This would make for a very strange double-bill as the opener for The Hurt Locker. It is a satire from the British perspective of the push toward war in 2003. As a satire, it is about a collection of very bad, if all too human, people. Vanity, stupidity, cupidity, oneupmanship, sycophancy, and careerism rule the day. Alas, it feels realistic in a
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