It's been a couple days since the
attack and her
phone call to Don, and Mattie's feeling better physically, but still a little wrung out emotionally. Mostly that manifests in being very quiet and trying convince Don to let her cook meals for him, and a noticeable absence of tiny sternfaces. There's a lot on her mind, however, and one or two
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After a few moments, he finally managed to wrestle the tablet into doing what he wanted.
"Are you alright?"
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"I'll be there as soon as I can."
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"I do think there is need for you to hurry." That's Mattie's way of saying 'thank you'.
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"It's no problem. I don't mind a little hurry."
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When Stefen arrives, he'll find Mattie standing in the hallway outside the apartment, a man's overcoat wrapped over her nightgown and a too-large hat on her head, arms crossed and looking angry.
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"Are you okay?"
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"I am fine." She's mad, is what she is, but that's not Stefen's fault. "Is it all right if we sit on the stairs?"
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"Just let me know when you're ready."
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And maybe he was just a little nervous that it wouldn't work here. No one really knew how any Gift worked, let alone his that they'd never seen before. Maybe it really was something back home...
He couldn't be thinking about that right now. He was supposed to be helping someone.
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She bows her forehead against her knees and just lets herself be quiet for a while, listening.
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"Any better at all?"
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"Mr. Draper!"
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"What the hell do you think you're doing? Are you trying to get yourself killed? People die here!" He pauses long enough for a breath--shallow, ragged.
"Dumb luck saved you once. Don't count on it to save you again."
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"Have you looked out that window?" Don snaps, stabbing the air with a finger. A cluster of veins stands out on his forehead. "This isn't Yell County, Arkansas. These people are not your friends. They aren't your neighbors. And maybe you could get by on kindness in the nineteenth century but you sure as hell can't now."
He takes two steps forward, jerks to a halt. Looks away, jaw muscles working. When he speaks again his voice is low, has the restrained menace of an animal pacing its cage. "Go to him if you want, but you'd better take your things with you. Because when you walk out that door I am locking it behind you."
He shoves his hands in his pockets--his posture still rigid, every line of his body pulled so taut it might snap--and turns to leave.
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