Ok! so our discussion topic this week is L'Arc~en~Ciel songs that when played live tend to sound better than their recorded counterparts. As well as listing the songs this week it would be great if you give a few examples of why these song versions are so much better
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Promised land - they jack up the tempo here so much live that I've actually begun to find the recording really boring; it almost seems as if it's lagging at parts. Needless to say, this makes the live version so energetic and moving, which is perfect for concerts. I can't say for certain which performance is best because they always speed up the tempo, but possibly one of the late 90s concerts?
Fare Well / Caress of Venus - (I know this is two just hear me out ok) I fucking love the segue between these two songs, and I wish that they'd utilize it more often rather than just delving straight into Caress of Venus. Had it not been for hyde's shitty ass rasping during Shibuya 7 Days (who the fuck tries to scream in Fare Well no), this would've been perfect then. Also, it's another excuse to play Fare Well and any excuse for more Fare Well is fine by me.
Perfect Blue - Shitty procession and exit aside (not to mention hyde's stupid poncho), the live versions of this song have a really nice feel to them. My ( ... )
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And YES wow whatever happened during the 15th L'Anni needs to happen again because that shit was so on point... could be because hyde actually practiced singing but who knows hmmm.
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Drivers High
Yes. I was waiting for someone to talk about that long note, and how that has now become the highlight of this song. he sometimes mixes abit of growl in that but my favourite instances L'anni 2006, AYR, ToK, holy fuck when he killed that part each time - perfect key not a hitch in that flawless delivery - and alwaaaaaaays showing off how effortless it was to him. Yes. That bridge will always be one of my favourites of all laruku composition, made all the better with the atmosphere of the live.
Seventh Heaven
Funnily enough, this isn't even one of my favourite songs but dayum does it get the party started and the crowd going. Its not a regular on my ipod playlist, but definitely a favourite concert setlist number. That pumping beat, ( ... )
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HEAVEN'S DRIVE - The live version has a much faster tempo, I can't help but think the studio version is lagging behind as a result of listening to the live versions so many times. The same can be said about HONEY.
My Dear - I never thought I would like this song. But seeing L'Arc perform live in Paris back in 2008 changed everything, especially with ken's piano intro and hyde's mesmerizing voice. This song is pure epicness, it's up there with the likes of forbidden lover and finale. The recent L'Acoustic version is even more amazing.
X X X - The studio version seemed to use electronic instruments (synthesizers?) for the start of the chorus sections (that "DUN" beat that's repeated a few times), whereas we hear much heavier (earthquake-inducing) bass and guitar portions in concerts. Love it.
Pieces - There's just something very nostalgic about the sugar-coated melody used in Pieces, I particularly love ken's ( ... )
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