Things Fanfic Must Stop Doing - A series of arrogant rants and grumpy mutterings. - Rant #3
I should have known that being all complainy would be the only thing that could get me to make daily entries here. Why have I been cursed with the ability to whine so incessantly?
Today we look at something a little less glaringly awful than The Burly
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Comments 26
Oh, but that can also be horribly abused! I (started) reading a fic the other day where the author had tried to do this. However, the transitions were extremely abrupt and not indicated in any way. You'd be reading along and, figuratively speaking, come to a screeching halt in realisation that you were no longer in the same scene or dealing with the same characters. In this case it was compounded by the fact that the author seemed to have little grasp of html or formatting and many scene changes were done without even benefit of a new paragraph! Coupled with the facet than they had used a computer spill checker but apparently never red the result, it got abandoned very quickly!
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"I'm not sure, but at least it wasn't an elephant."
After that, things went rather smoothly for a few days. It wasn't until nearly a week later that Joe finally got a response. It was late in the afternoon, and he had been finishing his laps around the school when he heard Patricia calling his name.
"Joe! Joe!"
You get a transition from one scene to the next, but without the need for the asterisks ( ... )
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What about it doesn't feel like a transition? The narrative has moved on to a different time and place.
And what if you want to move onto characters that are in no way conencted to the previous scene.
1. You start a new chapter.
2. You use the three-asterisks or some other artificial break. I never said you shouldn't use them, you just don't do it every two paragraphs.
3. You realize maybe the kind of story you're writing shouldn't have POV changes like that in the first place. That's one of the big issues I didn't really mention. Certain writing styles do not lend themselves to having quick-POV changes, or even any POV changes. Again, one can look at Harry Potter for a good example. 99% of those stories are from Harry's point of view, with only two or three instances in which we see something through someone else's point of view - all of which are treated as a dream sequence for Harry.
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I would say twice in 5000 words isn't terrible, although as you said, in most published fiction it's going to be used far less often. As long as you're aware of what you're doing and understand how and why you're using it, you're better off than most people. Sometimes you challenge yourself with writing and you find you can't work your way out of a scene without using a trick like that. That's okay. You're pushing your personal envelope and making the effort to improve yourself. Maybe this time you can't figure out a way out of it, but maybe next time your scene winds up being more skillfully crafted as a result.
Sometimes when you write yourself into a corner in one story it means you are better able to avoid such a trap in the next story.
Sometimes you may want to do it just because you are writing ( ... )
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There is a balance though isn't there between being conscious of what you're writing and allowing that awareness to stifle the creative muse. Too much concentration on the technique and too little on the expression. As with all of these things balance is the key. When both are right you get excellent fic. The problem being honing technique can often seem too much like work and people are often writing specifically to avoid that pressure?
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Someone could certainly write a story, most likely a short story, in which it was nothing but a series of short scenes not connected by a normal narrative.
The examples I'm complaining about are more like massive crossover stories where every few sentences the action jumps to a different POV.
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