You know what Doctor Who really, really needs? Women on staff. Someone to advocate and stand up and say, "You don't just accept that your child is going to be a psychopath -- you don't not mourn their loss all the time. It would be pressing. It would matter, and it doesn't matter that this is a children's show, because I think we should show children that they are important, and that they would be missed if they weren't around."
THIS THIS AND MUCH MORE OF THIS. Everyone that I talk to seems to just shrug off so much of Moffat's lack of sensitivity towards other human beings. I cannot.
I am by no means a Moffat-hater -- I tend to like his concepts for plots and appreciate his monsters so long as he is not expected to develop them -- which is, I feel, a pretty consistent disappointment to me. I do, however, feel like he gets a "pass" a lot of the time as far as basic human emotion because people go "Oh, but that's so clever." To each their own, I suppose, I'm just hyper-sensitive to the fact that most of his insensitivity is to the women of his scripts. *shrug*
I can't help but think that if Julie Gardner were still involved with Who, that LKH (and, to a greater extent, the River Song story arc) might have played out much differently.
I think there is a better way to work back to the plot point of River killing the Doctor (which I think we all suspected she'd done anyway 'round about The Time of Angels) without having some new, never-before-seen nemesis of the Doctor brainwash his companions' daughter into killing him when she was, what, 6 years old? I get timey-wimey and all that, but really - it just feels like Moffat is indulging some sadistic streak with this storyline. I'm also afraid that he's painted himself into a corner with the death of the 1100-year-old Doctor in April 2011, and that he's going to do some shit retcon to get himself out of said corner before the season is over.
"Let's Kill Hitler" was, you know, about what I'd expect from a Moffat episode: It was a hot mess.
Heh. That was how I started my review of the episode the first time I tried to write it up before we lost power for a few days.
Here is my favorite description of Moffat's episodes (from tardis_stowaway
Let's Kill Hitler basically threw together a handful of shiny and wonderful things, a handful of total fail, and a few random plot elements from Moff's idea notebook that he hadn't found a way to include anywhere else. Then it stuck it all in a blender until it became a lumpy slurry of the wonderful and the infuriating and tried to pour the mixture into a too-small container.
Your description of what current DW needs is so, so accurate. Admittedly, I don't care for the current team anyway, with the exception of Rory, and I watch episodes trying hard not to expect to dislike them - but even with that preconception I've been astounded at the assumption that parents who've had their newborn baby kidnapped will just carry on as if nothing's happened
( ... )
but even with that preconception I've been astounded at the assumption that parents who've had their newborn baby kidnapped will just carry on as if nothing's happened.
Yes, this basically. I mean -- come ON. Surely there are parents on set? I don't know -- I understand the desire to have a fun show, but then this shouldn't be your plotline of choice.
Thanks for the luck-wishing! The interview went well. I should know by the end of next week.
I pretty much agree with your assessment of "Let's Kill Hitler". I don't get how Amy (and Rory of course, but mostly Amy) isn't more upset about their baby being missing, and then finding out that she was programmed to kill the Doctor. *shakes head* If I think too hard on it my brain hurts. I will say this, though - Alex Kingston looks like she had a LOT of fun with the episode, and I am still happy that she is involved with DW. I know I've said this before, but her ass-kicking River Song is such a welcome change from her long-suffering Elizabeth Corday.
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THIS THIS AND MUCH MORE OF THIS. Everyone that I talk to seems to just shrug off so much of Moffat's lack of sensitivity towards other human beings. I cannot.
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I think there is a better way to work back to the plot point of River killing the Doctor (which I think we all suspected she'd done anyway 'round about The Time of Angels) without having some new, never-before-seen nemesis of the Doctor brainwash his companions' daughter into killing him when she was, what, 6 years old? I get timey-wimey and all that, but really - it just feels like Moffat is indulging some sadistic streak with this storyline. I'm also afraid that he's painted himself into a corner with the death of the 1100-year-old Doctor in April 2011, and that he's going to do some shit retcon to get himself out of said corner before the season is over.
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I don't know. It just bothers me.
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Heh. That was how I started my review of the episode the first time I tried to write it up before we lost power for a few days.
Here is my favorite description of Moffat's episodes (from tardis_stowaway
Let's Kill Hitler basically threw together a handful of shiny and wonderful things, a handful of total fail, and a few random plot elements from Moff's idea notebook that he hadn't found a way to include anywhere else. Then it stuck it all in a blender until it became a lumpy slurry of the wonderful and the infuriating and tried to pour the mixture into a too-small container.
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Yes, this basically. I mean -- come ON. Surely there are parents on set? I don't know -- I understand the desire to have a fun show, but then this shouldn't be your plotline of choice.
Thanks for the luck-wishing! The interview went well. I should know by the end of next week.
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I pretty much agree with your assessment of "Let's Kill Hitler". I don't get how Amy (and Rory of course, but mostly Amy) isn't more upset about their baby being missing, and then finding out that she was programmed to kill the Doctor. *shakes head* If I think too hard on it my brain hurts. I will say this, though - Alex Kingston looks like she had a LOT of fun with the episode, and I am still happy that she is involved with DW. I know I've said this before, but her ass-kicking River Song is such a welcome change from her long-suffering Elizabeth Corday.
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Thanks for the luck-wishing! It went well. I should know by the end of next week!
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