Not much to say about the fiction--as always, a nod for some things and a huh? for others. But one thing that really pleased me was seeing
The Company They Keep: C.S. Lewis and J.R.R. Tolkien as Writers in Community by Diana Glyer; appendix by David Bratman (Kent State University Press) on that list
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I must admit, I read Phantastes as a youngster only because I recognized the name from reading about CSL's chance purchase on Leatherhead railway station, and I was a CSL fanchild even then. (On the plus side, at least CSL was generous about acknowledging his influences, for example casting MacDonald as his Virgil in The Great Divorce.) But I loved it a lot for itself, too - even to the extent of setting the whole of the "Ballad of Sir Aglovale" to guitar.
"Alas how easily things go wrong,
A sigh too much or a kiss too long,
And there follows a mist and a weeping rain
And life is never the same again."
It's trite - but true!
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I love MacDonald, too. No question but that Lilith and Phantastes require a taste for high-Victorian mysticism and an extreme suspension of disbelief. MacDonald is more about imagery and atmosphere than he is about story. His plots follow only dream logic. And his characters aren't really human. But his imagery. Oh, his imagery.
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David Lenander
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