Oh, blue sky, I know your appetite, so don't dry to fool me.
Yesterday, I wrote another three pages of Chapter #3 of Alabaster: The Good, the Bad, and the Bird (13, 14, and 15). It has gone to a surprising place, and that's why I don't write outlines. Because outlines have a way of setting things in stone, and instead of unfolding organically
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Yeah--and the potential was always there but I think it was held back by the belief that TV shows had to be crafted by committee and individual episodes ought to have isolated creative vision. I think there were predecessors to what we see now, particularly in Europe--I'm thinking primarily of Fanny and Alexander and perhaps to a lesser extent Doctor Who. And in the U.S. we had the ongoing stories in Babylon 5 and Deep Space Nine but maybe Twin Peaks has the most influence, as much for what it did wrong as for what it did right. The show so obviously derails the further it gets from David Lynch's control I think it's helped modern television makers to see the importance of approaching serialised dramatic television as an auteur's medium.
We also began watching The Newsroom, which is smart and hilarious and biting, and I was not at ( ... )
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