I'm trying desperately to ignore the fact that BSG has ended. If I don’t think about it, I won't be tempted to find out how it ends and spoil myself. Although I may have accidentally spoiled myself for one small but crucial detail. In terms of my own watching, I've just finished Maelstrom in season three, so I'm getting there.
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I think really, why we disagree comes down to what a view about what an adaptation should do. I think good adaptations adds something to the source material, such as its matching visual beauty the words on the paper, or showing how the original text applies to contemporary concerns. The Lord of the Rings and Atonement I think are a good example of the former, and The Dark Knight of the latter. The nature of an adaptation means it has to take things away from the original. The difference between a good adaptation and a bad one is that a good one adds more than it takes way ( ... )
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That's a really good point, and one I didn't think of, about how mediums speak to different people. I'm a bit fan of graphic novels because they work for me as a medium better than ordinary novels, and sometimes (certainly in this case) better than movies.
There is that issue with Watchmen canon that doesn't apply to most comics. But other graphic novels with singular canons such as the League of Extraordinary Gentlemen, From Hell, and V for Vendetta had been adapted for movies without such loyalty. But then, I've never read V for Vendetta and From Hell. The only one I've both read and seen the movie is League, which was a really bad movie which actually would have been a lot better if they stuck closer to the graphic novel - so really, that argues your point ( ... )
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I mean, I like fictional bad guys (Sylar, Dr. Crane, Lex Luthor) as much as any girl, but I draw the line at mentally disturbed murdering/misogynist sociopaths.
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