She had more or less convinced herself she'd dreamed this place. The writers' room had gone on being the writers' room, they'd all weathered Hilary's rivalry with Grace Cavendish, and while Betty has no idea what happened to upset Mr. Winthrop, it seems to have blown over too
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Though the weapons are slightly worrying, perhaps.
"Mr.--er. Spoon, good evening."
He prefers not to have a title, if she remebers correctly.
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She's used to war news, really. But not to knowing people who are, as they say, in the thick of things.
"I've been fine," she adds. "A little busy, but nothing too out of the ordinary.
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'...Right.' It's a young woman somewhere around Betty's age, dressed in a khaki-and-olive-drab uniform with a square satchel slung over one shoulder. 'A fortnight of it not showing up, and now it does. I do wish it wasn't always behind Mr Foyle's door, though....'
A Englishwoman, by her accent. And clearly more than a little oblivious to anyone standing nearby.
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"Oh, my," says Betty. "Are you . . . are you all right?"
An American, clearly, bu the accent. But the clothes mark her neatly as from about 1940.
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She reaches up to smooth her hair, tucking a stray strand back underneath her cap. 'I'm fine, really. I simply wasn't expecting to end up here again. Mr Foyle's door hasn't opened here for a while, and I was wondering if it would.'
Now that it has, she's rather pleased.
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She holds out the hand not holding the script.
"Betty Roberts. Of Pittsburgh. In Pennsylvania."
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