(no subject)
The jukebox was blasting Taylor Dane in the corner, but it wasn't anything Chuck was particularly interested in listening to -- Tell It To My Heart was sad and tragic and reminded him of things he didn't really want to think about like, like that one time in the place with Geoffrey where they did stuff. He had been Remington Steele, and been ridiculously good-looking in his tux.
There was only one thing that could cheer him up at a time like this, and he picked out a few notes on the piano before laying both hands on the keys and striking up a tune.
"Carry on my wayward son ..."
He wasn't great and hadn't played in ages, but this was one song that was almost like riding a bicycle -- and while he made for a rather comic image, he wasn't, all in all, half bad at this particular tune. It came with obsessive practice.
Kansas made everyone feel better.
[ooc: Chuck is a rock star!! Or not. Open to all. :x]
[Summary: Chuck is working out his rage issues against the jukebox by playing Kansas on the piano; Jim Halpert comes by and finds out about Chuck running into wee!Pam, and Chuck talks about home and people he may or may not have left behind with Bobby Dawson. Ongoing.]
There was only one thing that could cheer him up at a time like this, and he picked out a few notes on the piano before laying both hands on the keys and striking up a tune.
"Carry on my wayward son ..."
He wasn't great and hadn't played in ages, but this was one song that was almost like riding a bicycle -- and while he made for a rather comic image, he wasn't, all in all, half bad at this particular tune. It came with obsessive practice.
Kansas made everyone feel better.
[ooc: Chuck is a rock star!! Or not. Open to all. :x]
[Summary: Chuck is working out his rage issues against the jukebox by playing Kansas on the piano; Jim Halpert comes by and finds out about Chuck running into wee!Pam, and Chuck talks about home and people he may or may not have left behind with Bobby Dawson. Ongoing.]