Title: Because You Left, Chapter Thirteen: Special
Pairing/Character(s): Burt, Kurt, Ben, Blaine, and Walt Lloyd
Rating: PG-13
Warnings: Chapter takes place in a hospital setting and there's some mention of injuries and treatment, but it's all very vague. Some potentially disturbing imagery right before Walt arrives.
Word Count: About 8000
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Comments 26
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He's such a Schue's kid, though. Oh my God, he's such a Schue's kid sometimes.
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Walt! WAAALT!
They took my son!"
/disco beats
The scene with Walt is, for me, basically equivalent to the Taller Ghost Walt/Backwards Talking Walt scenes on LOST; it's part of what makes him special, that he can sort of reach out like that. And because Blaine is very receptive, it makes things interesting. I'm actually not totally sure whose memory Room 23 actually was -- it may have been something Blaine was picking up from Walt; it may have come from somewhere else entirely.
I watched the Room 23 video as often as I could while writing that scene, which was not actually a whole lot. I swear, every time I watched it, it made my brain feel funny. Even in, like, a little YouTube window on a little netbook screen, that thing is freaking overwhelming.
I apologize for the Ugly Crying, but in my defense, no one wants to be that author who's like: "THIS SCENE WILL MAKE YOU CRY SO HARD !!1!one!" and then you just sit there and read it stone-faced, so.
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Re: Walt in this chapter: cool, I had that thought for a minute when reading this just because of the feel of the scene and how he was there and then not there. But the conversation they had felt like it definitely happened and wasn't just the result of Blaine's doped up imagination. Plus, I hadn't even thought of the memories of Room 23 not being Blaine's--you blew my mind! Magical Walt is magical. Receptive Blaine is Receptive.
I've watched that episode where they take Karl out of Room 23 a few times, and the one thing that always takes me out of it a bit is the guy guarding the building the room is in. I immediately recognized him from It's Always Sunny in Philadelphia and was like "what the hell is Mac doing on Craphole Island??" And since we barely get any kind of characterization for that guy, he will forever be Mac to me. And it's still sort of jarring.
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Also, this is not the first time I've read one of your fics and wanted to see it on film. The way you tell stories and set scenes gets me thinking about frames and pacing and camera angles and soundtrack. Which is odd in a story that's so much about characters inner monologues, but totally fascinating.
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Which makes him an interesting foil for Ben "Yes, I lied. That's what I do" Linus.
I'm glad this is coming across visually for you! I haven't always been a visual writer (I think primarily in voices, and not in images), so that makes me happy.
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