My friend has a beautiful request: Moriarty has more than one reason for torturing Holmes... He's been waiting for the day he could have him right where he wants him. Completely defenseless. Crying out in pain. Moriarty takes advantage of this moment to pleasure himself to the sounds of his nemesis screaming and writhing while tugging at him and playing in his wound.
Re: Swan SongladypoppeyJanuary 2 2012, 01:23:39 UTC
Thinking about filling? Yes. But that's pretty different from actually filling.
I can say that this is my current favorite prompt for doing something for the hook scene.
...Though I'm not sure how good it would come out with only one viewing of the movie... The visuals of that scene seem rather vividly imprinted in my mind, but the dialogue, limited though it was once the hook was... in place, is not as clear.
Re: Swan SongladypoppeyJanuary 2 2012, 02:53:15 UTC
I wonder if the clip is on YouTube yet... I, myself have seen it twice but remember this scene vividly from the very first viewing. Unfortunately, if the video isn't there, it would be best to wait for exact diologue to make it oh-so perfect.
Re: Swan SongladypoppeyJanuary 2 2012, 03:21:38 UTC
... I'm home, Stateside, for the holidays until Thursday, during which time I will be unable to see it again. After which I will be in a country where AGoS doesn't come out until F***ING MARCH 10TH!! ... I hope someone uploads to YouTube soon... I wouldn't like my own fill of the details were all wrong!
In the meantime, because I'm an evil bitch, here is a teaser:
Moriarty gripped the hook in his other hand, shifting it slightly in the open wound. His eyes, locked on the shuddering form beneath him, tried to absorb everything at once: the way the blood seeped with increasing volume to dye Holmes' clothing and paint the trembling flesh exposed by the ragged tear in the shirt... The slow, fractional slide of the thick wedge of metal in and out, in and out of its point of insertion... The way pure, sensual agony poured out of his adversary's dark, moist eyes. It was a struggle to keep control, not to push in harder to hear those exquisite cries again. His head spun with the smells of blood, sweat, and fear and only his desire to take
( ... )
Re: Swan SongladypoppeyJanuary 4 2012, 02:28:07 UTC
Oh, that's fantastically chilling. Especially the bit about Moriarty hoping Holmes doesn't answer him, so he'll have an excuse to keep hurting him. *shivers*
I can't give you the entire scene from the moment Holmes wakes up, but I happen to have a REALLY good memory for dialogue and that scene was...memorable. If all you need are the words, I'm 99.9% sure it goes like this:
"You are familiar with Schubert's work. 'The Trout' is, perhaps, my favorite. A fisherman grows weary of trying to catch an elusive fish. So he muddies the water -- confuses the fish...it doesn't realize until too late that it has swum into a trap."
*Hook* *Music* *Screaming*
"Let's try this again, shall we? To whom. Did you send. The telegram?"
"To my...ah."
(Moriarty leans down and grabs the hook) "...To my brother Mycroft."
"Just got one more question for you. Which one of us is the fisherman, and which, the trout?"
Re: Swan SongladypoppeyJanuary 4 2012, 03:04:26 UTC
You have a brilliant memory, if I may say. Just reading this dialogue gave me chills again. I absolutely cannot wait until this scene is on YouTube so I can get my fill of it.
Re: Swan SongladypoppeyJanuary 7 2012, 01:22:48 UTC
Math and I...don't get along. :) Like I said, not very good with numbers. Words, on the other hand, seem to stick to my brain like glue, particularly words with an emotional charge and/or perceptible rhythm. In practice this means that I have a much easier time remembering poetry, fiction, and movie dialogue than throwaway everyday conversation, though I'm pretty good at that too.
Long story short my memory is not especially impressive, except in that one area. It's a very random skill, but every now and then it comes in handy.
My friend has a beautiful request: Moriarty has more than one reason for torturing Holmes... He's been waiting for the day he could have him right where he wants him. Completely defenseless. Crying out in pain. Moriarty takes advantage of this moment to pleasure himself to the sounds of his nemesis screaming and writhing while tugging at him and playing in his wound.
Reply
Reply
So why do I so desperately want to read a good fill for this.
Reply
Reply
Maybe even like almost sexual descriptions of the torture without actual sexual acts, or even changing the scene?
Reply
Reply
Reply
I can say that this is my current favorite prompt for doing something for the hook scene.
...Though I'm not sure how good it would come out with only one viewing of the movie... The visuals of that scene seem rather vividly imprinted in my mind, but the dialogue, limited though it was once the hook was... in place, is not as clear.
Reply
Reply
I'm home, Stateside, for the holidays until Thursday, during which time I will be unable to see it again.
After which I will be in a country where AGoS doesn't come out until F***ING MARCH 10TH!!
...
I hope someone uploads to YouTube soon... I wouldn't like my own fill of the details were all wrong!
In the meantime, because I'm an evil bitch, here is a teaser:
Moriarty gripped the hook in his other hand, shifting it slightly in the open wound. His eyes, locked on the shuddering form beneath him, tried to absorb everything at once: the way the blood seeped with increasing volume to dye Holmes' clothing and paint the trembling flesh exposed by the ragged tear in the shirt... The slow, fractional slide of the thick wedge of metal in and out, in and out of its point of insertion... The way pure, sensual agony poured out of his adversary's dark, moist eyes. It was a struggle to keep control, not to push in harder to hear those exquisite cries again. His head spun with the smells of blood, sweat, and fear and only his desire to take ( ... )
Reply
Reply
I can't give you the entire scene from the moment Holmes wakes up, but I happen to have a REALLY good memory for dialogue and that scene was...memorable. If all you need are the words, I'm 99.9% sure it goes like this:
"You are familiar with Schubert's work. 'The Trout' is, perhaps, my favorite. A fisherman grows weary of trying to catch an elusive fish. So he muddies the water -- confuses the fish...it doesn't realize until too late that it has swum into a trap."
*Hook*
*Music*
*Screaming*
"Let's try this again, shall we? To whom. Did you send. The telegram?"
"To my...ah."
(Moriarty leans down and grabs the hook)
"...To my brother Mycroft."
"Just got one more question for you. Which one of us is the fisherman, and which, the trout?"
Hope that helps? I'd love to see more of this.
Reply
Reply
Reply
Reply
Long story short my memory is not especially impressive, except in that one area. It's a very random skill, but every now and then it comes in handy.
Reply
Leave a comment