I've noted discussions about fandom and fanfic popping up in a few non-fannish locations of late, prompted largely by recognition of the
Organization for Transformative Works on more mainstream blogs like BoingBoing and John Scalzi's Whatever. It has, of course, prompted the usual debates from detractors and defenders, and really there's nothing
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I've read fanfic that made me click the back button within a paragraph, so poor was its execution or so nonsensical its concept. On the other hand, I've read published fiction where I can't get past the first page because it's so fucking bad, too.
I've also read fanfic that is as well-written and tightly-edited as any good published work (leaving aside the Great Works Of Literature [tm] of course). The ratio of good-to-bad is higher for profic than fanfic largely because anyone can publish fanfic with absolutely no quality checks at all, whereas the vast majority of profic is edited and polished carefully. Fanfic that is as carefully edited and polished as published work is often comparable in quality - and it's not actually all that rare, depending on where you look.
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Granted, of course, not all fanfic falls under this category, but I'm reminded of being at work and people displaying their drawings proudly and having to sort of make pleasant noises while thinking 'That looks like utter crap.'
Granted, every once in a while someone pulls out stuff that's jaw-droppingly good, which is nice... but on the whole if someone offers to show me artwork in a casual setting I have to steel myself to be polite.
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And original writing from everyone is on the same crap to good scale as fanfic. What gamer hasn't had to hear about someone's great idea for a homebrew setting that was totally silly to everyone except the people in that gaming group?
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In any case, I don't see the relevance of "having to steel yourself to be polite" to the issue of writing being treated differently from any other hobby in the fashion I described in my post.
[* - I honestly would be very surprised to hear of incidents of a fanfic writer actively soliciting for readers outside of their own space or appropriate community spaces (shared fanfic communities, fanfic mailing lists, etc). It's just not done, if for no other reason than the fact that people outside the fandom community aren't the intended audience for the fic in the first place.]
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If you burn brownies, you are less likely to hand them out to friends. If you keep clocking yourself into trees while playing touch football, you have a pretty good idea of your skill level.
I think writing is less 'certain,' in many respects; there's basic technique, like spelling things correctly. But whether it's effective prose? Um. Not obvious!
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Recently I've taken to answered the "what do you do?" question with "I'm a writer", despite the fact that this invariably leads to the question, "What have you had published?" to which I have to answer, "I'm finishing my first novel at the moment." The inference: that one can only claim the label of writer if one has had things published. (Not to mention the commonness of, especially in spec-fic in Australia, the phrase, "Nothing in a paying market", suggesting that only sales that actually earn money are to be respected ( ... )
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There is no overt way to tell a happy hobbyist from a frustrated would-be professional.
Publication provides a simplistic metric for people to feel assurance that it 'matters.' Not fair, but there you go.
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...except when you have hobbyists themselves telling you that they're perfectly happy with their hobby and have no desire to be a professional, it's somewhat insulting to tell them that no, no, all hobbyists want to be professional and that their satisfaction as a hobbyist is tantamount to an admission of inadequacy.
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This is a straw man argument that's frequently brought up against fanfic writing - and probably any hobbyist writing, in fact: the assumption that Publication is the inescapable goal for any writer, and that those who aren't seeking publication are therefore automatically inferior because they're wannabes who aren't good enough to be published.
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