Jul 06, 2012 02:40
thinking at the speed of plot,
epic fail,
badfic:hermione's talent,
mione my arse,
did not do the bloody research,
hermione in name only,
wrong word dammit,
disembodied dialogue,
harry potter,
dialogue is not narration,
department of redundancy department,
ron is ooc,
ron is evil,
continuity isn't optional,
draco trilogy wants him back
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Comments 15
I've never really understood the deep and personal hatred for Ron that these people seem to have - even if one really and truly believes Hermione belongs with someone else, why not just have it eventually not work out? As often happens in reality with relationships between high-school-aged kids? It's not like romance only fails when one party is actively malevolent. :/
In this particular instance, what confuses me is that we're to believe Malfoy "did feel sorry for everything he did during the war" (i.e., a number of actual serious crimes) without him doing so much as saying this, much less acting like it or being punished in any way - whereas Ron's betrayal (which was, to be fair, a dick move, but also not really on the level of attempted murder) apparently is completely unforgivable by anybody ever, even if he clearly feels rotten about it and wants to make amends. Talk about protagonist-centered morality ( ... )
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Definitely not. I've always pictured Hermione as one who enjoys a lot of the classics(Dvorak, Hadyn) but would definitely dip into good ol' rock 'n roll. She was, after all, a British teenage witch being raised by Muggle parents in the 1990s.
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Actually, this is a good thing to nitpick. The actual year Harry Potter is set in isn't terribly important. Even Rowling got the timeline a little wrong (Dudley has a Playstation a year before they came out). I could easily forgive a good fic that accidentally used music that hadn't come out in 1997, so long as the music actually fit the characters.
The song selection here is clearly the author's own playlist, and makes it painfully obvious that she's just projecting herself on to Hermione. Case in point, Brick by Boring Brick is about escaping the pressures of reality by hiding in fairy tales. Hermione's already living in the fairy tale half of that equation, and more importantly, she doesn't hide from her problems.
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I just got the funniest image in my head of Hermione singing Misery Business to the tune of Champagne Supernova.
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Since when has Hermione thought in ridiculously run-on sentences and used "'cause" to substitute for "because"?
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Indeed. I'm pretty sure Hermione doesn't think in stream of conscience...
Still more IC than Neil's Hermione, though.
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