Perhaps I'm beating a dead horse, but here goes.
I was fascinated by the huge differences in how people perceive the way Buffy and Spike start their "relationship". I'm trying to find the crux of the divergence, and here is one possibility that came to mind:
Poll I give up! (The Buffy Edition)Yes, yes, we know it was a combination of factors. But which was the primary motivator for
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It does not look like she's giving a lot of thought to what Spike might want here. I'm pretty sure she thought "he's a big boy" once she found out he wasn't defenseless, and figured he'd take care of himself. And really, she's already got a lot of responsibilities that she's failing at, so why would she add Spike's feelings to her to-do list? It's probably a relief to have someone she doesn't have to take care of. (She thinks.)
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I actually have an older poll about some other points of contention in the episode, and those results are more wide-ranging. That can be found here:
http://fantas-magoria.livejournal.com/335454.html
But it doesn't clarify for me if there is a particular set of world views that can explain why this situation excites such different readings. And probably that's because there is no such straightforward solution.
I just read a really insightful meta on this period that posits that we are shown what the characters think are their problems, but that those aren't necessarily the actual problems. It makes it tricky for the audience, because hitherto we could usually be assured that characters were correct in their interpretations of events, or would be by episode or arc end. There is no such assurance in this season. It's a fairly radical shift in ( ... )
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Oh, and here's a link to that meta:
http://coracle33.livejournal.com/915.html
Enjoy!
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That said, keep doing the weird stuff, and please tell us aaaall about it! ;-)
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Is a source of pressure really distinct from the person who succumbs to it? Or is it an intrinsic part of who they are? There just seems to be a basic agency problem with the wording here. As in real life, choice signifies life in the Buffyverse. For good or for ill, Buffy chose to kiss Spike in "Smashed", as she did in "OMWF" and "Tabula Rasa". These were the first real choices she made since clawing her way out of the grave, and the fact she find them disturbing doesn't mean that they were generated by forces beyond her control ( ... )
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Is a source of pressure really distinct from the person who succumbs to it?I think a lot of the "rape culture" arguments we were seeing non-expressed on Mark Watches are about how outside pressure can be internalized into inside pressure, which is why some people were questioning Buffy's consent in this case. I absolutely concede that there are real world examples of this kind of thing. (A horrific NPR program on "Lover Boys" in the Netherlands was just the latest I ran across this week. Brrr and grrrr..) So, there's that ( ... )
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Yeah, I think that's the crux of what I don't agree with, in regards to the wording of the question. I recognize there's a great deal of poetic license that goes along with that sentiment ("giving in to your desires", "submitting to the needs of the flesh", yada yada), and that might be the way you were using it. But given the sensitive nature of this particular question it seems important to more sharply define the line between what is "choice" and what is "compulsion."
Her situation seems similar to me (and, I'd bet, to the show's authors) to what's going on with Willow in this exact episode. I think Willow's problem gets misunderstood/mischaracterized in the fandom as a "magic addiction" for the same reason that Buffy's fraught relationship with Spike gets mischaracterized as non-con (or, at least, dub-con). Inner confusion or denial about why we make certain choices doesn't mean that we haven't actually made them, it just means that we are too scared or damaged to look in the mirror and figure ( ... )
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