Also, in addition to my brief tale of conversational gaffes and soul-sucking awkwardness in my last post, I meant to direct a question to my f-list:
On the heels of
KdS's analysis of spec-fic, I've been thinking about my on-going struggle to update my personal canon of sci-fi and fantasy. My dilemma has been to avoid the "pulp" stuff (if, while
(
Read more... )
Comments 29
http://www.deadwrite.com is their website, and I'm sure Walter would be happy to help if you drop him an email.
Reply
How do I address him? Coming out of the blue with a random "howdy, stranger, this is what I like, cater to me" e-mail seems a little abrupt.
Reply
He'll be happy to help.
Reply
Reply
Other than that, the only fantasy I really read nowadays is by a woman called Kate Forsyth, but she's an Aussie so I don't know how readily her books are available outside of Oz and NZ. I really like her series though, because I feel like she can actually write good characters, which is something missing from many sci-fi/fantasy writers these days.
I understand where you're coming from, most of the fantasy I see on the shelves these days is so derivative. I used to live in the Sci-fi/Fantasy section, now I barely venture in there.
Reply
For me, good characterization and good world-building are both very important. Granted, lots of the old-skool stuff skimps a little on characterization, but the opposite extreme, where it's all about Our Hero and little about the world and the ideas, is almost worse for me because at that point, it's like reading Lord of the Rings written as a teen wangst drama set entirely in a Southfarthing tobacco field...on the beach.
The only thing I really venture into the sci-fi/fantasy section to get anymore are certain short-story anthologies. Though I do glance wistfully at the incomplete sets of out-of-print series.
Reply
Patricia McKillip, particularly "Riddlemaster" and "Forgotten beasts of Eld".
Hans Benmann, "Stone and Flute".
Joy Chant "Red Moon and Black Mountain", "The Grey Mane of Morning".
And I like Donaldson just fine, emo be damned.
Reply
I have a love/hate relationship with Donaldson, teetering toward the love. The excessive angst does tend to wear down, and the, um, "florid thesaurus" approach of the 2nd Chronicles of Thomas Covenant was a bit much, but he's a magnificent world-builder and knows how to tell a really good story with fascinating characters.
Reply
Reply
High fantasy works just fine for me if the writer has skill, so I can definitely run with Ms. Chant's stuff. Indeed, it's sorta what I'm looking for. And if cherchez la femme ever gets old, I've yet to see such. It may be a stupid question, but is his work translated into English? German is a lot of fun to read, but since I don't understand many words that aren't actually titles of Wagner operas, I'd be pretty lost ( ... )
Reply
Reply
Reply
I've looked over Feist and I just can't get into it. I'm not sure exactly how to describe it...it's like Robert Jordan, where I feel like he's writing for a pre-made audience. Obviously, they all are, but some of them seem to gear their books around that fact more than others do. Heh -- as I said, I'm not sure how to describe it.
Reply
Which of Feist's books did you look at? The later ones are a little hard to get into if you haven't read the earlier books, and even then, he might throw a monkey wrench or two. Although it might be considered a good thing that he's willing to kill off much-loved characters if the plot calls for it.
Reply
Reply
Leave a comment