Ellenora zit aan haar kaptafel en borstelt haar haren. Ze haalt diep adem als ze de boze blos op haar wangen ziet. De herinneringen aan de woordenwisselingen met haar man Fedor blijven zich herhalen in haar hoofd
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Ja, de speler van Fedor en ik besloten dat Ellenora en Fedor saai aan het worden zijn, en dat er meer spel te maken valt door een knuppel in het hoenderhok te gooien.
Google translate really mangles it up, but I guess you got the gist of it.
Larps are such great places to do everything you know is a very bad idea. And the man who plays Fedor and I agreed that we wanted to do something about their happy marriage, because it was getting boring.
The thing that helps is the trend among Dutch larpers to plunge headfirst into things that are probably a really bad idea. To make the more drama and tension, which translates in more fun in the end. I certainly enjoy drama. The fact that my character is crying her eyes out doesn't mean I'm not having a good time
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Larps are such great places to do everything you know is a very bad idea. And the man who plays Fedor and I agreed that we wanted to do something about their happy marriage, because it was getting boring.
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How do you slip into character in a situation like that one? I'd presume it harder than usual.
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