I’m sure you have noticed by now that I have a special interest for 18th century beauty and I’m more and more seriously contemplating on trying more beauty recipes from the time. I was quite delighted recently when I found that
Ageless Artifice has several new and interesting items like Spanish white for face makeup and more rouges. Unfortunately I
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It might look very, very white to the unaided eye. Whether one would perceive it as stark white...?
I'm assuming the saffron is there to "warm" the white a little bit, but also that as Spanish saffron is very expensive only a small quantity is used (or wanted.)
I'm also guessing that the zinc used is zinc oxide, which is white: it's still used in painters' oil paints, I believe, and it used to be used in an ointment (zinc oxide in a white petrolatum base) to prevent sunburn, usually on the nose; this ointment used to be see on the noses of lifeguards at beaches all over this country. If I'm recalling correctly, it disappeared for a while, but is back again for use as a sun block, a sunscreen, as a diaper rash cream or ointment, and the zinc oxide itself shows up in quite a lot of products including some modern cosmetics.
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That would certainly be safer---much safer!---than either lead or tin.
Titanium dioxide is known for its brilliant white opacity. :^)
I shall be very interested to read what you learn from your 18th century cosmetic trials!
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