I was thinking about the whole characterization question, and it seems to me that one reason people disagree is that there are different ways to approach characterization. My way is this: I form an initial impression of a character from the first few books/episodes/comics/whatever they're in. As the series goes on, and the character does more
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That said, I've thrown up my hands at trying to align the characterizations of the comics with the rest of the Buffyverse canon. I guess that means I've decided it's a different puzzle altogether.
I mainlined BtVS the first time, without questioning much, and FFL was a jewel box of Spike material. Imagine my surprise that it was a "ruiner" for older writers. I understand the "you've been Joss'ed" phenomenon much better now.
ETA: Oh! And also! It's nearly impossible to pour every bit of nuance that might be my head canon for a particular character into the portrayal on the page in a given story. Especially shortish things. My understanding of the character will inform how I portray them, but the portrayal will likely not encompass my entire understanding. In that, I've got some sympathy for Gage...he just can't get it all in there. Some subtlety and allusion can be useful ( ... )
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I couldn't deal with a boy having long hair.
I know when Hugh Jackman played Wolverine he was exactly as I had always pictured Wolverine, despite the fact that I watched and read the cartoons and comics of the day.
I have always been a very visual reader and I suppose I change the charachter to suit what I want them to be or runaway from them if I come across a change I don't like.
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However, as long as the charachter acts as I believe he was written, that I can recognise his charachter traits, then I can get over the movies changing my image.
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