Lovely. Really. This is such an analytic look at how two people bridge the gap. There is not enough flesh here but that's the point, isn't it?
You had the teensiest mis-step - the relationships that make up the fabric of her life. This is far too cliched for this piece and your writing. I think the metaphor you're looking for there has to do with stories, tales told and not told, and books. Libraries of books.
I am so so so sorry to have offended you. No offense intended at all. I did not say metaphors plural and I think you know that. I also did not mean to suggest that this piece of writing is anything more or less than what you want it to be.
No, no, no apologies needed. I think that, in posting anything, I give up at least some of the control over it - it is, after all, submitted to be perceived, read, and judged. I only comment as a mea culpa that unlike most of my other work, I wrote for history (or myself, or someone specific, perhaps), first, and for the story, second. Objectively, I think you're completely correct; I just can't bring myself to change it.
I recognize some of the conversations mentioned, here. Which was uh, just a tiny bit jarring, for me? But I did enjoy this piece, in the end. So there you go. :)
I really like it when present tense is used well - it works here. It makes everything seem desperate and immediate - there's a yearning here. It's good language for love.
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You had the teensiest mis-step - the relationships that make up the fabric of her life. This is far too cliched for this piece and your writing. I think the metaphor you're looking for there has to do with stories, tales told and not told, and books. Libraries of books.
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