Finished
Kavalier & Clay and driven to write porn / lay out my large feelings on the matter. See below for my intense cousin-shipping commentaries. Links to the supplemental short stories? Or good fan fiction based on this book??? ??? ??? where is it. Why are Gentlemen of the Road requests all over Yuletide while Chabon's more obvious nude dudes
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Comments 25
yes @ the sense of dissatisfaction w/ the ending
yes @ wanting rosa, joe, & sam to stick together goddamnit
(seriously what does sam think he's going to do? it's kind of baffling to me because -- like you -- I'm not sure going out to LA is going to improve his life at all. but then, what do I want for sam? for him to just stay in that house twiddling his thumbs and taking care of the kid while rosa and joe bang each other in long-delayed happy heterosexual bliss? that's not a particularly satisfactory arrangement either ahaha ( ... )
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Sam's going to LA is clearly this tragic, tragic, super tragic effort to recapitulate the moment with Tracy on the train where he fucked himself over for good. Tracy is dead and Sam is no longer the It Kid of page and screen. He probably has a lucrative future in writing movies, but I keep getting the sense that between Tracy and Joe, Sam chose Joe, and the choice severely bit him in the ass
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When Joe asks, Why did you do all this? Sam just says, Well, I was not brave enough to be a fairy. Which I take only as hearsay, because Sam has to answer somehow, with at least a portion of his truth. The more important question is why he didn't leave once the going got tough.
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THIS is why I love Sam so much and you've encapsulated it perfectly in your GLORIOUS AS FUCK essay. I can't even think of anything to add. Just constant nodding in agreement.
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That said, I do really like Rosa. And I don't dislike Joe that much but Sam sort of forces them into this holding pattern of Sam/Joe sides of a coin and I start feeling resentful when the Joe-lonesome storyline comes into view because it means less time with Sam, who gets short shifted in terms of developed storylines independent to his relationship to Joe (all we get is a handshake flashback sentence and a signed photograph? fjkdal;fjda). And yeah his inability to separate himself from is cousin is the POINT, self, but...
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I like Joe a whole lot man. As I have mentioned, he is very hot, and his story is the most exciting and dramatic. Arguably the most heartbreaking and mythology-laden of all. He sets everything into motion.
I just wish this book had a little more Sam. That's kind of the point of my essay, ahah. I want to know what has kept him kicking throughout all the shit that goes on! And what he actually, truly feels for Joe. Or even for Tracy. "Love" is kind of an easy catch-all in both cases. All of that is sort of nudged aside every time it comes up! Frustration.
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Sam eventually hooks up with another gay cop TO BUY JOE'S FREEDOM? Jesus.
THAT WAS JUST LIKE. IN THE BOOK. IT WAS JUST LIKE ONE LINE AND THEN IT WAS LIKE IT DIDN'T EVEN HAPPEN
AND I WAS PRETTY WIGGED OUT BY THAT
UHHHHHHH
OK LIKE REALLY WIGGED OUT
essentially, in my head: "WAIT YOU DIDN'T JUST.... nuh-uh............... wait WHAT."
ok
just wanted to say that
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DOES JOE EVEN KNOW
IS A MILLION DOLLARS THE CORRECT RESTITUTION
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