smiles, to the point.
SILVIA: Are you asking me out on a date?
PEPA: Yes.
In the mobile unit, Quique and Aitor glance at each other in surprise.
Curtis is dumbstruck.
MONTOYA: What'd she say?! What'd she say?!
Mariano gets the money for Paco, but Lucas takes it from him, offering to talk to Sara for him.
Silvia and Pepa strip their skirts off.
Seeing Lucas approach, Sara amps up her performance and strips off her skirt, approaching him and covering her mike.
QUIQUE: Sara, I'm losing you. You're covering your mike. SARA!
Montoya can't take it, and grabs Curtis and hauls him up to his ear.
As Lucas places the bill into Sara's shirt, he tells her Paco has the microfilm in his pocket and she needs to steal it away from Paco. For Carlotta.
Processing this, Sara kicks off her hat and heads back up the catwalk.
Paco begins to panic, knowing that any minute Sara will get more and more naked.
Lucas comes back and tells Paco and Sara told him that she's not coming down, and if Paco wants her off the catwalk, then he'll have to drag her off of it.
Silvia and Pepa choose that exact moment to strip off their bras.
They glance at each other and smile, but they're the only ones.
Paco is nearing a conniption, and as Sara removes her vest and heads for her bra strap, he can't take it anymore.
He rushes the stage.
The videofeed erupts in noise.
LATER
Paco drags Sara into the mobile unit, screaming his head off.
Sara loses patience and finally tells him that she only did it because he was going to have an Internal Affairs investigation after him if she didn't help him.
Humbled that his daughter would go through such lengths to protect him, he apologizes meekly and gives her a hug.
Sara senses her opportunity and reaches into her father's pocket, stealing the microfilm for Lucas.
Paco doesn't notice. His head is back in the game, and when Pepa and Silvia inside notice a gentlemen heading back with a dancer, they question whether or not to follow them.
He takes over, moving toward the mike.
PACO: Silvia, forget about that guy. Sneak into the reserved hallways.
Hearing him, Silvia and Pepa remove the guns that are daintily tangled at their thighs, made up to look like part of the props.
PACO: Curtis do not do anything until we can prove that there are minors. If there are minors, then we bust them. Understood?
IN THE HALLWAYS
Guns drawn, Silvia and Pepa sneak into the restricted hallways.
Silently, they make their way through.
Silvia instructs Pepa to head toward the kitchen.
She heads for a door marked 'PRIVATE'.
Carefully, she opens the door just enough to see the two men watching monitors in the tiny room.
GUARD: FREEZE!
She shuts the door, and turns to discover a guard with a gun aimed at her.
In the van, Paco and company wince.
PEPA: FREEZE! POLICE!
Out of nowhere, Pepa jumps forward, digging the gun into the guard and dragging him toward the wall.
PACO: Great, Pepa!
She slams him against the wall and holds him.
PEPA: Drop the gun.
Silvia jerks open the door.
SILVIA: FREEZE!
The guys jump up, hands in the air.
SILVIA: Up against the wall! Turn around!
She holds a gun against them and inspects the surroundings.
SILVIA: Paco, we've found where they record.
She catches Pepa's eye. Pepa offers her a sporting wink.
Silvia revels in it, smiling back, before going back to work.
SILVIA: Paco, on the monitor there's a girl who's about sixteen years old with a guy about fifty in a room.
They've got the proof they need.
Paco gives the signal, and the guys jump up, flashing badges and showing guns.
END EPISODE
Instead of a teaser, we're treated to an extended stripper dance scene, complete with lingering flirty glances and more between pepa and silvia.
COMING UP:
Episode 4x16: Silvia panics and stands up Pepa on their first date. As Silvia fights through her fear, Pepa second-guesses herself and thinks maybe she misconstrued friendship for something more. Meanwhile, Paco, desperate to discover who Sara is dating, enlists Pepa's help in trying to weasel information out of Sara. Unfortunately, all the extra time with her niece leads Don Lorenzo to suspect Pepa of seducing her.
Wacky hijinks ensue.
RECENT RECAP/TRANSLATIONS
WHO'S WHO: get a low-down of the cast, relationships, ranks, etc.
4x03-09: The introduction of Pepa
4x10: An Awkward Family Reunion
4x11: Love Autopsy
4x12: Silvia Is A Hot Nerd; Pepa is a thug
4x13: Silvia & Pepa = BFFs, sexual tension on the side
4x14: It's Not Easy Being Green
4x15: Part I: In which the potential for naked Pepa breaks Silvia and Curtis' brains…
4x15: Part II: In Which They One-Up The Gay and Give Us Stripping To Boot
4x16: Day I: Words Unspoken
4x16: Day II: To the Rhythm of a Street Festival...
4x17: Part I: After P&S Hook Up
4x17: Part II: Silvia Learns to Process, Daddy Freaks Out
4x18: Pepa Earns Her Toaster
4x20: Agent Povedilla: Protector of Lesbians
4x21: Pepa Likes Porno (And Fingerprints)
4x22: Pepa's super happy; Silvia flips the bird)
4x23: Part 1: Inappropriate Suprises
4x23: Part 2: Unwelcome Guests
4x24: Povedilla's leftovers get the best funeral ever
4x26: Season Finale - Quick Recap
Previously on LHDP:
Paco agreed to pose for Lola, unaware that he was actually agreeing to doing it naked. When Interpol decided to pull Lucas off the Kaiser case and investigate him for possible corruption, a distracted Paco sent Povedilla in his place.
Meanwhile, Sara, learning her father was a blunder away from an Internal Investigations case and newly assigned to his unit, volunteered to go undercover at Flashdance, an erotic dancehall where minors prostitute themselves and film the exploits for extortion. Curtis, leading the investigation, would hear nothing of it, until Pepa and Silvia decided to go with her.
EPISODE 4x15 Part 2: In Which They One-Up The Gay and Give Us Stripping To Boot
INTERROGATION ROOM
*TRANSCRIBER'S EDIT - there's an extended version of this included here that was originally cut from air, but it was so damn hot, that I included it anyway. Go for it.
Silvia looks over some files as Pepa stands in the doorway, watching her. After a moment, Pepa knocks, announcing her presence.
PEPA: What, Silvia? Ready to head over to 'Flashdance'?
SILVIA: I don't think I'll ever be prepared to have guys stick bills in my underwear in my life.
PEPA: Oh, come on.
SILVIA: No, it's just that I sucked at the audition. I've embarrassed myself.
*START EXTENDED SCENE : http://www.youtube.com/watch?v=i88Zcc0YS4Y
PEPA: I don't believe you.
SILVIA: I'm serious! I can't dance! Unless they want me to … just kinda flail around!
Pepa smiles and comes forward.
PEPA: I think, Silvia, that you haven't seen yourself in the mirror lately, have you?
At the intensity of Pepa's gaze, Silvia's smile stalls. Pepa steps back.
PEPA: Come here.
Afraid of what will happen if she does, Silvia stays put. Pepa laughs at her paranoia.
PEPA: Silvia, come here!
With a nervous, shy smile, Silvia inches forward, eyeing Pepa expectantly.
Pepa unceremoniously grabs hold of the folder in Silvia's hands and tosses it on the table, away from them.
PEPA: Pick it up.
Silvia blinks, and stares at Pepa to make sure that's what she wants.
PEPA: Pick it up!
Disappointed and feeling silly about it, she turns to go get the file. Pepa stops her, however, with a hand on her elbow.
PEPA: Ssst. I'm going to show you something.
She palms Silvia's hips and presses up behind her, walking her gently toward the table.
Silvia's stopped breathing.
PEPA: Pick it up, but without moving from here.
Silvia's eyes are wide, and she finds herself overwhelmed as Pepa leans her over the table, and smoothes her arm over Silvia's, caressing her.
As Pepa presses her palm on the small of Silvia's back, Silvia's breath catches. She's ridiculously turned on the feel of Pepa against her and touching her, and shocked as hell about it.
PEPA: You see how you moved?
She lets go and steps back.
PEPA: You can move even when you're picking up a fucking file, Silvia.
Silvia could care less. She jolts up and turns around.
*END EXTENDED SCENE
SILVIA: Dance with me.
Their eyes connect. Pepa smiles, and steps forward.
Silvia panics, inhaling sharply and scrambling back. Before Pepa can get any closer and dismantle her completely-
SILVIA: I meant SHOW me the steps. For the mission. If I make it, right?
Pepa's smile doesn't falter.
PEPA: Okay. I'll go get the music. Don't move.
She heads out.
Weak-kneed, Silvia finally exhales, clutching the edge of the table top as she tries to recover from her overwhelming attack of her hormones.
She grins, unable to stop the giddiness of what's overtaking her.
MEANWHILE
Don Lorenzo, Lucas and Paco show up at the Paco's house, with a spreadsheet, as Paco is determined to solve the Kaiser case and get Lucas in the clear.
They find themselves flabbergasted when they discover Povedilla naked in his livingroom. Before Paco can give himself a fit, Lola barks at him to shut up. This is his fault, because he sent Povedilla to do a job he promised to do.
She orders them to sit down while she draws.
Chastized, they sit down. Everyone is unable to look away from the size of Povedilla's wang.
BACK IN THE INTERROGATION ROOM
Pepa presses play and a sultry song starts to play. She walks slowly toward Silvia.
Silvia, for her part, looks like the cat who ate the canary, as she giddily waits in front of the oneway mirror for Pepa to come up behind her.
Pepa embraces her from behind, and slowly they start to move seductively to the song. Pepa begins to move Silvia's hands, showing her the steps, and Silvia follows gamely, clearly more interested in Pepa's hands on her than in learning the steps.
The dance is sexy as hell.
Curtis and Montoya, watching from the other side of the one-way mirror, clearly agree. They're two seconds away from needing a drool napkin as they watch Pepa and Silvia move sensuously together.
They start talking, but don't take their eyes off the women.
MONTOYA: So Paco isn't on the case?
CURTIS: 24 hours on personal business, but…
He pauses as Pepa twirls Silvia out, and reels her back in, nuzzling into Silvia's hair.
CURTIS: In the meantime he's left me in charge of the operation.
Overtaken, Silvia's eyes close helplessly as Pepa digs her face into her neck.
MONTOYA: Well if you want, I'll give you a hand.
Pepa releases Silvia and they dip down together, staring intensely into each other's faces.
Montoya gulps.
MONTOYA: I mean, I'll go with you. To help you. You'll still be in charge, okay?
Curtis blinks, and the two men finally look at each other. Montoya gets a call and heads out to take it.
As he leaves, Rita, Aitor and Quique enter the interrogation room.
AITOR: Curtis.
CURTIS: What's going on?
Silvia and Pepa continue to dance in the other room.
AITOR: We've all discussed it, and the best thing to do is just to abort the mission, okay? Seriously, enough is enough.
RITA: Curtis, I've been to that place, and I'm telling you that's no place for Sara, the girl.
QUIQUE: Not for Sara, and not for us. That place is a place for posh people, and we are not posh and we sure as hell don't look like it.
CURTIS: What the hell is your problem? I guarantee you that nothing is going to happen to Sarita. We're all going to go to that place and we're going to infiltrate it. The lady Inspectors as exotic dancers, and the rest of us as patrons.
But Quique has a chip on his shoulder, and he's over it.
QUIQUE: A patron!? Look at yourself, Curtis, you look like a pimp! The people that go to that place are ELITE, and we don’t pass for elite or even mediocre! And I'm not even going to get started on those two!
He nods to the dancing inspectors.
CURTIS: What about them!? What about them? Fuck, Quique they dance…
He stops to admire them.
CURTIS: They dance really well, Quique! They look like professional dancers!
QUIQUE: And what do you look like?! I'll tell you what you look like. You look like the guy who hangs out at the entrances of a sex shop! And what matters here is Paco's reputation - he's gonna get fucked over!
AITOR: Curtis, Curtis - hey - hey. We are the joke of the damn precinct. And everytime we fuck up, we make it worse. I'm serious, it's done. That's enough.
RITA: I don’t think we can do this to Paco. The best thing to do is just to tell Sara that we're cancelling the operation and that's that!
But Sara bursts in the room, jolting past them and into the interrogation room.
She interrupts the dancing Inspectors, and she's got a jubilant smile on her face.
SARA: They've PICKED US! All three of us!
Curtis blinks, happily thrilled. Rita sighs in frustration.
Silvia and Pepa squeal and Silvia JUMPS into Pepa's arms for an intimate embrace.
SARA: Come on, let's go!
They go into the other room, where Curtis puffs up with pride. Pepa squeezes Sara happily. Silvia looks like she'd rather be the one being squeezed.
CURTIS: Okay, heads up. Gentlemen, the operation is a go. Quique, Aitor, to the mobile unit. I want every one of those damn cameras from that place tapped into. Ladies, you've got four hours to learn that choreography.
Pepa salutes smartly.
CURTIS: Rita, go get us some black suits. But the good ones, okay?
Montoya walks in.
MONTOYA: Curtis, I talked to Central. I got you a Mercedes for the operation. Sounds good, right?
Curtis grins. Everything's coming together awesomely.
CURTIS: Oh, one more thing. I want Sara, Silvia and Pepa wired the whole time. In case they come across a potential client.
Pepa clears her throat.
PEPA: Curtis, and where do you plan on putting the microphone? I'm just saying, at the end of our number, I don't think we're going to have a lot of clothes on.
Montoya and Curtis stare at each other and gulp.
MEANWHILE
Paco can't take Povedilla's big dick anymore. He freaks out, and kicks him out, and demands to take his place. Lola immediately makes him strip.
DL, unable to take the shenanigans, leaves, and Lucas struggles to concentrate on the case as Paco, now nude and standing for Lola, directs him to write things on the board so they can figure out the case.
Lucas takes a look at the in progress picture, and points out to Lola that with Paco's picture is out of proportion (cause Paco's dick is not nearly as huge as Povedilla's). Lola replies that she has to use parts of Povedilla because she's strapped for time. Paco takes exception and they all erupt in shouting.
This is what Silvia walks into.
She gets an eyeful of Paco Au Natural.
PACO: GOD, SILVIA!
He grabs a towel and covers up. Silvia blinks.
SILVIA: Are you becoming a nudist?
LUCAS: Yes! That's exactly it.
PACO: What?
LOLA: No! No, no! I'm drawing him!
Silvia just shrugs. She's got more important things on her mind anyhow.
SILVIA: Ah. Hey, Lola, can I talk to you for a minute?
LOLA: Yes, of course you can, yes. [to Paco] Don't move, or I'll lose the point of reference, okay?
Paco immediately jerks back to position.
PACO: Yes.
Silvia and Lola go into the kitchen and settle at the table.
Silvia looks like she's going to confession.
LOLA: Tell me.
SILVIA: Sit down.
Lola hesitates, but does so. Silvia takes a deep breath.
SILVIA: Promise me, that you won't judge me and that you'll listen to what I have to say.
LOLA: Mmhmm.
SILVIA: I have a problem.
LOLA: Tell me sis, what problem do you have?
Silvia once again struggles.
SILVIA: I think I'm flirting.
LOLA: … okay. And what's the problem?
SILVIA: … I think I'm flirting with Pepa.
Lola stares for a minute, taking that in.
Now she understands the problem.
MEANWHILE - Lucas and Paco keep going on and on about the Kaiser. Lucas gets a call from the gang, and leaves Paco alone.
PACO: Honey, can you please hurry up? I'm freezing my ass off!
LOLA: Pacito, calm down. I'll be right there.
She turns back to her sister.
LOLA: Okay, let's see. Are you trying to tell me that you're flirting with Pepa, or are you trying to tell me that you're developing a really intimate friendship with Pepa?
Silvia hesitates, thinking this through.
SILVIA: um….
She deflates, no longer able to deny it.
SILVIA: That I'm flirting, Lola. That I follow her around the precinct, that I tell her I don't know how to dance when I've been taking dance classes for three years-
LOLA: And why would you tell her that?
SILVIA: … So I could dance with her. Lola, so that I could feel her hands on my hips.
Lola smiles and nods, well acquainted with her sister's wily ways.
SILVIA: And on top of that, I've just approved a case that in my right mind, I never would have-
She sighs in frustration.
SILVIA: And if that wasn't enough - the other day, when we all went out?
Lola nods, remembering.
SILVIA: I left, because I was jealous.
Her case made, she slumps back, and awaits her verdict.
LOLA: okay…
She thinks this through.
LOLA: So maybe what you're trying to tell me is that… you're attracted to Pepa.
Silvia is immediately defensive.
SILVIA: Lola, what are you trying to tell me, that I'm a lesbian? Because you're wrong. Remember I've been with tons of guys.
LOLA: Well then why are you here? So it can be me that tells you that you can't fall for a woman because you're straight?
LOLA: Sara fell in love with Lucas. He was twice her age. He was her uncle, my ex-brother in law. I forbid it, and she suffered a lot. I was wrong. So I can't tell anyone what they should do, Silvia.
SILVIA: Yeah, but it's not the same, Lola!
LOLA: It's not the same, why? Because she's a woman? Or because she's also our sister-in-law, and our father can't stand to even look at her? It's the same. We can't control who we fall in love with. And if we let it go, then… we regret it for the rest of our lives.
Lola's words sink in, and Silvia takes them to heart, finally allowing herself to revel in her feelings.
MONTAGE
As the different storylines move together, we begin our awesome MONTAGE to Pignoise' Sube a Mi Cohete.
Sara and Lucas have met up, and happily head for the shooting alley, where they engage in some shootin' gun foreplay.
Lola and Paco engage in some lovin' of their own, bonding over her drawing of him.
Mariano, still fussing over the Rubix Cube he's picked up from the dead body of Julio Olmedo, refuses to stop trying to solve it.
Meanwhile, Silvia, giddy over finally admitting her feelings for Pepa out loud, gets ready for the operation with the object of her affection.
She's now openly flirting, happily dabbing mascara playfully on Pepa's cheek, and staring at Pepa when she thinks Pepa's not looking.
Pepa, however, is definitely starting to catch onto the signs that Silvia's giving out loud and clear.
The guys are also getting ready. Povedilla, released from nude model duty, shows up with their snazzy suits.
Pepa models the bikini's they've been given to wear. Silvia drools.
And then it's the guy's turn to drool when the girls present themselves, in slinky sexy black dresses, looking awesome and fully aware of it.
Montoya, Curtis and Povedilla stare, obviously appreciative.
Mariano, frustrated with the cube, finally begins to peel off stickers and place them on the right boxes. In during this, he discovers a thin strip of microfilm hidden in the cube.
END MONTAGE.
LATER
AT PACO'S HOUSE
Mariano bursts into Paco's and announces happily about the microfilm. Lucas, aware that this contains information about the Kaiser that MUST not fall in police hands, stays close, hoping to snag it from Mariano at the first opportunity.
Rita, still feeling down in the dumps over being passed over for the prostitute gig, also shows up, and Paco (still awkwardly naked) tries to console her.
She then feels obligated to tell him that since she couldn't get in, they sent someone else in her place: Sara.
Paco's little girl.
Naked.
At a stripjoint.
Paco hyperventilates.
AT FLASHDANCE
The operation is set in motion.
Quique and Aitor wait in the mobile unit, and Quique uses the opportunity to start arguing with a miked Curtis about Pepa. He tells Curtis that everytime Pepa says 'jump' Curtis says 'how high', and now they're in a stupid operation starring Miranda's sister because Curtis can't stop thinking with his dick.
Curtis erupts with anger and tells Quique that it's not his fault that Quique is in love with him and jealous as hell about Pepa.
Quique admits that might be true, but he's not nearly as stupid about it as Curtis is about Paco's sister.
Povedilla awkwardly tries to be smooth, and fails miserably.
And then familiar music plays, we get an eyeful of some butt.
Oh, that's Silvia, dressed like a sexy cop, on stage, as her and Pepa start their show.
Montoya and Curtis look at each other and sigh in appreciation.
Povedilla, however, can't enjoy the show. He swivels his chair away from the stage.
POVEDILLA: I can't look. DON'T LOOK! DON'T LOOK, you guys! That our colleague! And our superior!
Curtis and Montoya ignore him.
Mariano, Paco, and Lucas, dressed to the nines, crash the party.
Pepa does her thing on stage. Lucas gets an eyeful.
LUCAS: Your sister's hot, Paco!
With his sister AND his sister in law on stage, Paco's not in the mood.
PACO: Shut up!
The girls toss off their hats and start to dance around the stage, when a third dancer, dressed like a business woman in a black wig, joins them.
PACO: And who's that?
The woman dances provocatively, and turns: It's Sara.
Paco nearly throws up in disgust. He is seriously close to wigging out bigtime. Mariano and Lucas try to keep him calm as they move forward.
On the monitor, Quique and Aitor see them.
AITOR: Holy shit.
Paco marches toward Curtis. Povedilla staggers up, trying to stay in character.
POVEDILLA: Don Francisco! How nice that you made it! I didn't think you would but-
Lucas shoves him firmly back in his seat. Paco leans over Curtis.
PACO: What the FUCK!? WHAT THE FUCK!?
CURTIS: Paco, don’t' worry! We're doing fine-
PACO: You're what?!
Montoya takes charge.
MONTOYA: Paco, calm down. We're on a mission, so calm yourself.
PACO: Calm myself?!
The girls continue to dance.
Paco can't take it and orders everyone to turn away. Except for Lucas. From Lucas he demands to know what happens.
Pepa and Silvia shed their tops, leaving only their bras.
LUCAS: She's dancing. Very well.
Paco glares at him.
LUCAS: A client is putting a fifty dollar bill in her skirt.
Paco jolts around and nearly has a heart attack. Mariano instructs him to calm down.
Paco frantically searches his pockets for money but only comes up with the canister of film. Lucas notes that. Paco demands money from Mariano to talk to Sara.
As Sara saunters down the catwalk, Pepa and Silvia start dancing together, Pepa embracing Silvia from behind.
Curtis hears Pepa on the microphone.
PEPA: So, are you having a good time?
The flirty tone catches Curtis' attention, and he looks toward the stage.
MONTOYA: What's happening?
PEPA: Maybe you'd like to dance with me again sometime.
She twirls Silvia out. Silvia smiles, to the point.
SILVIA: Are you asking me out on a date?
PEPA: Yes.
In the mobile unit, Quique and Aitor glance at each other in surprise.
Curtis is dumbstruck.
MONTOYA: What'd she say?! What'd she say?!
Mariano gets the money for Paco, but Lucas takes it from him, offering to talk to Sara for him.
Silvia and Pepa strip their skirts off.
Seeing Lucas approach, Sara amps up her performance and strips off her skirt, approaching him and covering her mike.
QUIQUE: Sara, I'm losing you. You're covering your mike. SARA!
Montoya can't take it, and grabs Curtis and hauls him up to his ear.
As Lucas places the bill into Sara's shirt, he tells her Paco has the microfilm in his pocket and she needs to steal it away from Paco. For Carlotta.
Processing this, Sara kicks off her hat and heads back up the catwalk.
Paco begins to panic, knowing that any minute Sara will get more and more naked.
Lucas comes back and tells Paco and Sara told him that she's not coming down, and if Paco wants her off the catwalk, then he'll have to drag her off of it.
Silvia and Pepa choose that exact moment to strip off their bras.
They glance at each other and smile, but they're the only ones.
Paco is nearing a conniption, and as Sara removes her vest and heads for her bra strap, he can't take it anymore.
He rushes the stage.
The videofeed erupts in noise.
LATER
Paco drags Sara into the mobile unit, screaming his head off.
Sara loses patience and finally tells him that she only did it because he was going to have an Internal Affairs investigation after him if she didn't help him.
Humbled that his daughter would go through such lengths to protect him, he apologizes meekly and gives her a hug.
Sara senses her opportunity and reaches into her father's pocket, stealing the microfilm for Lucas.
Paco doesn't notice. His head is back in the game, and when Pepa and Silvia inside notice a gentlemen heading back with a dancer, they question whether or not to follow them.
He takes over, moving toward the mike.
PACO: Silvia, forget about that guy. Sneak into the reserved hallways.
Hearing him, Silvia and Pepa remove the guns that are daintily tangled at their thighs, made up to look like part of the props.
PACO: Curtis do not do anything until we can prove that there are minors. If there are minors, then we bust them. Understood?
IN THE HALLWAYS
Guns drawn, Silvia and Pepa sneak into the restricted hallways.
Silently, they make their way through.
Silvia instructs Pepa to head toward the kitchen.
She heads for a door marked 'PRIVATE'.
Carefully, she opens the door just enough to see the two men watching monitors in the tiny room.
GUARD: FREEZE!
She shuts the door, and turns to discover a guard with a gun aimed at her.
In the van, Paco and company wince.
PEPA: FREEZE! POLICE!
Out of nowhere, Pepa jumps forward, digging the gun into the guard and dragging him toward the wall.
PACO: Great, Pepa!
She slams him against the wall and holds him.
PEPA: Drop the gun.
Silvia jerks open the door.
SILVIA: FREEZE!
The guys jump up, hands in the air.
SILVIA: Up against the wall! Turn around!
She holds a gun against them and inspects the surroundings.
SILVIA: Paco, we've found where they record.
She catches Pepa's eye. Pepa offers her a sporting wink.
Silvia revels in it, smiling back, before going back to work.
SILVIA: Paco, on the monitor there's a girl who's about sixteen years old with a guy about fifty in a room.
They've got the proof they need.
Paco gives the signal, and the guys jump up, flashing badges and showing guns.
END EPISODE
Instead of a teaser, we're treated to an extended stripper dance scene, complete with lingering flirty glances and more between pepa and silvia.
COMING UP:
Episode 4x16: Silvia panics and stands up Pepa on their first date. As Silvia fights through her fear, Pepa second-guesses herself and thinks maybe she misconstrued friendship for something more. Meanwhile, Paco, desperate to discover who Sara is dating, enlists Pepa's help in trying to weasel information out of Sara. Unfortunately, all the extra time with her niece leads Don Lorenzo to suspect Pepa of seducing her.
Wacky hijinks ensue.