Also, in addition to my brief tale of conversational gaffes and soul-sucking awkwardness in my last post, I meant to direct a question to my f-list:
On the heels of
KdS's analysis of spec-fic, I've been thinking about my on-going struggle to update my personal canon of sci-fi and fantasy. My dilemma has been to avoid the "pulp" stuff (if, while
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Patricia McKillip, particularly "Riddlemaster" and "Forgotten beasts of Eld".
Hans Benmann, "Stone and Flute".
Joy Chant "Red Moon and Black Mountain", "The Grey Mane of Morning".
And I like Donaldson just fine, emo be damned.
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I have a love/hate relationship with Donaldson, teetering toward the love. The excessive angst does tend to wear down, and the, um, "florid thesaurus" approach of the 2nd Chronicles of Thomas Covenant was a bit much, but he's a magnificent world-builder and knows how to tell a really good story with fascinating characters.
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High fantasy works just fine for me if the writer has skill, so I can definitely run with Ms. Chant's stuff. Indeed, it's sorta what I'm looking for. And if cherchez la femme ever gets old, I've yet to see such. It may be a stupid question, but is his work translated into English? German is a lot of fun to read, but since I don't understand many words that aren't actually titles of Wagner operas, I'd be pretty lost ( ... )
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Correct is: Hans Bemmann "The stone and the flute". And this time I c&P'ed it to make sure the Ashenmote Creative Spelling Factor doesn't enter into it. I see both hardcover and softcover editions at Amazon.
Everything else, after breakfast.
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