Not much to say about the fiction--as always, a nod for some things and a huh? for others. But one thing that really pleased me was seeing
The Company They Keep: C.S. Lewis and J.R.R. Tolkien as Writers in Community by Diana Glyer; appendix by David Bratman (Kent State University Press) on that list
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I must admit, I read Phantastes as a youngster only because I recognized the name from reading about CSL's chance purchase on Leatherhead railway station, and I was a CSL fanchild even then. (On the plus side, at least CSL was generous about acknowledging his influences, for example casting MacDonald as his Virgil in The Great Divorce.) But I loved it a lot for itself, too - even to the extent of setting the whole of the "Ballad of Sir Aglovale" to guitar.
"Alas how easily things go wrong,
A sigh too much or a kiss too long,
And there follows a mist and a weeping rain
And life is never the same again."
It's trite - but true!
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People do that, too? That's ridiculous, if so. (Again, though, CSL was very open about his debts to Nesbit, namechecking the Bastables at the start of The Magician's Nephew - which is pretty much a Nesbit homage anyway - and praising The Story of the Amulet in Surprised by Joy.)
And there I was, worrying that Mrs Molesworth was only mentioned as a precursor to E. Nesbit...
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To my mind, the nadir of viewing one author through the prism of another comes in some collections of stories by Lord Dunsany, whose editors present him basically as of interest solely for his influence on H.P. Lovecraft. To my mind this is like valuing Tolkien solely for his influence on Donaldson.
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