Okay.
This is something that has bugged me for-fucking-ever, and that most authors, I think, don't actually, consciously think about. Hell, I don't like to think about it, if only because anthropology as a discipline has gone so ass-over-teakettle about identifying potential ~influences on one's work that you practically can't get to the essay
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I see where you're coming from, and to some extent I agree with it, but I also have two major arguments against it. One is that there is very good information available on each of the people I've spoken about - sinsense did an excellent writeup on Bert, riorhapsody, adellyna have both taken on William, airgiodslv wrote up William and Gabe, and...someone I don't remember wrote up Gabe. The information that I'm basing my statements on here exists. It's not hidden, it's just ignored. Some of that is because these three bands are relatively minor - I think that's also part of why Brendon gets a pass - but some of it, I think, is because people buy into the idea that you need dramatic tension, ergo you need a villain, and then you get fic like harriet_vane's Forever, Now, which, while overall quite good and enjoyable, automatically slots Bert in (as a larger boy!) as the villain who beats up Gerard and everyone else, uses his position of privilege to cause trouble, and uses ( ... )
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I get where you're coming from about engaging with canon. I swore blind a few years back that I would never, ever, ever get into an RPS fandom, and here I am, neck-deep and sinking! My new current line, having just recently broken the LAST one, is that I won't write fic about a person I've talked to; I figure that within six weeks I'll be writing hardcore Mikey/Siska or something. I also don't watch TV or DVDs; I have movies I really really want to see that I've owned for two or three years that aren't out of the shrinkwrap. Not a TV oriented person, me. And I kind of come from the same place with the music: I go to the shows, sometimes with people and sometimes by myself, and I'm in fandom, essentially all by my widdle self. The only person I've gone to a show with who's in fandom is sparkfrost; the person I've gone to more shows with is not in bandom and never will be, so it's a really separate place ( ... )
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[Thought occurred, will have to chase Jess: am now interested in a Gabe-POV Thursdayverse fic. Just to see what his side of the story is].
Ugh, I had more to say but I plead the "it's not even 5am yet" clause.
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I totally played on a fandom stereotype with him in that fic, but to be fair, they're all villians with the very rare exception, it's just whose POV you're looking through at the time.
I like to think Andy's not a perfectly reliable narrator, too. He got hurt, definitely, really badly-- but he could very easily have "deserved" whatever it was (that's right, I totally hadn't thought that far ahead. Fail. The MCR side of that 'verse? I know everything! The FOB side? Everything! Everyone else? Uhm).
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Er, in conclusion, I <3 unreliable narrators to the max.
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Your meta is iiiiiinteresting.
but about stuff like labelling based on sexual orientation he makes all of FBR look like the shyest straight boys to ever walk the earth.
Ahahaha! I try and tell people that The Used leave every other bandom band in the dust for being utterly gay for each other and NOT AT ALL scared to show it, but people seem to think P. Weezy and MCR are the epitome of okay-to-be-gay. Your guys. Frank kissed Gerard once. It was pretty tame. Please to be youtubing the TEN THOUSAND videos of Bert and Quinn making out on stage. A lot. FOR EXAMPLE.
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Making ouuut. Bert's little hair-tuck afterwards is ridiculous and adorable and so girly it hurts.
Has Bert's typical little spiel about kissing the person next to you. Ignoring the random crowd people making out around the one minute mark, I also love how they play "Blue & Yellow" after that (not that you can hear it really well), because Bert apparently wrote that for Quinn.
Here's Bert proposing to Quinn, just for shits and giggles.
This is easier than picspamming that various pics of them kissing on each other.
And various other videos go here.
People still squee about the one time Frank kissed Gerard onstage and I'm like. GUYS. GUYS SERIOUSLY. THE USED GUYS. HAVE YOU SEEN THEM OR WHAT.
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I don't know how that fits, about you not being middle class/highly educated. I feel like, to a certain extent, my judgement of middle class/educated here is more based around the usage of the internet for leisure time than anything; it's not a perfect structure, but it's not totally a bad one. I don't know you very well yet, though, so I might be saying something wildly offensive with that; it's not my intent.
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A big, long, interesting looking post that could eat up at least 20 minutes of my hellish time at work, and I have no idea what/who you are talking about.
:(
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Not that that helps to introduce/explain anything, but, you know. It's just super meta from a conversation I've been having with apiphile and swear_jar. I'm unsure whether to try to get traffic on it from bandom or to just run and hide and assume that this is better than letting people watch me slag off their fics.
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no worries :)
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Or, if you like titles, In Defense of Gabe Saporta:
Because Gabe leaks his issues out of every pore. Lyrics, interviews, all of it. His father was a doctor, an actual physician in Uruguay. And I'm not familiar with the standard of living there, but I assume it's higher for a physician in Uruguay than for an unskilled laborer in New Jersey. So, Gabe comes from there to the US with his family and goes from being one class to a dramatically different one AND learning a new language AND being an elementary/middle schooler all at the same time. This is big scary stuff ( ... )
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You know what? I bet he is a big mess (I mean, okay, that's kind of for stylistic purposes, because it's kind of obvious that he IS a big mess) and I bet he thinks he's a sellout, but I unironically love and admire him as much as it's humanly possible to love and admire someone who I've never even talked to. He, and his band, are fantastic performers, and they all ( ... )
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