wojelah's fic, in aggregate
Here's the run-down....
Crossovers
John Sheppard/Cameron Mitchell
Stargate: Atlantis
Slash
Rodney McKay/John Sheppard
Miscellaneous
Multiples
Miscellaneous
OT4/Team
Rodney McKay/John Sheppard/Elizabeth Weir
Het
Teyla Emmagan/Sergeant Bates
Teyla Emmagan/John Sheppard
Miscellaneous
Marshall Sumner/Elizabeth Weir
Gen
Drabbles
Doctor Who and Torchwood
Slash and Femslash
Multiples
Het
Gen
Drabbles
Criminal Minds
Emily Prentiss/David Rossi
Crossovers
I Say Goodbye (SGA/Who)
Het | Teyla Emmagan and Tenth Doctor (pairing optional, multiple POV) | PG-13 | 400 words
Spoilers: Through The Return, Part One.
"Who are you?" Teyla knows they'd evacuated the settlement.
"I should ask you that question, but it's rude to address someone when we haven't been introduced. I'm the Doctor."
Might Not Last But It's No Big Deal (The Hometown Blues Remix) (SGA/SG-1)
Het | Jack O'Neill/Elizabeth Weir | R | 2,4000ish words
Spoilers: Through The Return
Remix of I Still Haven't Found What I'm Looking For by paranoidangel42
Sometimes, Jack thought, he really hated the Ancients.
Through a Glass, Darkly (SGA/Who)
Slash | John Sheppard/Tenth Doctor | soft R | 1,097 words
Spoilers: None.
John wasn't supposed to have seen that. That's what the Doctor had said, anyway. Something about time scoops and bubbles and quantum that McKay's better equipped to understand, but which all boils down to John having watched Gallifrey burn, there-but-not-there, no more than a ghost, caught on the edges.
John Sheppard/Cameron Mitchell
Guess Things Happen That Way (SGA/SG-1)
Slash | John Sheppard/Cameron Mitchell | R | 1,700ish words
Spoilers: None.
"You know," Sheppard says casually as he peers through a chink in the cabin door, "this kind of shit never happened in Pegasus." Cam just looks at him - when Sheppard doesn't turn around, Cam surfaces just long enough to get a shot off and then ducks back down. "I read those reports, Sheppard. This shit never happened in Pegasus because you were too busy with dealing with even weirder shit."
Parley (SGA/SG-1)
Slash | John Sheppard/Cameron Mitchell | R | 4,548 words
Spoilers: None.
Cam can't really believe that after other galaxies and space aliens and all kinds of weird shit, he goes to Florida and finds pirates. There's only three of them - four, he supposes, counting the guy knocked out down in Sheppard's cabin.
Stargate: Atlantis
Slash
Rodney McKay/John Sheppard
Albatross (The Ancient Mariner's Remix)
Rodney McKay/John Sheppard | R | 2,300 words
Spoilers: None.
Remix of Panic Response, by troutkitty
Right now, standing by the gate on MX-whatever-the-hell, John Sheppard, Lt. Col., USAF, is looking just as freaked out as Rodney feels, because something on this planet is not right, which means it is well-past time to get the hell back to Atlantis.
Bad Timing
Rodney McKay/John Sheppard | R | 373 words
Spoilers: None.
Sheppard falls off a cliff. Rodney misses cupcakes.
Bar Harbor's Best
Rodney McKay/John Sheppard | PG | 8Kish words
Spoilers: None.
Written to Bar Harbor's Best, artwork by beeej
Podficced here by rhea314
Rodney McKay had been a consternation in Bar Harbor for nearly a decade, having left a good three years before John had ever set foot in the place
Bumping Shoulders
Rodney McKay/John Sheppard | PG-13 | 262 words
Spoilers: None.
Remixed by crysothemis as Shoulder to Shoulder (The Rehab Remix)
John prides himself on being pretty self-contained. He's lying to himself, and he knows it.
Christmas Cards (comes after Where We Ought To Be)
Rodney McKay/John Sheppard | PG | 579 words
Spoilers: Through Sunday.
Anna Beckett gets their letters. Even on Christmas Eve.
Decoding
Rodney McKay/John Sheppard | PG | 1,059 words
Spoilers: Through Trio.
Sheppard doesn't touch. Rodney knows this. Teyla and Ronon also know this, Rodney's pretty sure, but since they can kick Sheppard's ass nine times out of ten and only then if Sheppard's having a really, really good day, they apparently get to make their own rules.
From Your Mouth
Rodney McKay/John Sheppard | PG | 760 words
Spoilers: Through This Mortal Coil.
Which made it easy, really, to decide that his job was to watch McKay - to assign himself that task and convince himself that Carter wouldn't disagree - or, more truthfully, that he didn't really care if she did or not.
Got It (pairs with Worth It)
Rodney McKay/John Sheppard | soft R | 680 words
Spoilers: None.
Remixed by krabapple as The Companion's Guide to Translation (The Extended Subtitles Remix)
Podficced here by the_oscar_cat
The deeper Rodney gets into the subject, the more he realizes that Sheppard isn't so much a spoken language as it is a completely nonverbal subset of communicative behaviors whose nonspeaker is likely to flee when faced with the prospect of actual conversation about certain topics.
(Not Quite) Friday Night Lights
Rodney McKay/John Sheppard | PG | 1,778 words
Spoilers: None.
Or, what if John's just really bad at football?
Occasional
Rodney McKay/John Sheppard | PG | 399 words
Spoilers: None.
On occasion, it's an unremarkable event: a smile and a sly, sideways grin and the slow slide of the door as it closes, leaving them quiet and private on the balcony, sharing space with the sea and the sky and the city.
Sign Language
Rodney McKay/John Sheppard | soft R | 344 words
Spoilers: None.
This is what John thinks: Rodney's hands move like an extension of his brain.
Where We Ought To Be (for epilogue, read Christmas Cards)
Rodney McKay/John Sheppard | R | 27,881 words
Spoilers: Through Sunday.
Sheppard paused. "But more importantly, sir, Doctor McKay's walking headlong into the worst possible duty you can throw at a guy and he's pretty much entirely unprepared, and sending him out on this one alone may be the worst PR call in the history of civilian-military relations. And I think you probably know all that, sir, or you'd've sent me home through the gate yesterday."
Worth It (pairs with Got It)
Rodney McKay/John Sheppard | soft R | 655 words
Spoilers: None.
Remixed by krabapple as The Companion's Guide to Translation (The Extended Subtitles Remix)
Podficced here by the_oscar_cat
John Sheppard will never admit the thing he likes best about Rodney McKay.
Miscellaneous
In Memoriam
Sergeant Bates/Marshall Sumner | PG-13 | 1,169 words
Spoilers: Through The Siege, Part I.
Sumner may be dead, but he's still trained in hand-to-hand, and now Bates is hunched over on the floor wheezing from a blow to the solar plexus. This might be a dream, but that still hurt like holy hell.
Recall
Ronon Dex/Steven Caldwell | PG13 | 607 words
Spoilers: Through Critical Mass.
Caldwell doesn't trust his own body. Ronon's not unfamiliar with that concept.
Multiples
Miscellaneous
Auld Acquaintance | Enough | Detente (in series; AU that assumes the continued existence of Sumner)
Steven Caldwell/Marshall Sumner/Elizabeth Weir | soft R | 205 words/793 words/1,087 words
Spoilers: Through Season Two.
"I am not blind, gentlemen," Elizabeth remarks, "and I am remarkably good at putting two and two together. Even Doctor McKay, on occasion, has been known to approve. So I'm sure you won't be startled when I tell you that I'm entirely aware that you've worked together before."
Untitled
John Sheppard/Marshall Sumner/Elizabeth Weir | NC-17 | incomplete | written with smittywing
Spoilers: Through S3.
Elizabeth came to him first, sitting down next to him and taking one of his hands in both of hers. He had thought it would be Sheppard, but then again, he should have known better.
OT4/Team
(Im)possible Universes
Team | PG | 2,150ish words
Spoilers: Through S4.
McKay likes to talk about alternate universes a lot. Actually, McKay just likes to talk. A lot. And sometimes - pretty often, particularly when something's about to go really, really, wrong - McKay talks about alternate universes and the possibility that somewhere else, there was a what if that came true. Sometimes - more often than Rodney probably realizes - Ronon really is paying attention.
A Beautiful Thing
Team | G | 1216 words
Spoilers: Through The Seer.
Teyla avoids generalizations as a rule, because that way lies miscommunication and disaster, but she will allow herself this exception: a man reveals himself when he smiles in public; a woman, knowing she is observed, hides behind her grin.
Past or Present Tense
Ronon Dex/Teyla Emmagan/Rodney McKay/John Sheppard | PG13 | 864 words
Spoilers: Through Lifeline.
Teyla knows that Ronon's mantra requires him to leave behind that which does not make him stronger.
Rodney McKay/John Sheppard/Elizabeth Weir
Finding Peaches in the Desert
Rodney McKay/John Sheppard/Elizabeth Weir | hard R | 2,073 words
Spoilers: None.
Elizabeth misses peaches. John and Rodney didn't realize what they'd been missing.
Leverage
Rodney McKay/John Sheppard/Elizabeth Weir | PG | 265 words
Spoilers: None
Of computers, bureaucracy, and careful application of a wrathful astrophysicist.
Susurrus
Rodney McKay/John Sheppard/Elizabeth Weir | soft R | 304 words)
Spoilers: Through Echoes
Elizabeth thinks she'd wash out with the tide if it weren't for the weight of the blankets and the two pairs of arms anchoring her.
Triangulation (follows With the Greatest of Ease)
Rodney McKay/John Sheppard/Elizabeth Weir | NC-17 | 14,910 words
Spoilers: Through Sunday.
And so they went, and so they learned to trust each other with more than just their lives, and so she began to understand what the physicists meant when they said that the triangle was the strongest geometric shape.
With the Greatest of Ease (prequel to Triangulation)
Rodney McKay/John Sheppard/Elizabeth Weir | PG-13 | 988 words
Spoilers: Through Sunday.
It was, Sarja confided, her fortieth year as Ma'ak, and of course Elizabeth would come celebrate, just for two nights. Of course Elizabeth went.
Het
Teyla Emmagan/Sergeant Bates
Fleeing the Astronomers
Teyla Emmagan/Sergeant Bates | NC-17 | 1,956 words
Spoilers: Through Suspicion.
She needs, all she knows is that she needs, and that she needs to win; it is all she can remember.
Epilogue
Teyla Emmagan/Sergeant Bates | G | 400 words
Spoilers: Through No Man's Land.
Teyla doesn't like unfinished business.
Teyla Emmagan/John Sheppard
Breve
Teyla Emmagan/John Sheppard | G | 487 words
Spoilers: Through Doppelganger
She hadn't wanted this. Had wanted to be alone, in the absence of better comfort.
One Brief Hour
Teyla Emmagan/John Sheppard | NC-17 | 3,800ish words
Spoilers: Through S4
The first time the idea came to Teyla, they'd been frantic for the touch of skin to skin, riding the high that only came after those missions that went terribly, terribly wrong before some sort of miracle managed to make it all come out mostly right. They'd been tangled in their clothing and each other and she'd nearly snarled at him when she ordered him to hold still, her hands tight around his biceps, pinning him to the floor.
Reassembling
Teyla Emmagan/John Sheppard | G | 1,137 words
Spoilers: Through Outcast
She does not know who it is she is becoming, and she has always been sure in her sense of self.
Seawall
Teyla Emmagan/John Sheppard | PG | 940 words
Spoilers: Through Submersion.
Teyla knows the weight of the ocean.
Where Will We Hide
Teyla Emmagan/John Sheppard | R | 2400ish words
Spoilers: Through The Kindred.
Teyla hadn't forgotten, not really. She hadn't, but the day has been full of distractions and annoyances and she has managed to keep from thinking about the fact that tonight is the anniversary of her father's death.
Miscellaneous
Chiaroscuro
Ronon Dex/Elizabeth Weir | PG13 | 1,549 words
Spoilers: None
She nods, and he closes his eyes. As he fades to sleep, he realizes it's been three days since he's heard her say more than his name.
Heaven For Beginners
Jennifer Keller/Rodney McKay | R | 1,200ish words
Spoilers: Through Brainstorm
They've had a lot of "dates" - for Jennifer, the conferences are really pretty much old hat these days, and she considers herself something of an expert in the peculiar sociology of astrophysicists.
Pacem
Teyla Emmagan/Rodney McKay | G | 1,004 words
Spoilers: Through Lifeline.
Rodney works with the infinite and unknowable on a daily basis, rambling among math and physics and laws and order. People, collectively, are as far from that as you get. It's a small wonder that they drive him nuts. Collectively.
The Boy Who Didn't Need Stories
Teyla Emmagan/Radek Zelenka | PG | 3,364 words
Spoilers: None
Once upon a time, there lived a small boy who had no use for fairy tales.
Throw Away Your Papers
Rodney McKay/Elizabeth Weir | NC-17 | 1,980 words
Spoilers: Through The Return, Part Two.
She's asleep until Rodney barges in and thumps down next to her on the edge of the bed, shaking her by the shoulder. At least, she presumes he barged in, because it's Rodney and he pretty much comes with one setting.
Marshall Sumner/Elizabeth Weir (mostly set in smittywing 's The One Where Mack Didn't Die AU, after One To Let Go)
Burn Clear and Steadfast
Marshall Sumner/Elizabeth Weir | PG-13 | 2,040 words
Spoilers: Through The Long Goodbye.
She made her choices. But she's still not sure she's alone in her own skin.
Home Fires
Marshall Sumner/Elizabeth Weir | PG-13 | 918 words
Spoilers: Through The Hive.
Elizabeth hates waiting.
Transference
Marshall Sumner/Elizabeth Weir | PG | 1,243 words
Spoilers: Through Rising. Non-AU, but assumes One To Let Go happened.
Weir faces off against Everett. And Everett? He's no Mack Sumner.
Yes You Are
Marshall Sumner/Elizabeth Weir | PG-13 | 1,097 words
Spoilers: Through Sanctuary.
Mack likes the whole package.
Gen (includes stories listed above that are, to me, "pairing optional")
(Im)possible Universes
Team | PG | 2,150ish words
Spoilers: Through S4.
McKay likes to talk about alternate universes a lot. Actually, McKay just likes to talk. A lot. And sometimes - pretty often, particularly when something's about to go really, really, wrong - McKay talks about alternate universes and the possibility that somewhere else, there was a what if that came true. Sometimes - more often than Rodney probably realizes - Ronon really is paying attention.
A Beautiful Thing
Teyla Emmagan (POV) and Team | G | 1216 words
Spoilers: Through The Seer.
Teyla avoids generalizations as a rule, because that way lies miscommunication and disaster, but she will allow herself this exception: a man reveals himself when he smiles in public; a woman, knowing she is observed, hides behind her grin.
Breve
Teyla Emmagan (POV) and John Sheppard | G | 487 words
Spoilers: Through Doppelganger
She hadn't wanted this. Had wanted to be alone, in the absence of better comfort.
Epilogue
Teyla Emmagan and Sergeant Bates (multiple POV) | G | 400 words
Spoilers: Through No Man's Land.
Teyla doesn't like unfinished business.
Just a Bruise
Rodney McKay and Radek Zelenka (POV) | PG | 583 words
Spoilers: Through Tao of Rodney.
Carson offered him a Tylenol and rambled something about the likelihood that his incredibly confused biological systems had responded to what had been major trauma by ramping up blood flow to the area, resulting in swelling not unlike a hematoma. Radek was pretty much fine with calling it a bruise.
Leverage
Rodney McKay, John Sheppard (POV), and Elizabeth Weir | PG | 265 words
Spoilers: None
Of computers, bureaucracy, and careful application of a wrathful astrophysicist.
(Not Quite) Friday Night Lights
Rodney McKay and John Sheppard (POV) | PG | 1,778 words
Spoilers: None.
Or, what if John's just really bad at football?
Pacem
Teyla Emmagan and Rodney McKay (POV) | G | 1,004 words
Spoilers: Through Lifeline.
Rodney works with the infinite and unknowable on a daily basis, rambling among math and physics and laws and order. People, collectively, are as far from that as you get. It's a small wonder that they drive him nuts. Collectively.
Reassembling
Teyla Emmagan (POV) and John Sheppard | G | 1,137 words
Spoilers: Through Outcast
She does not know who it is she is becoming, and she has always been sure in her sense of self.
The Boy Who Didn't Need Stories
Teyla Emmagan and Radek Zelenka (POV) | PG | 3,364 words
Spoilers: None
Once upon a time, there lived a small boy who had no use for fairy tales.
What, Are Your Fingers Broken? (co-written with omglawdork
Rodney McKay (POV) | PG | 6,381 words
Spoilers: through The Return, Part One.
"Hey, Elizabeth. This is your number, right? I mean, I know it's the number the government has for you, because their personnel files are woefully poorly protected, I mean, I'm horrified to think that anyone could get to my information so easily. Being a genius earns you a lot of enemies, and anyone who had it out for me could just read the file and know exactly where to…." *beep*
Drabbles
Arachnida Cadillaca: (Gen, Sheppard POV, G) It started with Rodney over the headset.
Bad Habits: (McKay/Sheppard pre-ship, PG) John's never met anyone with so many tells as Rodney. Spoilers through The Siege, Part One.
Better Than Chocolate: (McKay/Sheppard, very soft R) There are three main ways to keep Rodney McKay operating calmly.
Boom: (Beckett/Cadman, soft R) For a long time, Laura wasn't sure she and Carson could possibly work.
Chill: (McKay/Weir, G) Elizabeth's first night in her apartment is cold. Spoilers through The Return, Part One.
Cold Comfort: (Sumner/Weir pre-ship, PG) Now she knows. Assumes One To Let Go happened.
Denouement: (McKay/Sheppard/Weir, G) Rodney wants sleep, but can't convince himself unconsciousness is safe. Spoilers through Grace Under Pressure.
Down and Dirty: (Unnamed Man/Weir, PG-13). He'd never underestimated Weir.
Everybody Wins: (McKay/Sheppard, R). Hockey isn't Rodney's favorite sport.
Familiar: (Teyla/Bates, G) She has always wondered. Spoilers through Outcast.
First Date: (McKay/Sheppard, PG13) "For the record," Rodney scowls, "this? May be the worst first date ever."
Followed Me Home: (McKay/Sheppard, PG) John, Rodney, and a vacation hovel. Oh - and a puppy.
Getting Wet: (Gen, Ronon POV, G) Ronon understands why Sheppard likes surfing .
Kids' Table: (Gen, Team, G) Teyla and Ronon are pros at the parental eyeroll.
Man Enough: (Sumner/Weir, PG-13) Mack won't talk about what the mist creatures made him see. AU, assumes One To Let Go happened. Spoilers through Home.
Naked: (McKay/Weir/Sheppard, PG13) Piled into a ton of clothes, she should feel ridiculous. Spoilers through The Eye.
Nostalgia: (Gen, Sheppard POV, G) Sometimes John wishes he could go back to when the world stretched wide open.
Pants: (Gen, Team, G) Zelenka is so coming next time, Rodney vows.
Passing the Bar: (Ronon/Keller, pre-ship, G) Ronon's reserving judgement, mostly. Spoilers through Tabula Rasa.
Practice Makes Perfect: (McKay/Sheppard, PG-13) Rodney's never been good at gratitude.
Reconnaissance: (Gen, Ronon POV, G) Ronon's not good at comfort. He's not good at grieving, either. Spoilers through Lifeline.
Speech: (Gen, Ronon POV, G) The thing is - Ronon likes McKay.
Terminal Boredom: (McKay/Sheppard, G) It was a goodwill gesture, really.
Windmills: (Gen, Teyla POV, G) Teyla's never heard that phrase before.
Doctor Who and Torchwood
Slash and Femslash
Departures
Jack Harkness/Tenth Doctor | R | 1,538 words
Spoilers: Through Last of the Time Lords
There's something the Doctor needs to understand. It's something Jack clings to.
Four Times Martha Met Sarah Jane and One Time She Didn't Quite
Martha Jones/Sarah Jane Smith | PG | 2,405 words
Spoilers: Through Last of the Time Lords and vaguely for The Sarah Jane Adventures.
The fifth time Martha Jones meets Sarah Jane Smith, it's an official introduction.
Multiples
The Last Thing That Dies (AU assuming no Ninth Doctor to Tenth Doctor regeneration)
Jack Harkness/Ninth Doctor/Rose Harkness | PG | 2,243 words
Spoilers: Through Parting of Ways.
Jack had expected dying to hurt. He'd just figured on the fact that eventually it'd stop.
Het
De Librorum
Martha Jones/Tenth Doctor | G | 5,086 words
Spoilers: Through The Family of Blood.
Remixed by glinda_penguin as Deus Ex Librorum (The Circle Has Six Sides Remix)
Podficced here by the_oscar_cat
The Library is total and its shelves register all the possible combinations of the twenty-odd orthographical symbols. Everything: the minutely detailed history of the future, the archangels' autobiographies, the faithful catalogues of the Library, thousands and thousands of false catalogues, the true story of your death, the translation of every book in all languages, the interpolations of every book in all books." Oh, and also? The TARDIS - which is a Very Bad Thing indeed.
Not Enough, Never Enough
Martha Jones/Tenth Doctor | soft R | 2,265 words
Spoilers: Through Last of the Time Lords.
Martha's lost year.
Sting Most Sharp
Martha Jones/Tenth Doctor | PG | 694 words
Spoilers: Through Human Nature.
The Doctor knows exactly what he's asking of Martha.
Those That Will Not Break
Tenth Doctor/Rose Tyler | PG | 836 words
Spoilers: Through The Satan Pit.
Rose has her hand on the door when she stops and can't go on.
Gen (includes stories listed above that are, to me, "pairing optional")
De Librorum
Martha Jones and Tenth Doctor (multiple POV) | G | 5,086 words
Spoilers: Through The Family of Blood.
Remixed by glinda_penguin as Deus Ex Librorum (The Circle Has Six Sides Remix)
Podficced here by the_oscar_cat
The Library is total and its shelves register all the possible combinations of the twenty-odd orthographical symbols. Everything: the minutely detailed history of the future, the archangels' autobiographies, the faithful catalogues of the Library, thousands and thousands of false catalogues, the true story of your death, the translation of every book in all languages, the interpolations of every book in all books." Oh, and also? The TARDIS - which is a Very Bad Thing indeed.
Dog and Pony Show
Martha Jones (POV) and Tenth Doctor | PG | 831 words
Spoilers: Through the beginning of Season Three.
Martha meets Arthur. In her bedroom.
Four Times Martha Met Sarah Jane and One Time She Didn't Quite
Martha Jones (POV) and Sarah Jane Smith | PG | 2,405 words
Spoilers: Through Last of the Time Lords and vaguely for The Sarah Jane Adventures.
The fifth time Martha Jones meets Sarah Jane Smith, it's an official introduction.
Sting Most Sharp
Martha Jones and Tenth Doctor (POV) | PG | 694 words
Spoilers: Through Human Nature.
The Doctor knows exactly what he's asking of Martha.
The Child-Queen of Axafrinia
Martha Jones (POV) and Tenth Doctor | G | 497 words
Spoilers: None.
The TARDIS crew encounters the horror that is a Mary Sue.
Drabbles
Hurt: (Gwen/Owen, R) Shouldn't isn't the same as didn't. Spoilers through Out of Time.
Family: (Gen, Martha POV, G) Martha loves them, though she leaves them. Spoilers through Smith and Jones.
Lassie Has Some Learnin' To Do: (Tenth Doctor/Rose Tyler, G) The noseless dogs of Barcelona are old friends. Spoilers through Doomsday.
Reminders: (Gen, Tenth Doctor POV, G) It's a question of priorities. Drabble. Spoilers through The Christmas Invasion.
Criminal Minds
Rossi/Prentiss
Cause of Snow
Emily Prentiss/David Rossi | NC-17 | 7,700 ish words
Spoilers: None
Prentiss has a flat tire, no power, and a free weekend. Rossi has several spare bedrooms, wine, and a wood-burning stove. Emily's a little baffled, but she'd like the chance to enjoy the evening a little longer.
Longest Way Round is the Shortest Way Home (Shortest Way Home)
Emily Prentiss/David Rossi | NC-17 | 12Kish words
Spoilers: Through Demonology. Read Prentiss's POV (Longest Way Round) at smittywing's LJ.
He offers her words and knows they're not enough. He offers her a ride and lets her turn it down, as he knows she will. He forces himself to step back, to smile, to keep his hands in his pockets. Rossi knows where he's going from the moment he walks away.
Crossovers
John Sheppard/Cameron Mitchell
Stargate: Atlantis
Slash
Rodney McKay/John Sheppard
Miscellaneous
Multiples
Miscellaneous
OT4/Team
Rodney McKay/John Sheppard/Elizabeth Weir
Het
Teyla Emmagan/Sergeant Bates
Teyla Emmagan/John Sheppard
Miscellaneous
Marshall Sumner/Elizabeth Weir
Gen
Drabbles
Doctor Who and Torchwood
Slash and Femslash
Multiples
Het
Gen
Drabbles
Criminal Minds
Emily Prentiss/David Rossi
Crossovers
I Say Goodbye (SGA/Who)
Het | Teyla Emmagan and Tenth Doctor (pairing optional, multiple POV) | PG-13 | 400 words
Spoilers: Through The Return, Part One.
"Who are you?" Teyla knows they'd evacuated the settlement.
"I should ask you that question, but it's rude to address someone when we haven't been introduced. I'm the Doctor."
Might Not Last But It's No Big Deal (The Hometown Blues Remix) (SGA/SG-1)
Het | Jack O'Neill/Elizabeth Weir | R | 2,4000ish words
Spoilers: Through The Return
Remix of I Still Haven't Found What I'm Looking For by paranoidangel42
Sometimes, Jack thought, he really hated the Ancients.
Through a Glass, Darkly (SGA/Who)
Slash | John Sheppard/Tenth Doctor | soft R | 1,097 words
Spoilers: None.
John wasn't supposed to have seen that. That's what the Doctor had said, anyway. Something about time scoops and bubbles and quantum that McKay's better equipped to understand, but which all boils down to John having watched Gallifrey burn, there-but-not-there, no more than a ghost, caught on the edges.
John Sheppard/Cameron Mitchell
Guess Things Happen That Way (SGA/SG-1)
Slash | John Sheppard/Cameron Mitchell | R | 1,700ish words
Spoilers: None.
"You know," Sheppard says casually as he peers through a chink in the cabin door, "this kind of shit never happened in Pegasus." Cam just looks at him - when Sheppard doesn't turn around, Cam surfaces just long enough to get a shot off and then ducks back down. "I read those reports, Sheppard. This shit never happened in Pegasus because you were too busy with dealing with even weirder shit."
Parley (SGA/SG-1)
Slash | John Sheppard/Cameron Mitchell | R | 4,548 words
Spoilers: None.
Cam can't really believe that after other galaxies and space aliens and all kinds of weird shit, he goes to Florida and finds pirates. There's only three of them - four, he supposes, counting the guy knocked out down in Sheppard's cabin.
Stargate: Atlantis
Slash
Rodney McKay/John Sheppard
Albatross (The Ancient Mariner's Remix)
Rodney McKay/John Sheppard | R | 2,300 words
Spoilers: None.
Remix of Panic Response, by troutkitty
Right now, standing by the gate on MX-whatever-the-hell, John Sheppard, Lt. Col., USAF, is looking just as freaked out as Rodney feels, because something on this planet is not right, which means it is well-past time to get the hell back to Atlantis.
Bad Timing
Rodney McKay/John Sheppard | R | 373 words
Spoilers: None.
Sheppard falls off a cliff. Rodney misses cupcakes.
Bar Harbor's Best
Rodney McKay/John Sheppard | PG | 8Kish words
Spoilers: None.
Written to Bar Harbor's Best, artwork by beeej
Podficced here by rhea314
Rodney McKay had been a consternation in Bar Harbor for nearly a decade, having left a good three years before John had ever set foot in the place
Bumping Shoulders
Rodney McKay/John Sheppard | PG-13 | 262 words
Spoilers: None.
Remixed by crysothemis as Shoulder to Shoulder (The Rehab Remix)
John prides himself on being pretty self-contained. He's lying to himself, and he knows it.
Christmas Cards (comes after Where We Ought To Be)
Rodney McKay/John Sheppard | PG | 579 words
Spoilers: Through Sunday.
Anna Beckett gets their letters. Even on Christmas Eve.
Decoding
Rodney McKay/John Sheppard | PG | 1,059 words
Spoilers: Through Trio.
Sheppard doesn't touch. Rodney knows this. Teyla and Ronon also know this, Rodney's pretty sure, but since they can kick Sheppard's ass nine times out of ten and only then if Sheppard's having a really, really good day, they apparently get to make their own rules.
From Your Mouth
Rodney McKay/John Sheppard | PG | 760 words
Spoilers: Through This Mortal Coil.
Which made it easy, really, to decide that his job was to watch McKay - to assign himself that task and convince himself that Carter wouldn't disagree - or, more truthfully, that he didn't really care if she did or not.
Got It (pairs with Worth It)
Rodney McKay/John Sheppard | soft R | 680 words
Spoilers: None.
Remixed by krabapple as The Companion's Guide to Translation (The Extended Subtitles Remix)
Podficced here by the_oscar_cat
The deeper Rodney gets into the subject, the more he realizes that Sheppard isn't so much a spoken language as it is a completely nonverbal subset of communicative behaviors whose nonspeaker is likely to flee when faced with the prospect of actual conversation about certain topics.
(Not Quite) Friday Night Lights
Rodney McKay/John Sheppard | PG | 1,778 words
Spoilers: None.
Or, what if John's just really bad at football?
Occasional
Rodney McKay/John Sheppard | PG | 399 words
Spoilers: None.
On occasion, it's an unremarkable event: a smile and a sly, sideways grin and the slow slide of the door as it closes, leaving them quiet and private on the balcony, sharing space with the sea and the sky and the city.
Sign Language
Rodney McKay/John Sheppard | soft R | 344 words
Spoilers: None.
This is what John thinks: Rodney's hands move like an extension of his brain.
Where We Ought To Be (for epilogue, read Christmas Cards)
Rodney McKay/John Sheppard | R | 27,881 words
Spoilers: Through Sunday.
Sheppard paused. "But more importantly, sir, Doctor McKay's walking headlong into the worst possible duty you can throw at a guy and he's pretty much entirely unprepared, and sending him out on this one alone may be the worst PR call in the history of civilian-military relations. And I think you probably know all that, sir, or you'd've sent me home through the gate yesterday."
Worth It (pairs with Got It)
Rodney McKay/John Sheppard | soft R | 655 words
Spoilers: None.
Remixed by krabapple as The Companion's Guide to Translation (The Extended Subtitles Remix)
Podficced here by the_oscar_cat
John Sheppard will never admit the thing he likes best about Rodney McKay.
Miscellaneous
In Memoriam
Sergeant Bates/Marshall Sumner | PG-13 | 1,169 words
Spoilers: Through The Siege, Part I.
Sumner may be dead, but he's still trained in hand-to-hand, and now Bates is hunched over on the floor wheezing from a blow to the solar plexus. This might be a dream, but that still hurt like holy hell.
Recall
Ronon Dex/Steven Caldwell | PG13 | 607 words
Spoilers: Through Critical Mass.
Caldwell doesn't trust his own body. Ronon's not unfamiliar with that concept.
Multiples
Miscellaneous
Auld Acquaintance | Enough | Detente (in series; AU that assumes the continued existence of Sumner)
Steven Caldwell/Marshall Sumner/Elizabeth Weir | soft R | 205 words/793 words/1,087 words
Spoilers: Through Season Two.
"I am not blind, gentlemen," Elizabeth remarks, "and I am remarkably good at putting two and two together. Even Doctor McKay, on occasion, has been known to approve. So I'm sure you won't be startled when I tell you that I'm entirely aware that you've worked together before."
Untitled
John Sheppard/Marshall Sumner/Elizabeth Weir | NC-17 | incomplete | written with smittywing
Spoilers: Through S3.
Elizabeth came to him first, sitting down next to him and taking one of his hands in both of hers. He had thought it would be Sheppard, but then again, he should have known better.
OT4/Team
(Im)possible Universes
Team | PG | 2,150ish words
Spoilers: Through S4.
McKay likes to talk about alternate universes a lot. Actually, McKay just likes to talk. A lot. And sometimes - pretty often, particularly when something's about to go really, really, wrong - McKay talks about alternate universes and the possibility that somewhere else, there was a what if that came true. Sometimes - more often than Rodney probably realizes - Ronon really is paying attention.
A Beautiful Thing
Team | G | 1216 words
Spoilers: Through The Seer.
Teyla avoids generalizations as a rule, because that way lies miscommunication and disaster, but she will allow herself this exception: a man reveals himself when he smiles in public; a woman, knowing she is observed, hides behind her grin.
Past or Present Tense
Ronon Dex/Teyla Emmagan/Rodney McKay/John Sheppard | PG13 | 864 words
Spoilers: Through Lifeline.
Teyla knows that Ronon's mantra requires him to leave behind that which does not make him stronger.
Rodney McKay/John Sheppard/Elizabeth Weir
Finding Peaches in the Desert
Rodney McKay/John Sheppard/Elizabeth Weir | hard R | 2,073 words
Spoilers: None.
Elizabeth misses peaches. John and Rodney didn't realize what they'd been missing.
Leverage
Rodney McKay/John Sheppard/Elizabeth Weir | PG | 265 words
Spoilers: None
Of computers, bureaucracy, and careful application of a wrathful astrophysicist.
Susurrus
Rodney McKay/John Sheppard/Elizabeth Weir | soft R | 304 words)
Spoilers: Through Echoes
Elizabeth thinks she'd wash out with the tide if it weren't for the weight of the blankets and the two pairs of arms anchoring her.
Triangulation (follows With the Greatest of Ease)
Rodney McKay/John Sheppard/Elizabeth Weir | NC-17 | 14,910 words
Spoilers: Through Sunday.
And so they went, and so they learned to trust each other with more than just their lives, and so she began to understand what the physicists meant when they said that the triangle was the strongest geometric shape.
With the Greatest of Ease (prequel to Triangulation)
Rodney McKay/John Sheppard/Elizabeth Weir | PG-13 | 988 words
Spoilers: Through Sunday.
It was, Sarja confided, her fortieth year as Ma'ak, and of course Elizabeth would come celebrate, just for two nights. Of course Elizabeth went.
Het
Teyla Emmagan/Sergeant Bates
Fleeing the Astronomers
Teyla Emmagan/Sergeant Bates | NC-17 | 1,956 words
Spoilers: Through Suspicion.
She needs, all she knows is that she needs, and that she needs to win; it is all she can remember.
Epilogue
Teyla Emmagan/Sergeant Bates | G | 400 words
Spoilers: Through No Man's Land.
Teyla doesn't like unfinished business.
Teyla Emmagan/John Sheppard
Breve
Teyla Emmagan/John Sheppard | G | 487 words
Spoilers: Through Doppelganger
She hadn't wanted this. Had wanted to be alone, in the absence of better comfort.
One Brief Hour
Teyla Emmagan/John Sheppard | NC-17 | 3,800ish words
Spoilers: Through S4
The first time the idea came to Teyla, they'd been frantic for the touch of skin to skin, riding the high that only came after those missions that went terribly, terribly wrong before some sort of miracle managed to make it all come out mostly right. They'd been tangled in their clothing and each other and she'd nearly snarled at him when she ordered him to hold still, her hands tight around his biceps, pinning him to the floor.
Reassembling
Teyla Emmagan/John Sheppard | G | 1,137 words
Spoilers: Through Outcast
She does not know who it is she is becoming, and she has always been sure in her sense of self.
Seawall
Teyla Emmagan/John Sheppard | PG | 940 words
Spoilers: Through Submersion.
Teyla knows the weight of the ocean.
Where Will We Hide
Teyla Emmagan/John Sheppard | R | 2400ish words
Spoilers: Through The Kindred.
Teyla hadn't forgotten, not really. She hadn't, but the day has been full of distractions and annoyances and she has managed to keep from thinking about the fact that tonight is the anniversary of her father's death.
Miscellaneous
Chiaroscuro
Ronon Dex/Elizabeth Weir | PG13 | 1,549 words
Spoilers: None
She nods, and he closes his eyes. As he fades to sleep, he realizes it's been three days since he's heard her say more than his name.
Heaven For Beginners
Jennifer Keller/Rodney McKay | R | 1,200ish words
Spoilers: Through Brainstorm
They've had a lot of "dates" - for Jennifer, the conferences are really pretty much old hat these days, and she considers herself something of an expert in the peculiar sociology of astrophysicists.
Pacem
Teyla Emmagan/Rodney McKay | G | 1,004 words
Spoilers: Through Lifeline.
Rodney works with the infinite and unknowable on a daily basis, rambling among math and physics and laws and order. People, collectively, are as far from that as you get. It's a small wonder that they drive him nuts. Collectively.
The Boy Who Didn't Need Stories
Teyla Emmagan/Radek Zelenka | PG | 3,364 words
Spoilers: None
Once upon a time, there lived a small boy who had no use for fairy tales.
Throw Away Your Papers
Rodney McKay/Elizabeth Weir | NC-17 | 1,980 words
Spoilers: Through The Return, Part Two.
She's asleep until Rodney barges in and thumps down next to her on the edge of the bed, shaking her by the shoulder. At least, she presumes he barged in, because it's Rodney and he pretty much comes with one setting.
Marshall Sumner/Elizabeth Weir (mostly set in smittywing 's The One Where Mack Didn't Die AU, after One To Let Go)
Burn Clear and Steadfast
Marshall Sumner/Elizabeth Weir | PG-13 | 2,040 words
Spoilers: Through The Long Goodbye.
She made her choices. But she's still not sure she's alone in her own skin.
Home Fires
Marshall Sumner/Elizabeth Weir | PG-13 | 918 words
Spoilers: Through The Hive.
Elizabeth hates waiting.
Transference
Marshall Sumner/Elizabeth Weir | PG | 1,243 words
Spoilers: Through Rising. Non-AU, but assumes One To Let Go happened.
Weir faces off against Everett. And Everett? He's no Mack Sumner.
Yes You Are
Marshall Sumner/Elizabeth Weir | PG-13 | 1,097 words
Spoilers: Through Sanctuary.
Mack likes the whole package.
Gen (includes stories listed above that are, to me, "pairing optional")
(Im)possible Universes
Team | PG | 2,150ish words
Spoilers: Through S4.
McKay likes to talk about alternate universes a lot. Actually, McKay just likes to talk. A lot. And sometimes - pretty often, particularly when something's about to go really, really, wrong - McKay talks about alternate universes and the possibility that somewhere else, there was a what if that came true. Sometimes - more often than Rodney probably realizes - Ronon really is paying attention.
A Beautiful Thing
Teyla Emmagan (POV) and Team | G | 1216 words
Spoilers: Through The Seer.
Teyla avoids generalizations as a rule, because that way lies miscommunication and disaster, but she will allow herself this exception: a man reveals himself when he smiles in public; a woman, knowing she is observed, hides behind her grin.
Breve
Teyla Emmagan (POV) and John Sheppard | G | 487 words
Spoilers: Through Doppelganger
She hadn't wanted this. Had wanted to be alone, in the absence of better comfort.
Epilogue
Teyla Emmagan and Sergeant Bates (multiple POV) | G | 400 words
Spoilers: Through No Man's Land.
Teyla doesn't like unfinished business.
Just a Bruise
Rodney McKay and Radek Zelenka (POV) | PG | 583 words
Spoilers: Through Tao of Rodney.
Carson offered him a Tylenol and rambled something about the likelihood that his incredibly confused biological systems had responded to what had been major trauma by ramping up blood flow to the area, resulting in swelling not unlike a hematoma. Radek was pretty much fine with calling it a bruise.
Leverage
Rodney McKay, John Sheppard (POV), and Elizabeth Weir | PG | 265 words
Spoilers: None
Of computers, bureaucracy, and careful application of a wrathful astrophysicist.
(Not Quite) Friday Night Lights
Rodney McKay and John Sheppard (POV) | PG | 1,778 words
Spoilers: None.
Or, what if John's just really bad at football?
Pacem
Teyla Emmagan and Rodney McKay (POV) | G | 1,004 words
Spoilers: Through Lifeline.
Rodney works with the infinite and unknowable on a daily basis, rambling among math and physics and laws and order. People, collectively, are as far from that as you get. It's a small wonder that they drive him nuts. Collectively.
Reassembling
Teyla Emmagan (POV) and John Sheppard | G | 1,137 words
Spoilers: Through Outcast
She does not know who it is she is becoming, and she has always been sure in her sense of self.
The Boy Who Didn't Need Stories
Teyla Emmagan and Radek Zelenka (POV) | PG | 3,364 words
Spoilers: None
Once upon a time, there lived a small boy who had no use for fairy tales.
What, Are Your Fingers Broken? (co-written with omglawdork
Rodney McKay (POV) | PG | 6,381 words
Spoilers: through The Return, Part One.
"Hey, Elizabeth. This is your number, right? I mean, I know it's the number the government has for you, because their personnel files are woefully poorly protected, I mean, I'm horrified to think that anyone could get to my information so easily. Being a genius earns you a lot of enemies, and anyone who had it out for me could just read the file and know exactly where to…." *beep*
Drabbles
Arachnida Cadillaca: (Gen, Sheppard POV, G) It started with Rodney over the headset.
Bad Habits: (McKay/Sheppard pre-ship, PG) John's never met anyone with so many tells as Rodney. Spoilers through The Siege, Part One.
Better Than Chocolate: (McKay/Sheppard, very soft R) There are three main ways to keep Rodney McKay operating calmly.
Boom: (Beckett/Cadman, soft R) For a long time, Laura wasn't sure she and Carson could possibly work.
Chill: (McKay/Weir, G) Elizabeth's first night in her apartment is cold. Spoilers through The Return, Part One.
Cold Comfort: (Sumner/Weir pre-ship, PG) Now she knows. Assumes One To Let Go happened.
Denouement: (McKay/Sheppard/Weir, G) Rodney wants sleep, but can't convince himself unconsciousness is safe. Spoilers through Grace Under Pressure.
Down and Dirty: (Unnamed Man/Weir, PG-13). He'd never underestimated Weir.
Everybody Wins: (McKay/Sheppard, R). Hockey isn't Rodney's favorite sport.
Familiar: (Teyla/Bates, G) She has always wondered. Spoilers through Outcast.
First Date: (McKay/Sheppard, PG13) "For the record," Rodney scowls, "this? May be the worst first date ever."
Followed Me Home: (McKay/Sheppard, PG) John, Rodney, and a vacation hovel. Oh - and a puppy.
Getting Wet: (Gen, Ronon POV, G) Ronon understands why Sheppard likes surfing .
Kids' Table: (Gen, Team, G) Teyla and Ronon are pros at the parental eyeroll.
Man Enough: (Sumner/Weir, PG-13) Mack won't talk about what the mist creatures made him see. AU, assumes One To Let Go happened. Spoilers through Home.
Naked: (McKay/Weir/Sheppard, PG13) Piled into a ton of clothes, she should feel ridiculous. Spoilers through The Eye.
Nostalgia: (Gen, Sheppard POV, G) Sometimes John wishes he could go back to when the world stretched wide open.
Pants: (Gen, Team, G) Zelenka is so coming next time, Rodney vows.
Passing the Bar: (Ronon/Keller, pre-ship, G) Ronon's reserving judgement, mostly. Spoilers through Tabula Rasa.
Practice Makes Perfect: (McKay/Sheppard, PG-13) Rodney's never been good at gratitude.
Reconnaissance: (Gen, Ronon POV, G) Ronon's not good at comfort. He's not good at grieving, either. Spoilers through Lifeline.
Speech: (Gen, Ronon POV, G) The thing is - Ronon likes McKay.
Terminal Boredom: (McKay/Sheppard, G) It was a goodwill gesture, really.
Windmills: (Gen, Teyla POV, G) Teyla's never heard that phrase before.
Doctor Who and Torchwood
Slash and Femslash
Departures
Jack Harkness/Tenth Doctor | R | 1,538 words
Spoilers: Through Last of the Time Lords
There's something the Doctor needs to understand. It's something Jack clings to.
Four Times Martha Met Sarah Jane and One Time She Didn't Quite
Martha Jones/Sarah Jane Smith | PG | 2,405 words
Spoilers: Through Last of the Time Lords and vaguely for The Sarah Jane Adventures.
The fifth time Martha Jones meets Sarah Jane Smith, it's an official introduction.
Multiples
The Last Thing That Dies (AU assuming no Ninth Doctor to Tenth Doctor regeneration)
Jack Harkness/Ninth Doctor/Rose Harkness | PG | 2,243 words
Spoilers: Through Parting of Ways.
Jack had expected dying to hurt. He'd just figured on the fact that eventually it'd stop.
Het
De Librorum
Martha Jones/Tenth Doctor | G | 5,086 words
Spoilers: Through The Family of Blood.
Remixed by glinda_penguin as Deus Ex Librorum (The Circle Has Six Sides Remix)
Podficced here by the_oscar_cat
The Library is total and its shelves register all the possible combinations of the twenty-odd orthographical symbols. Everything: the minutely detailed history of the future, the archangels' autobiographies, the faithful catalogues of the Library, thousands and thousands of false catalogues, the true story of your death, the translation of every book in all languages, the interpolations of every book in all books." Oh, and also? The TARDIS - which is a Very Bad Thing indeed.
Not Enough, Never Enough
Martha Jones/Tenth Doctor | soft R | 2,265 words
Spoilers: Through Last of the Time Lords.
Martha's lost year.
Sting Most Sharp
Martha Jones/Tenth Doctor | PG | 694 words
Spoilers: Through Human Nature.
The Doctor knows exactly what he's asking of Martha.
Those That Will Not Break
Tenth Doctor/Rose Tyler | PG | 836 words
Spoilers: Through The Satan Pit.
Rose has her hand on the door when she stops and can't go on.
Gen (includes stories listed above that are, to me, "pairing optional")
De Librorum
Martha Jones and Tenth Doctor (multiple POV) | G | 5,086 words
Spoilers: Through The Family of Blood.
Remixed by glinda_penguin as Deus Ex Librorum (The Circle Has Six Sides Remix)
Podficced here by the_oscar_cat
The Library is total and its shelves register all the possible combinations of the twenty-odd orthographical symbols. Everything: the minutely detailed history of the future, the archangels' autobiographies, the faithful catalogues of the Library, thousands and thousands of false catalogues, the true story of your death, the translation of every book in all languages, the interpolations of every book in all books." Oh, and also? The TARDIS - which is a Very Bad Thing indeed.
Dog and Pony Show
Martha Jones (POV) and Tenth Doctor | PG | 831 words
Spoilers: Through the beginning of Season Three.
Martha meets Arthur. In her bedroom.
Four Times Martha Met Sarah Jane and One Time She Didn't Quite
Martha Jones (POV) and Sarah Jane Smith | PG | 2,405 words
Spoilers: Through Last of the Time Lords and vaguely for The Sarah Jane Adventures.
The fifth time Martha Jones meets Sarah Jane Smith, it's an official introduction.
Sting Most Sharp
Martha Jones and Tenth Doctor (POV) | PG | 694 words
Spoilers: Through Human Nature.
The Doctor knows exactly what he's asking of Martha.
The Child-Queen of Axafrinia
Martha Jones (POV) and Tenth Doctor | G | 497 words
Spoilers: None.
The TARDIS crew encounters the horror that is a Mary Sue.
Drabbles
Hurt: (Gwen/Owen, R) Shouldn't isn't the same as didn't. Spoilers through Out of Time.
Family: (Gen, Martha POV, G) Martha loves them, though she leaves them. Spoilers through Smith and Jones.
Lassie Has Some Learnin' To Do: (Tenth Doctor/Rose Tyler, G) The noseless dogs of Barcelona are old friends. Spoilers through Doomsday.
Reminders: (Gen, Tenth Doctor POV, G) It's a question of priorities. Drabble. Spoilers through The Christmas Invasion.
Criminal Minds
Rossi/Prentiss
Cause of Snow
Emily Prentiss/David Rossi | NC-17 | 7,700 ish words
Spoilers: None
Prentiss has a flat tire, no power, and a free weekend. Rossi has several spare bedrooms, wine, and a wood-burning stove. Emily's a little baffled, but she'd like the chance to enjoy the evening a little longer.
Longest Way Round is the Shortest Way Home (Shortest Way Home)
Emily Prentiss/David Rossi | NC-17 | 12Kish words
Spoilers: Through Demonology. Read Prentiss's POV (Longest Way Round) at smittywing's LJ.
He offers her words and knows they're not enough. He offers her a ride and lets her turn it down, as he knows she will. He forces himself to step back, to smile, to keep his hands in his pockets. Rossi knows where he's going from the moment he walks away.