Not an essay...

May 03, 2010 22:40

And yet here I am, discussing Buffy again, and it's all stormwreath 's andjamalov29 's fault!

There were talks about feminism and feminist icon on their lj and it triggered that Buffy-trained muscle that has been dormant for a while, a part of my brain I thought I no longer had a use of. I toldjamalov29 that I disagreed with her views according to which Joss had made Buffy fall ( Read more... )

btvs

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stormwreath May 3 2010, 23:41:50 UTC
For something that's not an essay that was very thoughtful and, well, long. ;-)

I don't think that the premise of BtVs is necessarily feminist.

I think that depends on how you're defining feminism. If you go with "Feminism is the radical notion that women are people", then 'Buffy' - a show which takes its female protagonist seriously, shows her growing into a strong, self-confident and heroic woman respected by her friends and enemies alike - is very much feminist. It's only if you say that to qualify, a show must tackle "serious themes" about women's rights in a very self-conscious manner that questions arise. S7 does do that, and I think there was an element of Joss saying "The show's nearly over, so let's make our underlying message explicit now so we end on a positive note"; but that doesn't invalidate the earlier seasons.

Interesting view of Riley; I'd not considered the idea before that Buffy was trying to conform and "join his team". It's a good insight. One thing that has struck me is that before 'Surprise', Buffy trusted Angel and sometimes allowed herself be weak and vulnerable with him. He was her safe space. When he betrayed her, she decided (subconsciously) that she could never let her guard down with another man again. Riley sensed that, and it's what drove him away since it wasn't what he needed from a relationship. I'm not sure quite how that ties up with your view of them. :-)

Either Buffy made a decision because she's had the hots for Angel for 8 years and she did want him even after what he did, or she is in some thrall

My reading is a mixture of all the above and some other stuff too. I know it's possibly dangerous to say this in your hearing (;-)), but I do think Buffy had the hots for Angel all along - at least in a small, tucked away part of her mind. He was her first lover and she never quite got over him. That doesn't mean she can't love anybody else, and I think she's well aware that a relationship with Angel is a bad idea and would never work... but whenever she sees him again, part of her reacts the way the 17-year old girl did. Look at 'I Will Remember You', 'Forever' and 'End Of Days', let alone 'Twilight' - almost every time Buffy and Angel meet after the end of Season 3 they end up kissing passionately at the very least. So there's that.

Buffy is in an emotionally vulnerable position at the moment. She's seen her Slayer Army vilified and destroyed by the rest of humanity. Many of the women who trusted her to lead them are dead. She's been told that it will all come to nothing; posterity won't even remember them. Because she's Buffy, she blames herself for this. Then Angel comes along to say that no, everything that's happened wasn't for nothing; there's a higher purpose behind it all. Something good. Oh, and he's been on her side all along, trying to help her from behind the scenes. Buffy's immediate reaction is sceptical, even angry; she doesn't believe him and hates the fact that he's been playing with her. But he asks her to search her heart, because she knows he's right. And she does, and then she believes him. Was she wrong to? Many fans think so, but Buffy's always been one to trust her instincts.

As for the thrall - Willow says it's controlling them, not letting them stop having sex. Much like WTWTA. My own reading, though, is that Buffy willingly chose to do this. She let the glow take charge of her. Angel challenged her, "Don't you want to be happy?", and she thought about it, then floated up into the air so she was on a higher level than him, grabbed the lapels of his coat and dragged him towards her for a kiss. If there's a drugs metaphor, I don't think it's Rohypnol; it's two adults deciding to get high and have wild crazy sex while they're out of their heads.

That's not the wisest of things to do, of course. I think she's surrendering some of her autonomy because she's at an emotional low point. But as I've said lots of times recently, this isn't the final issue of the comic. There are still six to come. This is 'Weight Of The World' or 'The Yoko Factor' or 'Seeing Red' or 'Empty Places'; it's Buffy's lowest ebb before she rallies and comes back for the grand finale. At least, I hope it is. :-)

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penny_lane_42 May 4 2010, 16:08:24 UTC
If you go with "Feminism is the radical notion that women are people", then 'Buffy' - a show which takes its female protagonist seriously, shows her growing into a strong, self-confident and heroic woman respected by her friends and enemies alike - is very much feminist.

I agree with this. That's one reason Buffy is so important to me: her story is presented as important. She's the hero of her own life. That's a very rare and precious thing.

Of course, I often want more, but I'm thankful that this never wavered (well...except for the AR, which I would argue makes her story subservient to Spike's, but that's a whole 'nother issue).

And...I'm not going to comment on the rest. :D

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frenchani May 4 2010, 17:17:20 UTC
I think that depends on how you're defining feminism. If you go with "Feminism is the radical notion that women are people", then 'Buffy' - a show which takes its female protagonist seriously, shows her growing into a strong, self-confident and heroic woman respected by her friends and enemies alike - is very much feminist. It's only if you say that to qualify, a show must tackle "serious themes" about women's rights in a very self-conscious manner that questions arise. S7 does do that, and I think there was an element of Joss saying "The show's nearly over, so let's make our underlying message explicit now so we end on a positive note"; but that doesn't invalidate the earlier seasons.

I completely agree. Of course not many tv shows had such strong female lead, so of course BtVS could be seen as "feminist" since day one, but I still believe that it wasn't the biggest deal then, that Joss' hidden agenda was rather to subvert a certain horror genre, and twist common tropes, and that growing-up is the main issue the whole series talk about.

I know it's possibly dangerous to say this in your hearing (;-)), but I do think Buffy had the hots for Angel all along - at least in a small, tucked away part of her mind. He was her first lover and she never quite got over him. That doesn't mean she can't love anybody else, and I think she's well aware that a relationship with Angel is a bad idea and would never work... but whenever she sees him again, part of her reacts the way the 17-year old girl did.

*gets ready to fetch the Scythe*

Actually, I don't disagree at all with that. I've always thought that when you do love you don't stop loving. My problem wasn't the fact that she never really got over me and that he would still have an effect on her, but that he jumped his bones in spite of knowing he was Twilight and choosing to turn a blind eye on it.

She's seen her Slayer Army vilified and destroyed by the rest of humanity. Many of the women who trusted her to lead them are dead. She's been told that it will all come to nothing; posterity won't even remember them. Because she's Buffy, she blames herself for this. Then Angel comes along to say that no, everything that's happened wasn't for nothing; there's a higher purpose behind it all.

Correct me if I'm wrong but Angel did kill hundreds of Slayers, didn't he? He isn't just giving a meaning to the death of said Slayer. He did destroy what she had made possible. Anyway the fact that so many Slayer were destroyed because they were Slayer (not because it's a dangerous job with expiration date, but because they became a target, like in a genocide) and the decision she made in "Chosen" might now, possibly, be showed as a mistake undermines a metaphor that was such a great way to end Buffy's journey with.

But again my "reading" is based on reactions I read not on the comics themselves, and I was mostly trying to explain why I, unlike Caroline, understood the reasons fans could consider the S. 8 storyline "a fall from feminist grace". And above all, I wanted to point that Buffy, despite all her lowest moments in the late seasons was more than never a feminist icon.

But yes using the comics here, while I never read one issue, and backing up my points with hearsay wasn't really sporting. :- )

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aycheb May 4 2010, 20:01:17 UTC
Correct me if I'm wrong but Angel did kill hundreds of Slayers, didn't he?
All we know for certain is that 206 Slayers have been killed. We haven't seen Twilight personally kill a single one of them and Angel says he didn't. The Slayers were killed either by attacking demon armies, human mobs or the human army that attacked Buffy's depowered Slayers in Tibet. The question is what Angel's role was. He is the figurehead for the Twilight movement which has been behind the human army attacks but it's unclear whether he's given the order for say the attacks on Tibet or been unable or unwilling to stop his military supporters from making them. He tells Buffy he's been trying to reduce the severity of the attacks and I think the idea that governments and the military would act to eliminate Slayer terrorists with or without Twilight's intervention is believable. However, given his superpowers and the fact that he has the ear of the anti-slayer people it's hard to believe that he couldn't have done more to stop the killings. But that's a different thing from finding hard to believe Angel would think he could do no more or Buffy, who's seen even less of Twilights' activities than the readers, believing that Angel was sincere.

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frenchani May 5 2010, 12:35:13 UTC
Thanks for clarifying! It wasn't what I had come across before. I knew I shouldn't have venture out onot the comics territory! :- )

I still have a problem with the anti-Slayer thing and what it means in regard to the spell in "Chosen".

I understand that if you carry on Buffy's journey, you have to deal with the existence of hundreds of Slayers over the world and explore storylines (I know that they already did it in Angel with "Damages" but the episode was more about Angel and Spike than about the Slayer so it isn't the same) but I wish Joss had let the Buffyverse rest in peace.

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