The blank page looms before you, the prompt taunts you, and you’re feeling completely and totally out of ideas. You want to write a story, but where do you start? How do you start? When all the ideas have been had and there’s nothing new under the sun, how do you create anything at all, much less something awesome
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Comments 17
The character ones are easier. If I'm reminded of a character, why? What particular trait is getting hit on by this topic? What can I write that would clearly display that particular trait? And usually that's all I need and I go go go. :)
If I'm entirely stumped, though? I take the topic. I dissect it. Play word associations/stream of consciousness that shit until I arrive to either of the things mentioned above. And run with it. :)
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I think it's neat to be able to identify things about your writing by the way that you find things to write - you are clearly a very character oriented writer!
"If I'm entirely stumped, though? I take the topic. I dissect it. Play word associations/stream of consciousness that shit until I arrive to either of the things mentioned above. And run with it. :)"Ohhh yes, this happens with me too. This is usually step one of my "I'm not stuck, I'm just getting started!" process, except for me, it usually leads to the kind of seed concept I can run with. I do a lot of thinking about a prompt and how I can do something entirely unexpected ( ... )
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I'm one of those people who are blessed with vague ideas right off the bat, 90% of the time. The rest of the time I have to dissect things. Or when I'm trying to do something out of my comfort zone, like humor. Because then I have to think through the jokes, too. It takes a little longer, but it ultimately works for me.
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call for submissions: Conclave
Wed Aug 7, 2013 11:38 am (PDT) . Posted by: "AllisonJ" aejos
Conclave: A Journal of Character is open for submissions for Autumn, 2013. We are particularly seeking photography submissions, but also consider short stories, poetry, and short works of all creative forms.
Conclave is a bi-annual print journal that focuses on character-driven writing. See our website to see what we believe comprises great character: http://www.conclave journal.com/
We select six of our best works each year to be nominated for the Pushcart Prize.
You may read all submissions guidelines at:
http://www.conclave journal.com/ submissions/ submissions. html
Just sayin'.
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Thank you! I think it's fun, and I know a few other people who have had fun with it, too - it's often works out really well when brainstorming for intersections, because you can do a lot of back-and-forth and idea bouncing and concept generation with partners.
"I don't know about my own. I just do a lot of things on a whim and when I have to pinpoint or grasp at the details it's hard to figure out any sort of method."
I get that! Sometimes if you try to focus too much on the how when you're doing something, you lose the thread of what you were doing altogether, and trying to figure it out after the fact is a little like trying to remember dreams - grab too hard, and it all just slips away ( ... )
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That also sounds a lot like my process -- though I pick central concept first, and then pick the genre that I'd like to dress it up in. (Of course, half the time I don't follow my process and I just start typing and wait to see what happens next.)
Good job, and good luck!
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Yay, I'm glad you liked it! :)
"What sort of html / css trickery do you use to get them in superscript? The tags I've tried don't work on LJ."
It's nothing too fancy - just the sup tag around the number.
"That also sounds a lot like my process -- though I pick central concept first, and then pick the genre that I'd like to dress it up in."
Hey neat! It's fun to find someone else who brainstorms in much the same way I do. :)
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I am still awed and AMAZED at that Prufrock poem - it ranks way up there with my favorite things I've read on the internet period. The fact that you were able to make it happen just by letting go and writing... wow. Just wow.
"Your methods are much more likely to produce regular professional writing than most, I'll tell you that. Keep working them!"
We'll see! I think staying in regular practice and just committing to write a thing start to finish is the real trick - procrastination is easy, and finishing things is hard.
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That poem has always struck me as being slightly subliminal, as if part of it is happening underneath the conscious level, and if you look too hard it will flit away.
I don't know if other people feel the same way, but to try to duplicate that style and to create something that makes sense to the reader below the level of direct reason... I have to write from that level as well. One hand on the tiller to guide the rhyming scheme and word choice, but much of the time the boat must simply float.
I'm probably not describing the process very well, but I've used it before and that was its most successful result, I think!
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