Fucking cold out there. Right now, the mercury's at 21F, and we're only supposed to reach 27F today, with more snow tonight. But I am in New England, and it is January. Which brings me to this, courtesy JaNell Golden, an image which greatly amuses me:
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I like the implications that The Drowning Girl gives to the gruesome manner in which Elizabeth Short was murdered.
Well...it doesn't really. It looks at it more as a source of morbid fascination.
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That image amused me too, especially seeing how England seized up after just a few inches of snow.
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One of the reasons I loved The Red Tree was its eclectic knowledge; I'm hoping for the same from Drowning Girl
You will get that, in abundance.
That image amused me too, especially seeing how England seized up after just a few inches of snow.
I'm glad to say that Providence remained entirely functional.
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And I'm from DC. We go mad if there's a little ice on the road. Everyone is afraid of snow on the ground, or threats of snow on the sky. When I see people panic at the flakes, all I think of is the voice over from one of HBO's "Game of Thrones" promos:
"My sweet summer child, what do you know of fear? Fear is for the long night, when the snows come a hundred feet deep. Fear is for the winter..."
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"My sweet summer child, what do you know of fear? Fear is for the long night, when the snows come a hundred feet deep. Fear is for the winter..."
Nice.
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Get on good terms with the ghuls. Maybe they'd let you connect your building to their tunnels. Ease of commuting! And a breakthrough in human-ghul relationships...
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Get on good terms with the ghuls. Maybe they'd let you connect your building to their tunnels. Ease of commuting! And a breakthrough in human-ghul relationships...
There are photographs from a spot in our basement that you need to see. I've been meaning to post them, and will do it soon.
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The world needs more tunnels. *nods*
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That is so great. Lee is a wonderful guy. He was great friends with my ex-wife and actually taught me how to work in color rather than just greyscale. That was a great foundation for my tattoo career. If it hadn't been for Lee, I may not have gotten to where I am today. I still need to get a print of his Lovecraft painting that was used for the reprint of Lurker in the Lobby.
I am sure your cover will be fantastic.
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That is so great. Lee is a wonderful guy. He was great friends with my ex-wife and actually taught me how to work in color rather than just greyscale.
I met him at the HPLFF, and we sort of hit it off straightaway.
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