So, first of all, a little preamble. This week and next I am volunteering to work with autistic children. The boy I've been assigned to help look after has no language, doesn't use Makaton signs and is, for the most part, very disengaged. This got me to thinking about Lines in the Sand, and the whole "oh my God, you really connected with him" thing
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The rest of the theories. I do not know what to think. I have no problem with character growth in whatever form. If it's growth and not whatever it is happened to Cameron last season--that was more like mental illness than anything else.
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If it's growth and not whatever it is happened to Cameron last season--that was more like mental illness than anything else.
God, you're so right. I had a long conversation with my dad about this, and we basically came to the conclusion that it was conceivable for her to have gone from where she was to where she is now, but that it hadn't been explored or conveyed properly and that it was totally inconsistent. Like, the starting point and the destination more or less made sense, but the journey was a squiggle.
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I'm open to Wilson/Cuddy, though. Sort of.
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I don't like Stacy but I'm not sure why.
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I really liked Stacy, but I know I was in the minority there, especially among slashers.
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I agree with you re: House's behaviour towards Wilson - it broke my heart into tiny little pieces when he called him "boring" in Half Wit. And I'd also like to see a lot more of jealous!House, which will hopefully happen. Wilson needs to stand up for himself, but failing that, House realising how much he takes Wilson for granted all by himself would be pretty great.
It would be seriously contrived if they brought Stacy back in the final three episodes or whatever, and then they lived happily ever after - but if she became a regular character for a while, and the progression were more gradual, I could definitely cope with that.
Wilson needs to be happy. If they do something terrible to Wilson (a-fucking-gain) I'll be so pissed off. He deserves so much better than that.
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I suppose I could deal with House/Stacy if it was gradual. They kinda deserve each other too, and he wasn't such an asshole when she was around.
...Okay, he was, but it was tolerable. Or something.
WILSON/HAPPINESS IS MY OTP. Which means I will never be happy. *pines*
Wilson, or my idea of him, and I have more in common than I'm comfortable with. It's like, if I can't be happy, at least he should. Or something. *bad at explaining things*
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The only thing I would sort of question is how Stacy was in anyway detrimental to House/Wilson, unless you count the roof fight, which I thought was actually one of their best scenes together.
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But you're right, it wasn't on the same scale as the other two arcs, not by a long shot. And the second half of S2 was ridiculously slashy.
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You're right, Stacy brought the slash. I suppose I meant on a romantic level rather than a platonic level, in that particular case.
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I totally disagree. To be a good writer, to produce a story people can truly understand, you have to keep the personalities realistic.
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I think maybe a character like Hamlet is an exception, but that just goes to show - look how much trouble he causes. There are about a thousand interpretations of him.
Still, we can agree to disagree.
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If life-based standards don't apply, we can do whatever we please with characters. Meta would be pointless, and there would be no common ground of though.
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