I've seen quite a few people who are upset that Moffat seems to have blatantly ripped off pretty much every piece of popular science fiction known to man. I'm not agreeing or disagreeing here, I will hold my judgment until after next week but I do have an idea why he's done this. I think it might be on purpose. They are in a library. The little
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*blinks* River Song is female character 'chopped liver'?
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She feels the need to call him "sweetheart" and "darling".
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Or maybe I'm wrong?
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What I'm trying to say is that I agree with your concerns, I really hope things go well for the strong, independent women of the world in series 5, and I'm hoping that the surrounding production team and a kick-ass actress, whomever she'll be, will help to mellow it out.
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Ice cream = I scream (her dying moment) possibly?
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And yes, I agree - her death WAS creepy, and it helped that she was so childlike. And the "I scream" thing crossed my mind too. I thought it was a nice play on words that made the scene more unsettling - comfort food or horror?
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why is it so hard for Moffat to write convincing strong, independent women?
He did give us Nancy, but I don't actually think he thought of her as a woman ( ... )
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He was also the one who said "There’s no need for character development, or chat, it’s straight into: ‘There’s something wrong here, let’s look into this deep, dark hole.’" . Which frankly, scares the hell out of me, because for me the 'scare' and the character development are equally as important.
I really hope I am wrong. I hope Riversong ends up being something entirely different from what is being hinted at. It's the blatantness of this that makes me think it might be possible she isn't what she semms.
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And I'm sorry to see that you seem to have received some flack (judging by the edit). I'm becoming extremely tired of anyone who criticizes the Moff being labeled as a ~hater~ who's participating in a backlash. We're not being hateful, just impartial!
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I watched, Jekyll as well, and thouroughly enjoyed it but I found most of hte additional characters to be a tad two dimensional, so I am basing my fears on more than just DW.
I think the reason Blink worked so well is because it was Doctor lite. It was a fantastic story that could have been told with or without the Doctor in a lot of ways, save the TARDIS of course. He's a fantastic story teller but his character development, for me, leaves a bit to be desired.
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Ummm, what about Sally Sparrow in BLINK? She was pretty strong in my book, so much so I'd love to see her back as a regular companion to the Doctor.
And another one I thought showed a bit of strength was Nancy in TEC/TDD. Yeah I know she looked like a kid but seeing as she had a child and was doing the best she could to keep those other children from starving on the street she seem like to me she had a bit of strength.
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And Nancy, while I did like her as well, was a scared child.
As for Riversong, somehthing about her just feels 'wrong', I'm really hoping that Moffat proves me wrong and that the obvious route he is taking isn't exactly what it seems.
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