And yet here I am, discussing Buffy again, and it's all
stormwreath 's and
jamalov29 's fault!
There were talks about feminism and feminist icon on their lj and it triggered that Buffy-trained muscle that has been dormant for a while, a part of my brain I thought I no longer had a use of. I told
jamalov29 that I disagreed with her views according to which Joss had made Buffy fall
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Comments 21
I do think that, for a woman, acknowledging your personal sexuality, needs, likes and dislikes-- whether it's a powerful libido or a weaker one whatever-- instead of following what is expected from you by the others(especially those of the male category), is part of female empowerment. You're so right. I didn't even think of that particular aspect of their sexual games.
Buffy became a true feminist icon then. In season 7 she regained her feminist status in my eyes , too.
It is possible that I would have found the scenes ridiculous or boring but I doubted I would have been shocked or uncomfortable . from the scans I could ( ... )
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From The One Who Chooses and changed the world to simple pawn I say that it's a huge fall !!!
"If Buffy is so "in love" that she prefered to shag the one who had recently killed many of her "sisters" it is quite sad, and I understand that many fans considered it "a fall from feminist grace"". I disagree. I'm also too tired to argue.:(
Too bad! I'm exhausted too, but stubborn, so in case you didn't understand me above, I shall explain again. I can see it as a fall from the feminism she embodied in "Chosen" because it would be going back on the choice she made in "Chosen", she made that "race of slayers" so jumping Angel while knowing what he did (and doesn't regret!)means sort of accepting his Slayer-slaughtering agenda, considering his Slayercide less important than lust/love while the race of slayers represented female empowerment. It's anti-feminist.
Allez au lit! Bonne nuit.
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so jumping Angel while knowing what he did (and doesn't regret!)means sort of accepting his Slayer-slaughtering agenda, considering his Slayercide less important than lust/love while the race of slayers represented female empowerment. It's anti-feminist. See stormwreath 's comment on this , he spoke on my behalf I would say.
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I don't think that the premise of BtVs is necessarily feminist.I think that depends on how you're defining feminism. If you go with "Feminism is the radical notion that women are people", then 'Buffy' - a show which takes its female protagonist seriously, shows her growing into a strong, self-confident and heroic woman respected by her friends and enemies alike - is very much feminist. It's only if you say that to qualify, a show must tackle "serious themes" about women's rights in a very self-conscious manner that questions arise. S7 does do that, and I think there was an element of Joss saying "The show's nearly over, so let's make our underlying message explicit now so we end on a positive note"; but that doesn't invalidate the earlier seasons ( ... )
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I agree with this. That's one reason Buffy is so important to me: her story is presented as important. She's the hero of her own life. That's a very rare and precious thing.
Of course, I often want more, but I'm thankful that this never wavered (well...except for the AR, which I would argue makes her story subservient to Spike's, but that's a whole 'nother issue).
And...I'm not going to comment on the rest. :D
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Especially loved how you phrased this:
Buffy "graduated" from Chosen One to the One Who Chooses which is already a feminist message.
That's absolutely perfect, and I love it.
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It would be much easier to write in my language but I do my best with the phrasing. ;- )
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Your entire last paragraph is perfect. I think this is something that's getting lost in the whole debate about Buffy herself: if it turns out that the "Chosen" spell was a horrible thing, than that completely undermines the metaphor that was at the core of that episode. And yes, I do believe that would make the comics anti-feminist. As someone who thinks that Joss isn't particularly concerned with feminism but only with inverting tropes, I wouldn't be surprised if he was willing to throw the feminist metaphor under the bus just so he can subvert whatever it is he thinks he's subverting in S8. And...that makes me very, very sad.
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You've summed my feelings perfectly here. I was able to appreciate the emotional message of Chosen even while intellectually pondering the whole "super-race" question or acknowledge the flaws in execution. But Chosen represented an "end" of an arc, a (specifically female, post-modern) hero's journey; to them reverse that entirely and tear Buffy down feels like a knife in my gut, never mind not making a bit of ( ... )
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