Thinking over my remark in yesterday's post about having read several books that were well on in related series, that these particular volumes were not perhaps the place to start, I wondered, Why Not?
In the course of many decades' reading I have read a fair number of sequences myself out of order, for a whole range of reasons, either because that
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With the David Wishart Corvinus books, I did start at the beginning and since they follow Roman politics thre is some sense in that. I don't think it would have absolutely ruined things if I hadn't, though.
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It also matters to me which order I read (or recommend to others) sets of books which are loosely joined by a chronology, but not really a series. I'd put the Miles Vorkosigan books in this category, as well as Sayers (possibly minus the 4 Harriet Vane books, which are more like a series within a set). In that case, I think of it more in terms of how I recommend it to other people: I want to give them a strong example to start with, but not the very best, and preferably get the weakest in before the last one, so that the sensation of reading them ends well. The Sayers novel I read last was Five Red Herrings, which was a disappointment to me. For me, I think an ideal ( ... )
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With looser sequences like the Discworld series I'm less bothered - Wyrd Sisters, for instance, is a perfectly good place to start, because the first two or three aren't that great. On the other hand, each of the series within the sequence is best read in order - Guards, Guards before Men at Arms or Witches Abroad before Lords and Ladies, for instance - because they really do build on the previous volumes, and while you can certainly follow the story of Men at Arms without having done so, you're going to miss a lot of the detail ( ... )
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On the other hand, I wouldn't recommend reading the Tiffany Aching books out of order, personally. There's a much tighter continuity there than in most of his stuff.
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When reading Traviss, I loved all the hints at backstory--I kept thinking it was fascinating to have so much history hinted at but not told. And then I found out it was not the standalone book I thought it was. I then got and read the other books in order, and enjoyed seeing how my interpretations of the backstory hints were correct or not; and then I got to re-read Matriarch with all this new info to hand, offering another interpretation of the story than my first read had provided.
This isn't my preferred reading method, but it works; it's just a different kind of engagement with the story--a more active reading, for me, in some ways, as I try to assemble a puzzle around the piece of a specific book, rather than anticipating a single progression of unfolding events.
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I don't mind that much about reading things out of order. I will quite often skip ahead and look at the last chapter of a book if I'm, for example, desperately worried that a beloved character won't make it. Paradoxically, though, it really annoys me when back-cover blurbs lazily give away major plot points that the author obviously meant to keep a mystery.
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