Shay waves back, beaming. "Isn't it great?" Shay yells back. "See? It makes a great fort because you can only get up here if you can fly or teleport! I think."
"Want to come see the fort? You can't really get to it unless you can fly or teleport or ... in Dreamer's case, if you're dead. But I could stack some cargo boxes or something." Beam.
Marie is, all things considered, more concerned with the recent apocalypse than she is with Shay's fort-building habits. Her beloved Paris is trashed, and she's been subsisting on what she can take from the surviving citizens of Metropolis and the not-so-surviving citizens of the rest of this continent.
However.
Bringing in that cargo liner was bizarre. Matter shouldn't do that - and, she realizes, she's 'seen' this same bizarre person out of the corner of her 'eye' doing much the same thing on a smaller scale several times since the world exploded.
Excuse her suspicion, Shay. Previously to meeting you, she had only ever seen one thing that contorted the spacetime continuum into pretzels and moved things from one place to another. And sure, the transfer points aren't a whole lot like Shay's rips, but they accomplish the same effect, do they not
( ... )
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"Dude. Dude."
Dreamer grins very, very brightly at Shay, waving from the base of the cargo liner.
"You," she declares authoritatively, loud enough to be heard even through the distance, "are fucking awesome."
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"Isn't it great?" Shay yells back. "See? It makes a great fort because you can only get up here if you can fly or teleport! I think."
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"That's what you fucking think, man."
Dreamer thinks otherwise.
Specifically she thinks that if she drags over a few hay bales here, and takes a good run-up from there...
...she can crack a few ribs taking a flying leap directly into the lowest part of the railing.
"Okay," she mutters, hauling herself onto the deck and coughing blood. "You can only get up here if you can fly or teleport or are crazy and dead."
Bright grin.
"Same diff."
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His smile is friendly as he walks on over, giving Shay a wave.
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He opens his shackles, for a moment, teleporting down in front of Tom.
"Hey, Tom." Grin, bounce.
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"'Llo, Shay," Tom replies.
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However.
Bringing in that cargo liner was bizarre. Matter shouldn't do that - and, she realizes, she's 'seen' this same bizarre person out of the corner of her 'eye' doing much the same thing on a smaller scale several times since the world exploded.
Excuse her suspicion, Shay. Previously to meeting you, she had only ever seen one thing that contorted the spacetime continuum into pretzels and moved things from one place to another. And sure, the transfer points aren't a whole lot like Shay's rips, but they accomplish the same effect, do they not ( ... )
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Her French accent is noticeable but no impediment to understanding.
"I'm Marie."
The second half of her name she reserves for people she's certain didn't cause the world to end.
"What's with the boat?"
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There's a ship outside the house.
It may take Clark a minute or sixty to get over that.
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Although he does amend that slightly to, "How is there s ship out here?"
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