[Just After Morning Sirens]
[A newspaper is being held up to the NV. The device is recording face-up from a flat surface, looking at a ceiling that someone familiar with the room might identify as the one in Magneto's condo, but there really isn't enough time for that. Because a newspaper covers most of the screen, an
article about the bodies
(
Read more... )
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[A lie, but in order to maintain his own identity, he won't reveal knowledge he gains in the future.]
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It's not until the name 'Vino' is mentioned that Firo realizes that the place he'd heard 'Rail Tracer' before had been from Claire. He's sharply reminded, too, of Claire's puzzling presence in Czeslaw's dream; in the days since then, he'd forgotten to ask either of them about it. But it makes sense now, to an extent: if Czes had seen Claire at work, it really could be the stuff of nightmares for the kid ( ... )
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I'd be more concerned about who the victims were. [And what they'd done to deserve it-or to get a hit put out on them.]
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Anyone who'd drag someone from a train is just plain crazy. [He mutters it darkly.] That's plenty to worry about.
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Putting aside the deaths today, if he killed some people on the train you rode, I'm certain he had a good reason for it-and stopped when it was time to stop.
[But more than that... If Czes had really spent a lot of time with Firo like he'd said, surely he'd met Claire once or twice-and not as the genius assassin 'Vino'. So why the need for this...? He wouldn't put it past Claire to spread the name of Vino around a bit, but Czeslaw linking him so quickly to the murders in the paper and trying to point him out is something unexpected. Unwelcome, even. Firo has known Claire for years, after all, and Czeslaw only a matter of months.]
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Maybe not, but if they know who he is then maybe they can raise public awareness against him. There are people in this place who could take him. [ Like Peter. ]
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I don't think anyone should try going after him. Maybe just stay out of his way. But then none of us could take the train...!
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