Day 17 - Favourite mini-series. (I'm rebellious, I'm doing the days out of order. This post has to be done on a Sunday - classic period drama day. ;-D Besides, as
pedanther pointed out, otherwise this meme ends on a really depressing note
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But it did do one teeny, tiny thing for you... It was & is such a major push in getting me to write my 1851 fic! :lol:
I liked it the first time, but I wasn't sure whether that was just, erm, the shock of seeing RA for the first time, but I rewatched visiting a friend a couple years ago, and then had to get it for myself, and each time I notice more, and I'm left incoherent babbling at it.
But I mean, I could see for a start, how easy it would be to find all the characters annoying for the same reason I like them, and obviously, I'm not looking for flaws here! :-D
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Yay!
*wants*
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This adaptation is wonderful; as you say, the writing, score, and acting by all parties is fantastic.
What I like even more is that when I first watched I had no idea who any of the actors were, so was able to get into the characters and story that little bit more. And okay, let's be shallow, but.... *ahem*
"I've seen hell - and it's snow white." Such a striking scene, music and all. I have so much love for this miniseries, I really do. :)
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I don't care if it's short or long, I'll rewatch anyhow. Like the P & P with Colin Firth? How long is that? I've watched it so many times now though, and ever time it's better.
The music, and the machines (where did they film that?) and the contrast of his dark and sharp silhouette against the bright, smudged white cotton in the foreground; I applaud the Director of Photography there.
Yes, pretty. I don't particularly like shallowness either; but I was watching it with my sister, and we were both quite surprised he hadn't been noticed before. We think it's the eyes - that he wouldn't be as lovely without the strikingly clear blue eyes (and as for acting about a billion emotions without actually having to say a word, well...)
I don't have the DVD, sadly. I'd like to, though.
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It's said that you can tell a railway enthusiast by the fact that when he's talking to a pretty woman and a train goes past behind her, his eyes follow the train. That seems to apply to me, since my reaction was to watch bits and pieces, recognise the bits filmed at Horsted Keynes, and then go to my copies of Bluebell News to find the account of the filming (it's in the Autumn 2004 edition, as it happens).
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:lol:
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Well, as I said, it is deliberately shot in a much more modern way - that may help. Probably the typical in-house style for a period piece may be sending out unconscious signals that alienate you. Or something. Maybe. :lol:
I like it, anyway. I really enjoy lots of the BBC's classic output, but this one is a little shorter than some and really bears rewatching. But you know the sorts of things you like and don't!
But, yep, the final scene is on a railway station halfway between north and south... ;-D
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