Obviously, a new Martin Scorsese film is worth a review. But a new Martin Scorsese film that taps into what the man himself has referred to as "the history of film noir in America? Well, that's doubly worthwhile. But first, let's dig into his canon...
The Departed has been hailed as Scorsese's 'return' to gangster films, as if the gap in
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He is, at any rate, one of the cleverest and most careful directors in American movies these days, and I'd rather see someone aim for the stars and come short than someone take the easy way out and make a piece of 'ironic' shit because they know they can't manage anything greater. The latter seems to be the prevalent mode these days.
Besides, even I didn't like DiCaprio when Scorsese first started casting him, but he's fucking good in The Departed. Hold-your-own-with-Nicholson good.
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