FOR MY SAKE, WON’T YOU DANCE?
A HIKARI NO PAS DE DEUX (DATENSHI NO NAMIDA) ANALYSISI’ve been meaning to write this analysis for quite a while. The past two months, at least, but probably ever since I began showing more interest in classical ballet. Because, truthfully, the Pas de Deux of Light is the closest I’ve ever seen Takarazuka come to
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