Yes, though the pastiche of the base stereo samples is only one layer here. We just used the generic little 'T' microphone that came with the recorder. Not much separation.
it's not only the separation that is important for good binaural effect - the impedance of the two mics should be matched. that's what makes them expensive.
I can hear the influence of my INRP here. INRP is like the dust left on my floor after my unfinished efforts at cleaning house this past weekend. I Can't Think is more like the auditory flotsam and jetsam of an afternoon at the local shopping plaza.
Other elements in the collage are 'Vacation in Gironde,' a photograph by Willy Ronis (circa 1945), posted to livejournal by real_funny_lady; and a picture of the card-swipe security entrance to the building I work in, snapped with my phonecam.
Not what I had in mind, however that's a remarkably accurate picture of many people's daily experience.
What I was thinking of was trying to reconstruct (or more realistically, guess) what piece the composer had being listening to while composing the oplocromodalized work.
BTW oplocromodalization does not specifically have to involve a computer or electronic instruments.
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seriously, what did you use for the song?
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There's a nice sense of space in this. Are you using binaural mics now?
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it's not only the separation that is important for good binaural effect - the impedance of the two mics should be matched. that's what makes them expensive.
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I can hear the influence of my INRP here. INRP is like the dust left on my floor after my unfinished efforts at cleaning house this past weekend. I Can't Think is more like the auditory flotsam and jetsam of an afternoon at the local shopping plaza.
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didn't notice. i usually happy when people use my pictures but prefer an explicit aknowledgement of the source.
when it's used as tastefully as this i don't insist.
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By influence, I mean oplocromodally, of course.
Trying to reverse-oplocromodalize a piece is of course a risky affair.
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What I was thinking of was trying to reconstruct (or more realistically, guess) what piece the composer had being listening to while composing the oplocromodalized work.
BTW oplocromodalization does not specifically have to involve a computer or electronic instruments.
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Good stuff, although I need to listen to it with headphones.
Other news:
:\
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