Oh good grief I hate updating this. I am as always full of angry and contentious thoughts, which I will sideline in an attempt to avoid trouble with the no people reading this, and then I'll write something so boring that no one wants to comment on it anyway
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- Terry Pratchett for worldbuilding, humour, and enviable juggling of large casts and interlocking plots with clues dropped all over the place.
- Pat Barker for addressing the kinds of themes I like, and portraying a lot of different types of human relationships/interactions in ways that are subtle and ring true.
- Diana Wynne Jones and Margo Lanagan for the same thing: sheer unflinching imagination, creation of fantastic settings that come across as very believable.
- Lionel Shriver for human relationships and failings.
Personally I don't care at all about action sequences, but I do like a believable romance. I think writing from multiple perspectives is a lot harder to pull off effectively than using a single POV character, but if the characters are all given enough time/space to develop as whole people, and if the storytelling is enhanced by it, it's great.
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They write about flawed and broken people/places with empathy and a kind of faith in the value of fellowship.
In what manner? I mean, I get the content-argument, but the style-argument - how, how?
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I was actually dreaming of Ash (the 11,000 year old cursed Atlantean god who trains all the Dark Hunters and barters with Artemis for the return of their souls) this morning. He makes an appearance in most of the books.
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I think that's an excellent analogy, and I agree - I don't like an author who has so little confidence in their story that they feel the need to hammer me about the motivations of their character etc. If you're writing well, I will pick that up, and if I don't get it I will talk to someone else who has read the book and see what they picked up!
I could never remember who was talking
My big worry with the multiple PoV stuff I do - even though I usually separate out the PoVs into separate chapters - is that the characters all sound the same (and that they all sound like me). I think that is not just a worry with MPOV fiction but with successive books that have different PoV characters, written by the same author. You worry that all the interesting things about the character are just elements about the author that they forgot to leave out.
There are many action sequences, ( ... )
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