It's a fuckin' brilliant idea, it is.
It's not as if Chris has been planning it for long at all; it's just an idea he's come up with. Of course, the last time he went camping with his mates, Michelle's sister's car had ended up in the sea and Maxxie's stalker had shown up and had been shagging Anwar. Mostly, Chris had just been happy someone had
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I'm shored up by my one mouthful of wine -- I don't anticipate having more, frankly, it's not exactly me -- though, as I walk up to Eduardo. He seemed the obvious choice. I don't know the others as well, but I can't imagine many of them being as embarrassed by a girl in her underwear doing the horrible thing I'm about to as he would. In theory.
"Eduardo," I say, stopping in front of him. "So. Hi."
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"Hello, Jessica," he says, voice even, if a little expectant. "What've you got?"
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"Well, I just thought I'd come over, see how you're doing, since-" and here we go. Don't give myself time to think about it, that's the ticket. Just like busting out Walk the Dinosaur, same deal.
Only that was off-the-cuff with a couple of friends, this is slightly more crowded. Maybe not everyone's watching.
"-We're no strangers to love," I sing. My singing voice is not particularly impressive, but I like to think the higher pitch and such make it a little more livable than Pete's.
Like to think does not imply it's the truth, I am aware of this.
My Rick Astley dancing, however, is damned fine. I can Astley with the best of them. "You know the rules, and so - do - I. A full commitments what I'm thinking of, you wouldn't get this from any other guy. ( ... )
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That moment passes, and then, before he can even really register it, he's leaning forward, forehead in one hand, laughing harder than he thinks he has in a long time. Tense as he's found tonight to be at times, it's all entirely, albeit temporarily, forgotten after a performance like that, so utterly absurd that it's absolutely amazing for it. Whoever gave Jessica that dare (he doesn't quite see whom she speaks to, being a little preoccupied with what he just saw) very well might be his new hero. Things like that, he thinks, are what this game should be about, not getting girls to make out with each other.
"Holy shit," he says, still laughing, and sits up to press his hand to his mouth instead, resting it on her shoulder a moment later. "I don't know what rickrolling is, but that, that was amazing, thank you. Truly, truly impressive."
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I cover my face. I'll be all right in a second. Eduardo's reaction makes it pretty much okay, actually, that's a good laugh, I enjoy getting a good laugh out of people.
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It occurs to him a moment later that he could ask Mark about all this when they get back, catch up on all the years he missed, but no, he thinks, he doesn't need to. Comparatively speaking, it's unimportant. "So, what, there's Rick Astley, these... lolcats, and us? That sounds... bizarre."
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I think it's not bad. I'm working with limited materials, here. From memory.
Then I write underneath, Fig. 1: Lolcat.
"Cats. Captions. People go nuts for 'em. Who knew?"
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"...I have no idea," I concede, and set to work on my next project. "Because cheeseburgers are delicious? And buckets are treasured."
This one takes a bit more work, because it's a two-parter. But both are essential to the story.
Things I did not anticipate doing tonight: sketching lolcats in the dirt while sitting in the middle of the jungle in my underwear.
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"Apparently they are," he says, blinking a few times. A corner of his mouth hitches up a moment later, before he can help it. "Have you considered a career in art? Because these are, they're really good."
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Although I think I could do a better sad walrus than that. It kind of looks like a ghost, now that I keep looking at it?
Maybe I'll claim that's the message.
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