Anita is hugging herself when Micah heads towards the front door. There is some conversation for a moment, and Anita knows one voice is Micah's, but the other she recognizes as Damian's. She should have felt him coming close, should have sensed him outside the house, but she hadn't. It spoke to her own exhaustion, to her own distraction, and her
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In any case, this is what he has been reduced to after days of being avoided and utterly ignored. Days of being pushed away like the last few weeks of feeding the ardeur had never happened. He is wearing the outfit on purpose. Jean-Claude might have an oddly anachronistic fashion sense, but the man knows how to highlight another's attributes like no other. If this doesn't get Anita's attention so they can speak, he isn't sure what will ( ... )
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"Then Jean-Claude should be quite happy when the fiscal year ends," she murmurs as she takes an unconscious step back from him. "He's a shrewd business man, and it seems Danse Macabre was a lucrative idea."
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He relies on that twist, on the skin hunger that makes them both want to touch the other. "Jean-Claude is a mastermind for orchestrating it. The only place one can dance with vampires... and I'm the one they've been pressing themselves against all night, the pale statue chosen to match the night's décor."
It's how he feels at the club, yes. More importantly, however, it's how he feels in this house lately. He feels like the token vampire, kept out of necessity or obligation, like a piece of furniture you keep around because your stingy aunt made a gift of it.
There are many things Damian is, but he is not a decoration to be ignored.
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"I've been to the club," Anita tries, stepping back again. "I've seen you. You work those women quite well, enjoying how they react to you. You're hardly a statue."
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