"Renowned curator Jacques Saunière staggered through the vaulted archway of the museum's Grand Gallery. He lunged for the nearest painting he could see, a Caravaggio. Grabbing the gilded frame, the seventy-six-year-old man heaved the masterpiece toward himself until it tore from the wall and Saunière collapsed backward in a heap beneath the canvas
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Comments 19
And on one hand, it's certainly not good writing. I tried the Da Vinci Code when I was in London and needed something to read and it was sitting around, and it was pretty obvious immediately. But it was a page turner. I know he's going to give me enough of a plot to keep me engrossed. There's no real challenge to what he's doing, it's just something I can enjoy as I plan to go to sleep or, even better, while at the gym.
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I got several worthy books over Christmas and they are mostly bores that I will dutifully read once before passing on. It's the fantasy in my collection that gets read time and time again.
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I read all of the Davinci Code, to see what there was behind it. Like you said it's badly written and badly plotted. However there is at least a semblance of reality to the characters. You can feel a bit of sympathy for the hero and the heroine as they stumble along. You can see their motives, up to a point, and that's important.
But if Dan Brown is bad (I tried to read Angels and Demons and found that I couldn't bear more than the first fifty pages) then Tom Clancy is even worse. His success is based entirely on his persistence and his incredible talent as a salesman and a self-promoter. I've tried several times yet I've never managed to go past the first twenty or fifty pages, on any of his novels.
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If you haven't read it, I rather enjoyed Stephen King's "On Writing" - it's worth a hunt out. And Mr King knows how to write a yarn as well as anyone, or so I think anyway. I don't really mind that I don't have educated literary tastes :)
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It's not the quality of writing that made him sell millions, it's the pseudo-templar-evil-vatican bollocks. Just wish he'd actually read his source material (90% of which is worthless anyway).
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-PT Barnum
For every Dan Brown there are several thousand others of equal or greater talent who don't get anywhere. (Presumably these other books lack a sufficient USP). IIRC though, the main reason he had more than modest success was through publicity of the plagiarism case.
I always recommend this to fellow writers; it's the diary Steinbeck kept while writing his Nobel-bagger, and is packed with insecurity. He can't write, he's a charlatan; 'Grapes' is the book that'll show him to be a fraud. The public will hate him, and justifiably so.
It's comforting that even the acknowledged greats feel like this too.
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