I've been thinking about this since SBS Gayo Daejun. It was the first time the approach in gendering stages and performances really hit me because there were comments at the time about which of the "change" stages people enjoyed more: the girls covering guys' songs or the guys covering girls' songs.
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Boys and Girls weren't created equal? Or, gender issues are close to my heart. )
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So when the girls do boys' dances, they usually have to push themselves to the limit just to pull them off, and even then rarely are they as crisp and coordinated as the original.(Sorry Sorry excepted)
Your mixed reaction to ZE:A's covers might come from a feeling that they aren't living up to their potential just swinging their hips or flicking their legs when they could be breaking it down. I mentioned this before with Jpop, where the talent divide is even more exaggerated. The guys are expected to be perfect all-around males, good at anything they try.(Except maybe vocals) The girls, on the other hand, are expected to be untalented. Wota want to watch their girls grow and develop in their talents over time, with parental pride as they ( ... )
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I for one might die of happiness.
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I wonder why K-pop hasn't done a mixed gender group that's more B-boy/B-girl flavor. J-pop has something like that in AAA, no?
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-r.
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. . . But I still think a mixed gender group could work! It doesn't have to be split equally between the genders and it doesn't have to be a BIG group, but it could be marketed to appeal to both sides.
Fine, maybe I just want to see a mixed gender group.
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How's the tagging going?
-r.
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Their latest single?: "Blood on Fire". They seem like standard idol fare to me.
. . . Hyo would probably fit into something like this. D:
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The other explanation is that WDS in the end was completely Hyo's choice and had nothing to do with SM, which kind of supports the timeline you guys have constructed. But still, apparently the boys have a better avenue of training?
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