I had a meeting today with the daily paper's main editor and some local charity people to do a series of about 15 human interest feature profiles this fall for Sunday papers September through November. It's my normal freelance rate, but it's extra money and better, it's a chance to write creatively, which I don't get to do much for money anymore (I
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Comments 32
megansleevwillo neatly summarized everyone's relationship to everyone else as, "You scratch my back, I'll stab yours." XD
I don't feel qualified to really comment on the fanfiction stuff, since other than my monosyllabic parody (and the occasional Norryfic), I don't read much of it. :P That said, I agree that it's stupid to villianize a character in order to easily dismiss them; a real writer would allow the characters to keep their integrity instead of deprotagging them into oblivion because it's more "convenient" for their plot purposes. You'll have a better story if your characters are behaving in a realistic fashion... which seems really obvious, but plenty of fanpoodles place plot over character.
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Some screenwriters do, too. ;-)
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I was disappointed the first time I saw DMC. I was really let down because I had remained spoiler free the whole time and had this explosive mixture of excitement and dread brewing in me, but then totally deflated on the ride home from the movie.
Second time I saw it, I didn't hate Elizabeth nearly as much as I did the first time around and I saw more justification for all the backstabbing and manipulation. And like you said, I noticed this time around that Jack was actually trying to get Will back after giving him to Jones! I was just sitting there like "how did I miss that ( ... )
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Still ... I'm not sure that should matter. If they're both hot, shouldn't the resulting kiss set fire to the screen no matter how little effort is going into it? Do you have any doubt that any mouth kiss, no matter how chaste or minimal, between Jack and Will would be anything less than heatwave-inducing? ;-)
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And then you find out it's just that he can't leave without that damn compass.
I am highly amused at the side effect of the formula the writers are using in this triology for Will/Elizabeth (assuming they do end up together). First, you get the lovers together in a way that makes the audience root for them as a couple. Next, you shake them up, break them apart, make them question their mutual devotion in a way that makes the audience anxious to know they WILL be back in each other's arms eventually. Finally, you get them BACK together, stronger than before because they've been tested, and make your audience happy.
... Except you could substitute "Jack" for "Elizabeth" in the above and come out with the same result.
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*snicker* I really want movies and series to look at the damn slash fans, you know? It would bring thousands and thousands of people excitedly running to check it out. I wish someone would be brave enough to do it. *sigh* And with Orlando and Johnny both making hilarious slashy comments it makes me nuts, wanting more of that to show up on screen. =p
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There was so much perving. Of course, others might not see it that way, but, for example, why was Jones so pissy he didn't get to keep Will as Bootstrap lost the game? He still got a soul for all eternity, so he hardly lost anything. Could just be that he still "lost" the chance for adding an (eternal) member to the crew. But I saw the perving all three times, so, eh. :D;
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