Its been exactly 71 days since I got
Saya. Everytime I sit and jam a little bit of 'signal' turns out from all the noise I generate. This time I decided to record all my jamming and 'pick out' parts that seem decent enough.
Firstly, I managed to record
Bhavayami Gopalabalam (this is the 3rd take where everything went well except the 'niratakara
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I don't know to comment on the tech part of the recording; but it seems to have good clarity; this I say because the clarity of the tone of your instrument comes through. I enjoyed the song, and your playing, very much indeed.
I thought of a young man, with a full-time job that may not leave much time for other pursuits, being converted to a Carnatic music fan, and taking the music seriously enough to devote so much time to it...and was strangely moved. (Well, the krithi also had something to do with the mood I guess. You played it with "nithaanam".)
I really mean it, when I say thanks for sharing it. Will post after I listen to the other recordings too.
Hope you never lose interest!
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Also, i think, with nithAnam, comes a lot of joy. I enjoyed playing it (and the rest of the songs as well). Do check out that Harikambhoji piece when you have the time.
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Bhavayami is a tad fast?
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Bhavayami is a LOT slower than the source of my learning - U.Srinivas' rendition of the same! See this thread :D
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I remember listening to MS rendition of the song. :)
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...I will probably post a few more comments..or email you...after I go to Yamunakalyani, Hamsaanandhi, and Mini Major.
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It better be! The Tulasi Musicals guy said that U.Srinivas (before he stopped getting his mandolins made by Tulasi) used to put this "Dual Rail pickup" which gave him sustain and that sweet 'bell' like ringing for the higher strings. Effectively my Mandolin's "technology" is what it was for U.Srinivas about 10+ years ago :D
I now hear he uses Sustainiac pickup. I saw the magic right in front of my own eyes at his Pancha Tatva concert where he held a note for 25 seconds!
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