Date: 8 July, 2005
Characters: Lucretia Diggory, Cedric Diggory, Katie Bell, Ernie MacMillan, Eleanor Branstone, Morag MacDougal, Rabastan Lestrange, Lisa Turpin, Percy Weasley, Su Li, Irma Pince, Rita Skeeter, others as they arrive...
Location: museum
Status: public
Summary: The reception for Lucy at the museum; a chance to meet a real, live
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Comments 86
Poor Marcus, she had to admit, this was probably very cruel of her. Museums were not his idea of fun, and she was positive he thought her excitement over ancient artifacts and beautiful paintings rather stupid, but she didn't care. She'd gone to Quidditch day, he could put up with a museum.
Besides, she had worn a red sari, and she knew he enjoyed how she looked in it. She turned to look at him and smiled before taking his hand. "Come on, let's go inside."
She practically dragged him into the museum.
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"I have to admit, I'm intrigued," she told him. "I've been hearing about the museum for quite some time, and it is always interesting to see something getting back on its feet again."
She looked around at the gathering. Some familiar faces, and some she hadn't seen before. She'd deal with those later. "Come, Andy. I wish to look at the pictures."
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"Yeah," he nodded, looking around. It was impressive - he had to admit that. Even if he'd had a hankering for visiting the Munch museum, this seemed to cover more of his own heritage. "Is that…"
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"The war, apparently."
Rita had arrived a little late, as usual - she'd hear about the event and been interested to come. Lucretia Malfoy had been in first year when Rita was in her last, and she'd been... rather unique, even then.
She'd arrived in time to find Irma and Andy Pince inside, looking at something on the wall, and had come up behind.
The war. She was painting a mural of the war, so soon after its end? There was Hogwarts, and Diagon, and...
"What on earth is she trying to do?"
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Entering the lobby, Su looked around for Lisa. She didn't see her, and then her attention was drawn to the cartoon on the wall. It was like a kick in the stomach. Su wanted so much to look away, but she forced herself to view the entire sequence. This is what your classmates did, she reminded herself. While you were safe in Shanghai studying art and playing with potions, they fought and they died. How can you stand to show your face in this town, having done nothing to help? Su felt slightly ill. She had known, intellectually, what the war must have been like, but seeing it illustrated was completely different. She swallowed, watching the sequence once more.
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Hobbling over a bit more slowly, Lisa set herself next to and a bit behind Su, careful not to startle her.
"Su," she said quietly. "What is it?"
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She supposed it had only been a matter of time, but this was one of the reasons she found most art so distasteful. No one but an artist would presume they had an ability- and a right- to attempt to communicate something so personal, so vast-
"Of course it wasn't like that, Su," she said darkly, meeting her eyes. It was unfathomably worse. "And no one blames you in the slightest, especially not me." Lisa couldn't speak for everyone, of course, but she understood entirely why Su- and others- had left. If she had had family, it might have been different for her as well ( ... )
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When they entered the museum, it became very clear that Cedric's mother was indeed an artist. "Oh my."
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Moving a bit closer, he examined the sketch more closely, flinching slightly as he looked at some parts. "Can't believe she drew something like this," he murmured. "It's...she draws well, you know...but it's hard to look at. For me anyway."
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"Me neither," she told Ron quietly. "I mean, why would someone want to paint something like this?"
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But as Fleur stood next to her friend, Dean, in the entrance foyer of the museum, she was not soothed in any way.
She thought of a painting she had seen in the American National Gallery of Art the summer before she entered Beauxbatons. She was still a child as she stood before the huge canvas depicting a man being attacked by a shark. The great beast surging up through the water toward its helpless victim as a group of sailors desperately tried to pull the man from the water...and how terrified the image had made her, yet she could not turn away from that painting ( ... )
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