This would make for a very strange double-bill as the opener for The Hurt Locker. It is a satire from the British perspective of the push toward war in 2003. As a satire, it is about a collection of very bad, if all too human, people. Vanity, stupidity, cupidity, oneupmanship, sycophancy, and careerism rule the day. Alas, it feels realistic in a
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Meanwhile, here's an awesome poster for In The Loop based on the Obama image:
http://topazbean.files.wordpress.com/2009/03/no-you-fucking-cant.jpg
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Regarding the poster, I guess I should have mentioned that this movie has more undeleted expletives per square inch than anything I've seen in a while.
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How would you react if I told you that it had fewer expletives per half-hour than the TV series from which it derives?
Presumably this is a consequence of the film being made with an eye on the US market, but on TV Tucker's every other word is "fucking". And we're talking prime time, after-the-watershed, grown-up adult drama here!
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Your point is well taken about the realism of In The Loop. In fact, it heartened me in a way. It mirrored enough things I've seen going on in my own social circle recently that it helped me take a step back from some things that really irritated me: it's not just that my particular irritants are morons, it's that moronosity is everywhere and one must deal.
The fluidity and fluency of the cursing cheered me up too. I've always been a fan of good vitriol. The showdown between Peter Capaldi's and James Gandolfini's characters *almost* disappointed in that regard -- at first I expected huge gouts of florid language from the two of them, but then I realized they'd taken each other's measure and were using a style more appropriate to equals.
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Much of the dialogue in the film, as in the TV series, is unscripted -- the actors are told what their characters are intended to be like, and build it up from there. (Peter Capaldi's Malcolm Tucker is a near-clone of Alistair Campbell, although Campbell has repeatedly tried to claim otherwise.)
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Apparently although it features some of the same characters as The Thick Of It there are also several other actors from that who are playing new characters in the film.
It's the UK swearing challenger to Deadwood.
Oh, and if you can track it down I heartily recommend the short film from some years ago, Franz Kafka's It's A Wonderful Life, written and directed by Peter Capaldi. Worth it for the name alone.
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It's been a while since I've seen it and it's only a short so I wouldn't hugely recommend it. But keep an eye out for it anyway.
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