Who?: Mark Hoffman
What?: If you count that on Friday we had Fourth Wall Day, Hoffman's
sister was here. And he's been in his room since then. So at some point, he had to eat. And go to the bathroom. He might fail abysmally, but you know. He's also venturing out in search of more liquor. So we could work with that.
why?: I've been hit by a case
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Comments 164
Instead, he has managed to stack peas into a mountain. He builds it up and knocks it down, builds it up, knocks it down, still listening to his communicator.
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So Hoffman's showered and is trying to shave. Except there's occasionally a loud muttered curse from the men's room. Then-he emerges with several white flakes on his face.
Hard to focus.
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Still, a guy's gotta get clean, so here's David padding in wearing a T-shirt and swimming trunks. He usually comes at times when there aren't any people, but he's gone a few days without one and started feeling ripe.
He had no intention of staying if anyone was in here, mind. But he didn't see anyone, so he came in and started heading for the stall nearest the wall.
And that's when there's a loud curse from past the bend and before David can change his mind, Hoffman emerges.
The effect on David is instantaneous. He backs up a good three paces, the blood draining from his face.
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Not looking well is an understatement actually. His clothing is incredibly rumpled and his hair is matted and stuck to his forehead. With one smooth motion, he wipes the toilet paper from his face.
It could be argued that he doesn't see David-until he hears him. Feet on tile.
He turns his head to face him. David might be shocked-Hoffman looks dead.
"...Scared?"
No relishing in the word, no violence, just talking. Blank.
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David's response is immediate.
It's also a lie. He's depowered, his warden's death tolling, and he's alone in the showers with the guy who almost killed him.
So yeah, he's scared. But he'll die before he admits it.
"Am I supposed to be?"
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Hoffman has commandeered a post in the art room where he is drawing. He'll be here for most of the day chances are. There are quite a few images floating around-some of an attractive brown haired woman-some of an older man. There's even one that looks like Amanda, and one that looks like Lupin, and one that looks like Sarah, and..
He's intently-intently focused.
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He took out his paints and mixed them without comment, though he did glance at the man, eyes tracing his profile and memorizing it. He had interesting scars.
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He continues to work-tracing bits and pieces of her. It's rather elaborate.
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Lupin used to tell him to come here when he was feeling angry or upset and that still sticks-except Hoffman's doing his best not to feel anything. However-it seemed like a good idea.
The last time he was here, he tried to say goodbye to his friends and failed-as far as he was concerned. He couldn't say what he wanted to say or the things that he wanted to think.
But he still liked being there. Except-no warden. So he's standing outside-correction-sitting outside hoping for someone to pass by to harass into letting him into the CES.
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He spent a good portion of his time in his room, waiting for some word from his wife. Acting how she would want him to act. Staring at the four walls.
And growing more and more sullen when no word came.
Now, he's out, exploring the parts of the ship which aren't the dining hall. When he sees Hoffman, he stares, noting the scar and vaguely recalling the conversation they had when he first arrived. And then his eyes move on to something else: the door of the CES.]
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At Rodolphus's approach he looks up-and back down. No warden right?
He looks up again just to make sure.]
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someone's using his sketchbook that he got from Stildyne and drawing pictures of flowers.
It's an easy distraction. He's really trying to take his mind off of everything that's happened. Trying to let things go. So he's doodling pictures of flowers.
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It hadn't been hard to notice that Hoffman had taken a serious blow, and Angelina-on-the-network had said she'd speak to him. So.
"How's your hand?" Stildyne sits next to him, with a wary glance at the vegetable life that surrounds them. ...if Hoffman weren't his friend, he really would happily avoid the place.
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By way of response, he holds up his bandaged hand without a word.
He should really go to the infirmary to get a check-up, but he's been...preoccupied.
"...It's okay."
His voice sounds rough, "Look."
He flips up to a page in his sketchbook. It's a collection of drawings. One of them is Stildyne's friend-and the other is a slightly grizzled version of Stildyne himself.
It is joined by a picture of an attractive woman with frizzy hair and another couple of flowers-and a cat.
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"Interesting cat, it is."
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